Jennifer Walden

@rumilyrics Psilocybin

During a very dark period, what was the best thing you ever did for your mental health?

F1 The Movie has won the Academy Award for Best Sound! Congratulations to Skywalker Sound’s Gary A. Rizzo, Juan Peralta, Gwendolyn Yates Whittle, and Al Nelson, as well as production sound mixer Gareth John!

Proud to be giving "The Pitt" team a seamless remote editing experience. 🩺 cinemontage.org/surgical-preci… #CineMontage #tveditor #postproduction #remoteediting #thepitt

Get every result plus the best stories behind the sound for this year's most celebrated films, shows and games:: asoundeffect.com/cas-mpse-award… #sounddesign #soundeffects #gameaudio #gamedev #indiedev #filmsound #filmmaking #audiopost #postproduction #CAS #MPSE

One-third of consumers don't want AI on their devices, report finds... "AI is, quite simply, intrusive, destructive, unreliable, and eating resources on an unprecedented scale." Thank you, Andy Chalk! 👏👏👏 pcgamer.com/software/ai/on… #FuckAI #FightAI

Requiem for a film-maker: Darren Aronofsky’s AI revolutionary war series is a horror... oh, and the sound (FX, foley, BGs, & mix) sucks, too. theguardian.com/film/2026/feb/… #FuckAI #FightAI #AISlop

Drama vs. Documentary: Ben Baird’s Unique Sound Journey on ‘Last Breath’ - Supervising and mixing both the dramatic film and the documentary -- a rare occurrence! Check out this podcast: asoundeffect.com/drama-vs-docum… via @asoundeffect #sounddesign #filmsound

Designing Sound for the Centuries in ‘Civilization VII’ – with the Firaxis Sound Team asoundeffect.com/civilization-v… via @asoundeffect #sounddesign #Civ7 #gameaudio #gamesound

Making Murderbot’s Mind-Blowing Sound – a sonic deep-dive with Tyler Whitham, Danielle McBride, Alexandra Fehrman and Emilie Corpuz asoundeffect.com/murderbot-soun… via @asoundeffect

The Sound of The Last of Us S2: Inside the Epic Battles, Infected Hordes & Hidden Details asoundeffect.com/the-last-of-us… via @asoundeffect

MobLand! This show is amazing. The sound is superb. I need more seasons of this show (I got to interview Supervising sound editor Matthew Skelding for Mix! mixonline.com/post-and-broad…) @paramountplus

@lydrummet @asoundeffect Such an incredible film. Thank you so much for the opportunity to talk about your brilliant sound work. And the mix you and David Barber did was so lovely. Excellent work!

Thanks to @asoundeffect and @AudioJeney for doing this interview with me about my #sounddesign in Omaha. Really proud of being part of this extraordinary movie and I’m so happy that it’s getting amazing reviews at #Sundance2025 ❤️🔊 asoundeffect.com/the-sound-of-o…

So heartbroken for LA sound community and all those living in these areas. Check out the article for list of sound/music organizations helping those affected by the fires, providing assistance for immediate expenses and to replace musical instruments. #PalisadesFire #EatonFire

GLADIATOR II: Behind The Glorious Sound – with Matthew Collinge & Danny Sheehan asoundeffect.com/gladiator-2-fi… via @asoundeffect #sounddesign

Netflix can't handle this #TysonPaulFight. KO for Netlfix #Netflixisjunk

I need a pair of earbuds that last as long as my work day 😩 If I'm still working, why aren't my earbuds? Wish I could go into my charging case every 7 hours for a break, sheesh.

Designing a Retro Vibe for ‘Riddle of Fire’ – with Garrard Whatley, Hamed Hokamzadeh, and Reece Miller asoundeffect.com/riddle-of-fire… via @asoundeffect

Check out this really nice interview about the sound of "Deadpool & Wolverine" with Craig Henighan, Ryan Cole, Lora Hirschberg, and Eric A. Norris! Thanks a lot @AudioJeney and @asoundeffect! asoundeffect.com/deadpool-wolve…