Argonauts Kickstarter Friday

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Argonauts Kickstarter Friday

Argonauts Kickstarter Friday

@AshWriting97

https://t.co/5hor68RPR1

Katılım Haziran 2022
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Argonauts Kickstarter Friday
Argonauts Kickstarter Friday@AshWriting97·
Yes, I’m a fan of Superman ‘78 and the fun side of comic book stories. And if you are too, consider signing up to be notified for Unbreakable Argonauts #2 - a pulpy love letter to golden age superheroes and retro science fiction kickstarter.com/projects/argon…
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Larry King
Larry King@larrykingundead·
What it's like dealing with certain replies.
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Don’t think this is sad at all - he goes around using slurs trying to provoke exactly the kind of confrontation that happened. If you wanna talk about the wider social impact of social media, fine, but 99.99999% of Americans on social media aren’t doing what he was. This wasn’t something the average American zoomer just stumbled into doing.
Frank McCormick@CBHeresy

Watch ChudtheBuilder when he hears the charges and bail conditions. He looks absolutely crushed by the weight of reality suddenly set upon him. And honestly, it’s sad. Not just sad, but tragic. He is 28 years old and a father, and he became drunk on the perception of power — and sometimes invulnerability — that comes with social influence. This is a cautionary tale about the danger of unearned power and influence. For the average person, having tens of thousands of followers here can feel life-changing. Reaching close to 100k can feel like winning the lottery, at first. It can be exhilarating to reach millions of people and feel like you are part of a small elite capable of breaking social media news with the right post or moving tens of thousands of people with a few carefully crafted words. Even in the real world, people begin to treat you differently. It’s ridiculous, but true. When people find out you have a following, they begin to ascribe special significance and power to you that is usually grossly exaggerated. They think you are special and important and capable of doing things for them, and so they begin offering things to you. For people like Chud — young men who have never been “somebody” before — being thrust overnight into social media “stardom” (even if it is lowbrow, C-tier stardom) is intoxicating. Before, you were someone who always had to say “yes sir” and had accepted that life would consist of hard work with little respect or payoff. Now you begin to wonder how high you can climb and how much power, fame, and influence you can amass. It’s so intoxicating that it warps your ability to think rationally. You see the numbers — 200k+ followers and $70k in donations, with more pouring in — coupled with an endless stream of affirmations in your DMs and comments, not the reality that your reputation is being cemented as the guy who walks around calling Black people “n*ggers.” In a matter of weeks or months, you have achieved more influence and reach than most men could ever imagine. But here’s the rub: you did it without the years of hard work and painful lessons most people who achieve that kind of standing endure on the way up. You’ve been handed power and influence absent the wisdom that comes from earning it yourself — and you acquired it not by creating something important or valuable, but through cheap parlor tricks that entertain people who don’t care how this ends for you, only that they are entertained along the way. And so, emboldened, a man like Chud sets out with his camera, gargantuan hubris, and an army of followers telling him to “keep going,” even if that direction leads straight off a cliff. But you don’t see it, because you haven’t earned the wisdom that comes from smaller failures and hard-earned lessons earlier in the journey. Fail? How could you fail when so many people support you? Hundreds of thousands — even millions — are cheering you on. You must be doing something right. And in fact, you become so convinced that you are justified and untouchable because of the hordes you perceive behind you that you grow brazen and reckless, going so far as to predict that this story ends with a “dead chimp” and “me walking free.” And then it happens: your opportunity to “take a stand” and show your audience what this was really all about. But when the police arrive and arrest you, and the discussions begin between your lawyer and the district attorney, you suddenly realize that all your fame, power, and influence were an illusion. It existed on X, but the social capital of X suddenly means very little when standing before a judge and jury who have no idea who ChudtheBuilder is. Your viral posts are no longer impressive; they are evidence — an indictment of a reckless man drunk on power. You are now learning your first real lesson about the pitfalls of power/ influence, but at an apex where the fall is unrecoverable: forgotten and alone in a jail cell.

