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@BenderAlt707

Alt for @benderaka7 HTTYD account: @benderaka77 Art Priv: @toothlessvault Shitpost, spam, progress pics. Unhealthy obsession with HTTYD

Katılım Temmuz 2022
208 Takip Edilen757 Takipçiler
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Benderaka alt@BenderAlt707·
reminder that i have a strawpage! link below
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Benderaka alt@BenderAlt707·
GENUINELY WHAT THE FUCK
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Benderaka alt@BenderAlt707·
An Aussie dream
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Benderaka@Benderaka77·
Thankyou so much for the gifted art of us @AstralDergy !!!
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Benderaka alt@BenderAlt707·
Messing around with Fortnite stuff again
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Benderaka alt@BenderAlt707·
DLSS on blender cycles on a 3080 is heaps nice. still buggy as hell tho
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Benderaka alt@BenderAlt707·
Keen to make some Fortnite art after doing httyd art for 2 years. Curious to see what my style would look like
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Benderaka@Benderaka77·
Just a big guy watching the stars Put the goober into an irl pic I took a while ago. Been sitting on whether or not I should upload this for a few months #Derakan #httydoc #httyd #httydart
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Benderaka alt@BenderAlt707·
no.1 as it should be
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are you fucking kidding me
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Benderaka@Benderaka77·
Just saying
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Benderaka alt@BenderAlt707·
Did people forget how peak Talk to Me was. Made by YouTubers as well?
Aakash Gupta@aakashgupta

A YouTuber with 38 million subscribers just beat the entire Hollywood studio system at its own game, and he did it with 80,000 gallons of fake blood and a submarine made of painted wood. Mark Fischbach played a $6 indie horror game on his channel in 2022. The game was Iron Lung, developed by one guy, David Szymanski, in his spare time. It had no windows, no enemies you could see, just a convict trapped in a submarine navigating an ocean of blood. The entire thing took about 75 minutes to beat. Fischbach saw something the game industry didn’t. The constraint was the feature. A single claustrophobic set. One man losing his mind. Sound design carrying all the horror that visuals couldn’t. This wasn’t a limitation to work around. This was a low-budget filmmaker’s dream. So he did what studios would never greenlight. He wrote the script himself, directed it himself, acted in it himself, edited it himself, and paid for the whole thing out of pocket. No studio. No distribution deal. No marketing budget. Then the gatekeepers showed up. When he tried to get theaters, they told him the demand wasn’t there. So he posted about it. His fans called every independent theater chain in the country. Theaters started complaining to the distributor that they were getting too many calls. Within weeks, AMC, Cinemark, and Regal announced they’d carry it. The film went from “maybe 60 theaters” to over 4,000 screens worldwide. Presales crossed $5 million before opening day. $8.9 million on Friday. $17 million projected by Sunday. A self-distributed movie by a YouTuber, beating initial projections by 70%. The studio model is built on the assumption that audiences need to be told what to watch. Fischbach proved that 38 million subscribers is its own distribution network. The audience was already waiting. He just had to make something worth waiting for.

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