AudioShake

👀 @AudioShakeAI seven stories high @NASDAQ to celebrate our $14M #SeriesA announcement. CEO @themoko dives into how we went from a karaoke idea to an infrastructure tool for all audio workflows.

Sideline mic, raw: crowd, PA music, and a player you can barely hear. Sideline mic, after Speech Recovery: just the player. (And the music? Gone — a bonus rights win.) Sound on 🔊

Live sports audio has no second takes. Crowd surges, drone noise, a buried announcer, and only one shot at clean dialogue. That's what Dialogue RT solves: real-time dialogue isolation at sub-11ms latency, built for live broadcast. See you at the @sportsvideo Audio Symposium 7/21

News: @TelosAlliance is adding @AudioShakeAI source separation to Minnetonka Audio's AudioTools Server. 📷 AudioTools Server customers can now pull dialogue, music & effects out of finished mixes for localization, dubbing, intelligibility, rights, and remixing.

Clean dialogue isn’t just a production win — it’s an accessibility one. Sharper captions. Better transcription. Speech you can boost for viewers who are hard of hearing. And with Bridging Voice, voices preserved for people with ALS. Suzanne Kirkland with @Formuladotai 👇

Remixing The Wizard of Oz left no room for music bleeding into the vocals. Any leftover music meant phasing. @AudioShakeAI pulled clean vocals from the 1939 mono track so @warnerbros could rebuild the film.

Launching today: @AudioShakeAI Speech Recovery. When the best material is captured in the worst recording conditions... Suppression smears the words. Generative tools invent them. We isolate the speech that's actually there + invent nothing audioshake.ai/post/introduci…

A home run, a walkout song, a blocked clip. That's how great sports moments die on the cutting room floor. Pull the music, keep the crowd and the call — and the highlight is cleared for replay + social. Head of Sales Suzanne Kirkland on the sports rights problem 👇

"Put an artist in an empty room, and the wall becomes a drum." @themoko on why most artists sit in the middle of the AI debate — reaching for whatever serves the song, not picking a side. @trapital 🔗

Three seconds used to be the standard for isolating dialogue. Dialogue RT does it in under 11ms — live.

The catalog you already own is worth more than you think. Rights holders use AudioShake to turn existing recordings into new value — sync, Atmos mixes, dubbing. We don't generate; we unlock what's already there. @themoko on @trapital 🔗 trapital.com/episodes/when-…

One @AudioShakeAI customer sends millions of minutes of audio a day. Another sends a single file that can't be re-recorded. That range is the strength @tianatweets’s profile points to: one engine, trusted across the full spread of the work. brainstorm.itweb.co.za/article/sound-…

Is labeling AI music necessary? Our CEO @themoko makes the case that most music is heading into a messy middle where a human directs the machine at every step. Watch the full conversation with @danruncie of @TrapitalMedia trapital.com/episodes/when-…

Reworking an old recording usually means re-recording from scratch + losing the original take, especially when all you have is a finished mix. Using @AudioShakeAI, Push Push could pull the original vocal + guitar out of a 1990 mix + rebuild the song. audioshake.ai/case-studies/p…

Three scenes from last week’s #AIMS Music Summit. AI rebuilt the singing voice of a musician with ALS. Students protested AI music outside. CEOs, including @AudioShakeAI’s @themoko, debated what AI in music is for. Read more on the conversation: aimusicpreneur.com/ai-music-indus…

Around for #NYTechWeek? This Saturday at @nublu, @themoko will speak on a panel about enabling artists through technology and AI. Thanks to @SungateMusicGrp for hosting the conversation with Meredith Peters (@laylodotcom) – see you there! partiful.com/e/vRlkMachucjh…

@ESPN's archive includes content that licensed music had blocked from modern distribution — decades of footage. @AudioShakeAI removes the music, preserves the commentary and crowd, + clears the content for streaming, digital, + social. audioshake.ai/post/audioshak…

🔗 Read the full piece on Music Ally: musically.com/2026/05/28/aud…

What began as stem separation is now something bigger. @MusicAlly's @stuartdredge on our Copyright Compliance System — detecting, removing, and documenting licensed music so blocked catalogs can finally ship. ESPN and NFL Films are early users.

A post-production team running a sports highlight to FAST distribution has four problems to solve before that clip can publish. Is there copyrighted music. What is it. Can it come out cleanly. What goes on the cue sheet. Now automated with @AudioShakeAI: audioshake.ai/products/copyr…

Available today via AudioShake API, and with real-time music removal via the AudioShake SDK. developer.audioshake.ai

Already in use across @espn, @NFLFilms, Jaywalker Music, @crunchlabs, @MusicReportsInc, and amp Sonic branding.

Today we're launching the AudioShake Copyright Compliance System: an end-to-end pipeline for detecting, identifying, and removing copyrighted music in any media file — built for broadcasters, studios, sports teams, + distributors with locked catalogs 🔗 audioshake.ai/post/audioshak…