aspek rasio

Tulisan baru berjudul 𝙏𝙪𝙧𝙖𝙣𝙜 𝙙𝙖𝙣 𝙍𝙚𝙫𝙤𝙡𝙪𝙨𝙞 𝙆𝙚𝙙𝙖𝙚𝙧𝙖𝙝𝙖𝙣. Membahas tentang film Turang karya Bachtiar Siagian yang baru saja terlacak keberadaannya, serta kritik S.M Ardan terhadap film ini. aspekrasio.com/turang-dan-rev…

Jean Luc Godard

folks, i've done it. a complete Frederick Wiseman flowchart, including every film he's made. if you've been asking "where do i start with Wiseman?" this is what you've been looking for

In Memoriam Our Beloved Cinema Comrade and Family YUKI ADITYA (1980-2026) BUKAN SANDIWARA Kumpulan Esai Kritik Film MTN Lab Proyek penulisan ini adalah program terakhir yang diinisiasi oleh Yuki Aditya dan kawan-kawan Forum Lenteng sebelum ia meninggal dunia 12 Januari 2026.

Entah berapa orang yg hidupnya berubah gara2 kenal atau bahkan cuma baca threadnya yuki. Pas threadnya rame (lagi) setelah sempat ilang, dia niat banget bikin list per dekade. Tahu Edward Yang, John Cassavetes, Ozu n Mizoguchi dari thread dia.

Kemarin pas liat remnant ini tiba-tiba jadi kepikiran Yuki. Hari ini, orangnya berpulang. That 2010-2012 where we (@rjv23, @sayurkangkung, @wearyslumber, Gori) always met twice a month in Cuppa Coffee Raplaz to do this was a core memory to me. Selamat jalan, @yuki_aditya.

In 1989, French newspaper Libération released a special issue where they asked 700+ filmmakers from around the world just one question: "Why do you film?". It may seem like a simple question, maybe even silly, nonetheless I found the answers fascinating. A thread.

A collection - 7 films (37 GB) - Various qualities with Eng subs wherever found transfer.it/t/Zo3K2v5nUDrY

François Truffaut on how he defended Rear Window in early 1960's

Turang (Bachtiar Siagian, 1957)

Sering terjadi di kota-kota besar

ucap seorang sineas yang film propagandanya tayang rutin tiap tahun di masa orde baru

Another really interesting clip here, too, with Hou and Chu talking about how the screenplay functioned within the making of A CITY OF SADNESS. Hou's equal parts organic and pragmatic filmmaking philosophy is really touching. twitter.com/mattmccrac/sta…

everyone in the production team knew that Godard wasn’t going to appear. Everyone, but Varda. Instead, they manipulated an older woman to get a reaction out of her. At least, she didn’t have hard feelings afterwards. If anything, she ended up appreciating his decision.

The stunning images in MAGELLAN were captured on a Panasonic Lumix GH7. Available at your local Best Buy.

Hou Hsiao-Hsien menjelaskan perjuangannya menemukan bentuk estetika yang sesuai di awal karirnya sebagai sineas

seniman ketika karyanya dicela kritikus

Telah terbit! Edisi 2 Aspek Rasio yang berjudul 𝐓𝐚𝐢𝐩𝐞𝐢; 𝐄𝐝𝐰𝐚𝐫𝐝 𝐘𝐚𝐧𝐠. Membahas tentang sinema Edward Yang, khususnya dalam karakterisasi aspek urban di film-filmnya aspekrasio.com/terbitan-2/

Edward Yang on how he arranges and positions the camera framing in all of his films.