๐™ฑ๐š›๐š˜๐š˜๐š”๐šœ ๐™ด๐š•๐š–๐šœ

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๐™ฑ๐š›๐š˜๐š˜๐š”๐šœ ๐™ด๐š•๐š–๐šœ banner
๐™ฑ๐š›๐š˜๐š˜๐š”๐šœ ๐™ด๐š•๐š–๐šœ

๐™ฑ๐š›๐š˜๐š˜๐š”๐šœ ๐™ด๐š•๐š–๐šœ

@BrooksElms

WGA screenwriter Learn how we make viral 1 Min Movies Character ๐Ÿ‘Š Story ๐Ÿ‘Š AI prompts Join Buzztown for $5 ๐Ÿ‘‡

Hollywood CA - East Hampton NY Katฤฑlฤฑm Ekim 2008
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๐™ฑ๐š›๐š˜๐š˜๐š”๐šœ ๐™ด๐š•๐š–๐šœ
Painful AF Lesson 1 of 7. In 2005, I spent THREE YEARS rewriting a screenplay. And never cracked it. The film got made. It was... good. Not great. And here's what haunts me: if I sat down with those same elements today, I could write that script in three months. And it would be better in every way. Not because I'm more creative now. Because I have a system. Before that script, I'd been to NYU Film School. Done Bob McKee's workshop. (Mesmerizing, by the way.) But mesmerizing and useful are two different things. Blake Snyder's Save the Cat changed that for me. Step by step. A real process. That was a revolution. So I took what Blake built, went deeper, and pressure tested it in the Hollywood trenches for 20 years. That became my own 9-step system. One of my first coaching clients learned it, got a paid assignment. And on that script he felt so confident he decided to skip a step -- but it cost him months of extra revisions. He hasn't skipped a step since. Thing is, screenwriting is already figured out. So don't reinvent the wheel. Use the wheel. Then do your wheelies on that. More tomorrow. (One of my clients finds out Sunday if he won an Oscar. All week I'm sharing my own war wounds that led to my coaching an Oscar-nominated writer-director.)
๐™ฑ๐š›๐š˜๐š˜๐š”๐šœ ๐™ด๐š•๐š–๐šœ tweet media
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