Bill
94 posts

Sabitlenmiş Tweet
Bill retweetledi
Bill retweetledi
Bill retweetledi
Bill retweetledi
Bill retweetledi

This Q1 tax revenue number is interesting but the N2.24 trillion shortfall tells the real story.
Many are still missing out on legitimate reliefs and deductions even with the new tax laws. The reforms are there, but people aren’t fully taking advantage of them yet.
nairametrics.com/2026/05/20/nig…
English
Bill retweetledi
Bill retweetledi

Created with Seedance 2.0 on @yapper_so
Prompt 👇🏿
MONSTER ENERGY — “AFTER THE LIMIT”
Vertical 9:16 cinematic commercial, 14–18 seconds.
Visual style: luxury fragrance campaign mixed with psychological thriller realism and grounded industrial cinematography.
Tone: restrained, cold, atmospheric, psychologically tense.
No fast cuts, no workout montage, no influencer energy, no motivational tone.
Everything should feel physically cold, exhausted, and ritualistic.
Natural cinematic realism only. Organic grain, soft shadows, muted highlights, shallow depth of field, realistic lens imperfections, subtle camera drift.
Color palette: desaturated blacks, cold grays, industrial whites, subtle green contamination in shadows.
The green Monster Energy logo should be the ONLY saturated color in the film.
SHOT 1 — EMPTY HOURS
Wide cinematic shot of an industrial gym before sunrise. Empty atmosphere. Cold fluorescent ceiling lights buzz softly overhead with slight flickering. Rain streaks down massive dark windows outside. A loose metal chain sways subtly from weak ventilation airflow. A distant industrial fan rotates slowly with faint mechanical clicking. The gym feels repeatedly used: chalk dust near squat rack, worn grip tape on barbells, rust around steel bolts, abandoned towel blurred in background, mirrors reflecting fragmented darkness. Moist rubber flooring reflects faint fluorescent light. Camera slowly drifts almost imperceptibly. No music. Only fluorescent hum, rain ambience, distant thunder, ventilation noise, metallic building creaks, isolated water drip echoes.
SHOT 2 — THE OBJECT
Slow cinematic push-in toward a single Monster Energy can resting alone on a black workout bench beneath a dim fluorescent light. Everything remains muted except the bright green Monster claw logo. The fluorescent light subtly pulses every few seconds with low electrical hum. Macro realism: thick condensation droplets crawling down aluminum, tiny water pools beneath can, faint cold vapor drifting around surface, hyper-detailed metallic texture, green reflections bleeding softly onto bench material. Ultra shallow depth of field, natural lens breathing, slight chromatic aberration, soft focus falloff, organic sensor grain. The can should feel unnaturally cold compared to the room.
SHOT 3 — PRESENCE
A lone figure partially enters frame from darkness. Never fully reveal him. Only fragmented details: oversized rain-damp hoodie sleeve, veined exhausted hand, bruised knuckles, water droplets falling from fabric, gym bag softly hitting floor, distorted silhouette in mirror reflection. A fluorescent flicker briefly reveals part of his jaw before darkness swallows it again. His posture communicates repetition, exhaustion, and discipline repeated too many times. Camera remains emotionally detached and distant.
SHOT 4 — ANTICIPATION
Extreme macro close-up of the Monster can. Condensation droplets crawl slowly across aluminum in hyper-detail. Tiny ice crackling sounds emerge subtly from the surface. The figure’s hand slowly enters frame toward the can. Movement feels automatic rather than intentional: slow, heavy, exhausted. Tiny tremor in fingertips. Slight hesitation before final reach. Knuckles tighten subtly. Hold the moment longer than comfortable. Audio becomes hyper-focused: fabric friction, fingertips grazing bench edge, shallow breathing, distant thunder, subtle condensation crackles, fluorescent electrical buzz. Micro camera drift continues. Right before contact, hold one extra beat. A tiny metallic cooling tick comes from the can.
SHOT 5 — CONTACT
The fingers finally wrap around the freezing aluminum can. The instant skin touches metal — immediate hard cut to black. No fade. No transition. Abrupt violent silence.
English
Bill retweetledi
Bill retweetledi

Bill retweetledi
Bill retweetledi
Bill retweetledi
Bill retweetledi
Bill retweetledi
Bill retweetledi
Bill retweetledi
Bill retweetledi

Ao Tanaka is the next break out star, Japanese midfielder. The conveyor belt of midfield technicians in Japan is steeped in quality.
I believe his chance to shine comes this world cup finals.
#Japan
#LUFC
#WorldCup2026

English














