AudioShake

👀 @AudioShakeAI seven stories high @NASDAQ to celebrate our $14M #SeriesA announcement. CEO @themoko dives into how we went from a karaoke idea to an infrastructure tool for all audio workflows.

Dialogue RT at 11ms end-to-end. Hand someone a mic in a chaotic environment, and they hear themselves come back clean. Watch the live reactions to Dialogue RT from folks across broadcast, sports, and tech.

CEO @themoko on the distinction that keeps coming up: @AudioShakeAI isn't generative AI — and why that matters more for media + entertainment workflows in 2026 than it did even a year ago.

Dialogue RT runs at 11ms end-to-end, isolating clean speech fast enough for live broadcast. @brianlring at @StreamingMedia covers where AI audio is actually deploying. streamingmedia.com/Articles/News/…

Full interview with @themoko and @radioworld_news: radioworld.com/news-and-busin…

Next week #MusicBiz in Atlanta, we'll explore how @AudioShakeAI can help prevent these bottlenecks at the audio layer for both music and content right holders alike.

The trend @themoko told @radioworld_news she was watching at NAB: catalog monetization. Broadcasters used to ask "do we own this?" Now they're asking "how do we make money from it?"

How Doctor Who was dubbed with help from AudioShake: audioshake.ai/post/dubbing-d…

AudioShake's first film project: Doctor Who. The problem most legacy content runs into — dialogue, music, and effects all in one mixed track. Standard workaround: silence the mix, dub over empty audio. We separated the components instead. @themoko on Digital Hollywood.

More on how creators and content teams are using AI audio to expand reach: audioshake.ai/post/how-crunc…

@CrunchLabs ships viral videos with the music baked into the mix. Standard practice — and a ceiling on how far that content can travel. @AudioShakeAI separated dialogue, music, + effects across their catalog, so they could address dubbing + music licensing without losing quality.

A dubbing team. A producer in a DAW. A broadcast engineer cleaning crowd noise off a live feed. AudioShake sits inside creative work, not in place of it. At #HumanX, @themoko highlighted how our AI emboldens creatives to do their job. Watch below.

@TVNewsCheck on @AudioShakeAI's Dialogue RT: 11ms latency, live broadcast ready, @accessinclusion already in production. 🔗tvnewscheck.com/tech/article/a…

The conversation doesn't end there. Book a meeting here: tidycal.com/audioshake/upd…

#NABShow wrapped. The broadcast industry is past "should we use AI audio" and deep into "how do we make it hold in production." That's the only question that matters. It's the one AudioShake was built to answer.

Why pull Phil Simms' voice from the mix for a 2026 Super Bowl ad? Licensing the full clip for a few seconds would've been cost-prohibitive. Isolating the voice solved it. The same problem locks up decades of sports archives. Full story: audioshake.ai/post/how-espn-…

"I'm going to Disney World" is almost synonymous with winning the @SuperBowl. @ESPN wanted the original Phil Simms clip for their 2026 ad — but the music was baked in. We pulled his voice from the mix. Watch: youtube.com/watch?v=w1l3z-…

Why pull Phil Simms' voice from the mix for a 2026 Super Bowl ad? Licensing the full clip for a few seconds would've been cost-prohibitive. Isolating the voice solved it. The same problem locks up decades of sports archives. Full story: audioshake.ai/post/how-espn-…

Fast or good. For a long time, that was the choice when it came to sound isolation in live broadcast. @AudioShakeAI's low-latency speech separation is both. 11ms latency. Quality that tops third-party benchmarks. Here's what that means for live broadcast and captioning

@AudioShakeAI has just launched Dialogue RT — our real-time dialogue isolation model for live broadcast. Audio separation has always been about quality. This is about quality AND speed. A thread on why that matters and what we built. 🧵

More on how AudioShake's API + instrument stem separation models power stems on LANDR: audioshake.ai/post/landr-upg…

AudioShake's next-gen models just landed inside @LANDR_music. Six dedicated stems — including two new ones (piano and guitar). Same tech behind Universal, Disney, EMPIRE. Now in your session.