Erich Wolfgang Korngold’s “The Silent Serenade,” written in the 1940s, was given its English-language, United States premiere by Mannes Opera. nyti.ms/4se5rMR
R.B. Schlather’s vibrant staging of Handel’s “Giulio Cesare,” playing in the Hudson Valley, is a bright spot in a bleak landscape for Baroque work in New York, our critic writes. nyti.ms/42JHPnt
Stephanie Ann Boyd reviews the Courtney Bryan Composer Portrait on Sep 12, inaugurating the 25th season of Miller Theatre's seminal series. buff.ly/3XnvzX6
Here we gooo (!!) In honor of #Paris2024, we're throwing it back to the 1984 games in, you guessed it, Los Angeles.
Let's go team USA 🇺🇸✨
[Deborah Sussman, Stephen Silvestri, Sussman/Prejza & Co., LA Olympics 1984, 1984]
The Music Critics Association of North America has given its 2024 Award for Best New Opera to the composer Rene Orth and librettist Hannah Moscovitch for 10 Days in a Madhouse, premiered at Opera Philadelphia @OperaPhila in September 2023.
We asked countertenor @A_R_Costanzo — who performs at @MetOpera and was just appointed general director and president of @OperaPhila — about the insulated tea glasses, fountain pen, and moisturizer he can’t live without trib.al/sBpPufb