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Scott Snyder
Scott Snyder@Ssnyder1835·
The most 2026 headline
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Argonauts Kickstarter Friday
@comicbooklundy @larrykingundead Yep. It’s genuinely just hard for me as a writer because I feel like some artists have an expectation that they’ll be able to jump right into sequentials, but there’s an art to layouts and storyboarding that has to be learned for sure.
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Steve Lundy
Steve Lundy@comicbooklundy·
@AshWriting97 @larrykingundead Unless the artist is looking for cover or pinup work, portfolios they should have mostly sequential pages. I get why artists don't practice story pages. Story pages usually have between 4 to 6 panels. It takes several attempts to get a panel right. Multiple that per each panel.
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Larry King
Larry King@larrykingundead·
Artists that say that want to do comics and who produce impressive sketchbooks they'll share on social when you ask them to see sequential art they've done.
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Slight delay to comic book launch! Have to onboard my Stripe account a second time because last proof of address was a month out of date
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Dustin
Dustin@r0ck3t23·
Jeff Bezos asked a room to imagine going back a hundred years. When almost everyone was a farmer. And telling those farmers that in 2018 there’d be a job called “massage therapist.” Bezos: “They would not have believed you.” Then a friend took it further. Bezos: “Forget massage therapist, there are dog psychiatrists.” He looked it up. Bezos: “Sure enough, you can easily hire a psychiatrist for your dog.” The room laughed. The point under the laughter wasn’t funny at all. Every time a major technology shift hits, we do the exact same thing. We count the jobs it will destroy. We never count the ones it will create. Because we can’t. They don’t have names yet. The fear is always specific. AI will replace accountants. AI will replace radiologists. AI will replace drivers. The fear has job titles and timelines and projections. The opportunity has none of those things. Because you can’t name what doesn’t exist yet. A farmer in 1920 could understand losing his job to a tractor. He could not understand gaining a career as a social media strategist. Not because he lacked intelligence. Because the entire chain of inventions between his world and that job hadn’t been built yet. Radio. Television. The internet. Smartphones. Social platforms. Creator economies. Every single link in that chain had to exist before “social media strategist” could even be a sentence. That’s where we are with AI right now. Everyone is staring at the tractor. Nobody can see the thing seven inventions away that doesn’t have a name yet. The fear is loud because it fits inside language we already have. The opportunity is silent because it doesn’t. Every technological revolution in history created more jobs than it destroyed. Every single one. Not because anyone planned it. Because human needs expand faster than machines can fill them. We didn’t need massage therapists when we were breaking our backs on farms. We needed them after machines freed our backs and stress replaced labor. The demand didn’t disappear. It migrated somewhere no one was looking. That is exactly what’s happening right now. The jobs AI creates won’t make sense to us yet. They’ll sound as absurd as “dog psychiatrist” would’ve sounded to a farmer in 1920. Until someone is running a $200 hourly practice with a six-month waitlist. The entire conversation right now is about what we’re about to lose. Nobody is talking about what we’re about to gain. Because the gains don’t have vocabulary yet. A hundred years from now, someone will stand on a stage and describe the jobs we couldn’t imagine today. And the audience will laugh. The same way we just did.
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Argonauts Kickstarter Friday
I’d also actually say this for fellow writers. Writing a short story isn’t the same as scripting a comic book. Before I ever approached writing my own comic I used to write scripts for DC stuff, the first full length practise script I wrote was a Kamandi Doctor Fate crossover comic just to get the hang of it and visualise things. I started doodling panels with stick figures and then using PNG graphics to put together short and simple comic ideas I had. Have a few short stories scripted out before you start writing a full length comic
Argonauts Kickstarter Friday@AshWriting97

I’ve always wondered why some artists don’t practise sequentials between jobs. I can’t draw for shit, but if I could and had the time you’d be getting at least a bimonthly comic strip out of me. A lot of the time when I’m asking artists for their portfolios to work with them, a big chunk only have concept artwork to show off and nothing else… MAYBE a cover commission. But no feel for how they approach interiors and panel layouts.

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Argonauts Kickstarter Friday
Depending on how Unbreakable Argonauts goes and how much we raise, I’d like to pay some creators to host short stories they’ve already made, just to bring them some exposure. So honest question for creators: what do you think is fair compensation for doing something like this? Let’s say I’m looking to host 6 completed pages of your work in the back of an anthology? And to be clear I’m NOT talking about commissioning original artwork, this would be closer to an ad/previews pages to spotlight your comic and drive readers to your work.
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Honestly 100% for me. One of my favourite runs of the last 10ish years was Tomasi on Tec specifically because he switched up the stories so much. Sometimes a big factor is if a writer I love is on a series, I don’t want to feel like I’m only getting a single arc out of them on that book. Like if we got Venditti on JSA, I *really* want lots of 2-4 issue arcs instead of DC booting him after a single 12 issue arc
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Larry King
Larry King@larrykingundead·
If you can't top the film, don't remake it. Besides, as the film said 40 years ago, THERE CAN BE ONLY ONE!
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The longer you look at the word “tomorrow” the weirder it looks Especially in all caps
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@RetroMoviesDB The movie and character have been a massive influence on me! Created all the way back in 1936 but nowhere near as well known as Batman unfortunately
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