Bianca

2.8K posts

Bianca

Bianca

@BeezyCardi

Cape Town, South Africa Katılım Şubat 2013
465 Takip Edilen260 Takipçiler
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Man’s NOT Barry Roux
Man’s NOT Barry Roux@AdvoBarryRoux·
If this appears on your Timeline Kindly Repost! This is Mazwi Mpumelelo Khubheka, he was kidnapped after Refusing to sell his spaza shop to Pakistani Spaza shops owners. Nearly a month has passed since the kidnapping of Mazwi, Mazwi was targeted after opening a spaza shop!
Man’s NOT Barry Roux tweet mediaMan’s NOT Barry Roux tweet media
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Melitele🧚🏾‍♀️
Melitele🧚🏾‍♀️@__siziphiwe·
A permanent job, with a high salary and a positive working environment. Oh ndiyakucela Smaki😔🕯️🕯️🕯️🕯️
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Musa Khawula
Musa Khawula@Musa_Khawula·
while murdah bongz was out cheating, we are learning that dj zinhle has been doing her own lil cheatation on the side, dj zinhle has been secretly seeing kholofelo maponya. kholofelo maponya seed funded dj zinhle's ERA and also paid the deposit to her house in cedar creek estate; fourways. xo xo, gossip girl,
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Hermaine M
Hermaine M@HermaineM·
Hey @grok in 24hours pick one comment with no likes to win R5000 ❤️
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Milito
Milito@Milito177·
I thought I have seen it all😭😭😂😂
Milito tweet media
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fortune yongosi
fortune yongosi@fortuneyongosi8·
If you still have a birthday coming up you must be crazy. The whole year where were you?
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Pontsho Malatji
Pontsho Malatji@pontsho_mp·
🫵👊
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Mohale Motaung
Mohale Motaung@mohale_motaung·
🧡🧡
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Ty Ngachira
Ty Ngachira@anto_ty·
When Tyla said she is not Black but Coloured, she was not speaking into the American conversation about race at all. She was speaking in the language of her own country, shaped by its own history. Yet her words detonated in America as though they had been aimed there. This is what happens when a nation has spent a century convincing the world that its definitions are the only ones that matter. America’s greatest export has never been war. It has never been democracy. It has never been freedom. America’s greatest export is the dream of itself. It is not that the films are inherently better. It is not that the music contains some mystical note absent elsewhere. What America has, and what it has always had, is money, reach, and a machinery built to make its image the centre of the world. This was not accidental. It was policy. It was the soft arm of empire. To project yourself outward until your face is the first one people recognise in the mirror. And so the American way of life became the default. Other cultures were filed into two neat drawers: savage if they challenged the story, exotic if they could be sold back to you. If you are Black, your first cinematic self was likely African American, the rapper, the sitcom character, the hero of a Spike Lee joint. If you are white in Europe or Australia, it was the white faces of American sitcoms and stadium tours. Whoever you were, your first image of yourself came with an American accent. Over time, Americans began to believe the story they had written. When you grow up in the country that built itself into the cultural Mecca, it is easy to think you are the best simply because you are on top. You forget, or never know, that the game was fixed long before you played it. But the monopoly is breaking. Nigeria’s Nollywood now speaks across oceans. South Korean dramas leap borders. India’s Bollywood never needed permission to fill theatres. Spanish thrillers keep strangers awake at night. Slumdog Millionaire, Squid Game, Money Heist, Shōgun — all aimed partly at the American market because that is where the money is, but no longer about America. And here is the thing. Black Americans, who fought to be seen in their own country, became the global face of Blackness. That is a remarkable achievement. It was also made possible by the same system that excluded everyone else. Now Africans, Caribbeans, and Afro-Latins tell their own stories without making room for American centrality, and the absence is noticed. We grew up watching you. You did not grow up watching us. And now the internet has levelled the ground just enough for others to speak without hesitation. Tyla’s words land differently because the world no longer accepts America as the only arbiter of meaning. America’s greatest export was never its art. It was the power to decide which art, and which identities, the world would see. That power is no longer yours alone. There is both justice and loss in that.
Khyler@RoyalOpions

Tyla like so many Africans/ South Africans/ Haitians don’t respect black people. Or black Americans. They’re colonized and taught to actually see us as a bad thing. Yet she wants to benefit off our sounds, looks, And American money…

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Ke.Bidiwa.Blanchero
Ke.Bidiwa.Blanchero@Aunty_miimii·
Seeing the girl with red wig in this picture brought back memories… not the good kind. I still remember the way she treated me at work , the constant belittling, the gossip, the pressure until I had no choice but to resign for my own sanity.
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