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Bijoux 2too
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I wonder what they do when they're not observed
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Bijoux 2too retweetledi
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🚨SOMEONE REINVENTED HOW TEXT RENDERS ON THE WEB AND ITS ABSOLUTELY INSANE.
the goated dev behind react, reasonML, and midjourney’s frontend, just dropped Pretext. a tiny typescript library that measures and lays out text 500x faster than the DOM.
he trained models against real browser rendering for weeks until the output matched safari, chrome, and firefox exactly.
the demos are insane!! hundreds of thousands of text boxes at 120fps. magazine layouts and chat bubbles that actually wrap right.
engineers from Vercel, Remix, Figma, and shadcn all cosigned. this is the kind of open source that makes you want to be a better dev.
here are some cool demos in the past 24hrs👇
Cheng Lou@_chenglou
My dear front-end developers (and anyone who’s interested in the future of interfaces): I have crawled through depths of hell to bring you, for the foreseeable years, one of the more important foundational pieces of UI engineering (if not in implementation then certainly at least in concept): Fast, accurate and comprehensive userland text measurement algorithm in pure TypeScript, usable for laying out entire web pages without CSS, bypassing DOM measurements and reflow
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@DoctorLemma Too bad he supports the evil regime of terrorist Israel.
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In 2002, Quentin Tarantino, one of the most influential film directors in the world, walked into a secondhand clothing store in Tokyo, Japan. A track was playing over the speakers. He asked the man behind the counter if he could buy the CD right then and there. The man refused. Tarantino offered twice the retail price. The man eventually gave in.
The band was The 5.6.7.8's. Two sisters, Yoshiko and Sachiko Fujiyama, had been playing raw 1960s-influenced garage rock in Tokyo since 1986. They had a small but devoted following. Almost nobody outside Japan had heard of them.
Within a year they were performing in Kill Bill: Volume 1, one of the most talked about films of 2003, playing to millions of people in cinemas around the world.
Their song Woo Hoo, a cover of a 1959 American track they had never considered particularly important, became one of the most recognised opening riffs of a generation. It hit the top thirty in the United Kingdom. It appeared in television commercials around the world. Their tours went from Tokyo to North America, Europe and Australia. Jack White of The White Stripes, who became a fan, helped release their back catalogue through his Third Man Records label in the United States.
Interestingly, back home in Japan, almost nothing changed. Their profile there remained almost exactly the same.
They are still together. Still playing.
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I AM ALIVE !!
Missed you all so much !!
We don't have internet here, I'm well and working on my ART non stop 💖🔥
As I always say I am the utility behind my artworks ❤️🔥
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Bijoux 2too retweetledi
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Bijoux 2too retweetledi
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