Blubane_

GM✨ Synthetic States

My art is good, the algorithm just ignores me

I came across Wally Wood’s “22 panels that always work” in this guide and decided to check what they are by drawing them.

ボールペン+コルクボードの大きい絵🖊

There’s a strange ritual in the NFT world. You can show up every day since 2021, build your craft outside the algorithmic circus, paint, think, study, experiment and somehow it still counts for less than a stranger who materializes out of digital fog with three posts and a shiny banner. Collectors adore these apparitions. They arrive “from nowhere,” though perhaps “nowhere” is just a well‑connected Discord server. The cycle is predictable: a burst of enthusiasm, frantic buying, declarations of genius and then the inevitable plot twist. Another plagiarism scandal. Another disappearing act. Another account wiped clean, leaving behind only the echo of buyers grinding their teeth and wondering how they didn’t see it coming. Meanwhile, the artists who actually know what they’re doing, the ones who can mix color without consulting a trend report, who create because creation is the only honest currency they trust, remain conveniently overlooked. Too consistent, perhaps. Too real. Too unscandalous. It’s almost funny, if it weren’t so exhausting. The NFT space claims to love authenticity, but often behaves like a magpie: dazzled by anything that glitters, indifferent to the craft that doesn’t scream for attention. Yet, the irony is simple: the people worth collecting are usually the ones too busy making art to perform their own mythology. They don’t vanish in the night. They don’t plagiarize. They don’t need a scandal to be seen. They just need collectors who can tell the difference…

Cyber Ink Blossom Built with @rive_app + @Blender +@threejs Traditional Chinese ink painting meets interactive web graphics.

Cmon theres not a single animator in the world who doesnt know weilin zhang.

Para aquellos que me han preguntado si trabajo en color, sí, lo hago, también con lápices (acuarela de vez en cuando) y mayormente en ilustración naturalista; para retratos prefiero el blanco y negro. Dibujar vida salvaje en color siempre es un desafío interesante.

testing my new color pencils

Colors 0,008 eth / 50 editions foundation.app/mint/eth/0x3dF…

· Absorb ·

今日ものんびり

From "A Story about Fire", a very traditional animated film : hand-drawn ink-wash on Xuan paper, cutouts, stop-motion... Directed by Wenyu Li at Shanghai Animation Studio. Coming this year in Chinese theaters. >> catsuka.com/news/2026-03-0…

You know about horizon lines, but where to put them?? This should help you

Long time no post～getting back to blender😆 #blender #b3d #3d #animation #design

Mother~

Tree details in sketchbook

skull // cat

If we need people injecting money in this 'culture' to keep it alive, is a clear symptom that the culture is not working by itself. Cultures, ecosystems run by themselves when is properly organized and distributed. It feels like giving electroshocks to a dead body...