Brook Bullock 🇺🇸🇺🇸🇺🇸

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Brook Bullock 🇺🇸🇺🇸🇺🇸

Brook Bullock 🇺🇸🇺🇸🇺🇸

@BullockBrook

Full-time Teacher, "Fawin" on Wayfinder Legends and “Mak’ren” on Red Dirt DnD, childlike astronomer, and unofficial family comedian.

Oklahoma City, OK Katılım Mayıs 2013
464 Takip Edilen329 Takipçiler
Brook Bullock 🇺🇸🇺🇸🇺🇸 retweetledi
Enes Kanter FREEDOM
Enes Kanter FREEDOM@EnesFreedom·
To my Oklahoma family; this piece comes straight from the heart. I hope you’ll take a moment to read it and feel what I felt. Thank you for allowing me to be a small part of it. I came to @okcthunder to play basketball. I left carrying 168 lives. When I was traded to the Oklahoma City Thunder, I was thinking about basketball, nothing more. I didn’t know that before I ever stepped on the court, this place would show me something that would stay with me far longer than any game. Like any player, my mind was on the game. A new team, a new city, a new opportunity. I expected the usual routine when I landed in Oklahoma City. Physicals, practices, meetings, and a jersey waiting in a locker. But before any of that, Sam Presti pulled me aside and told me there was somewhere we needed to go. He didn’t explain much, and I didn’t think to ask. I was focused on the next step in my career. What I didn’t understand was that, before I could represent the place I was about to play for, I needed to understand it. So instead of heading to the facility, he took me to the Oklahoma City National Memorial & Museum. I walked in without knowing what I was about to see, and within minutes, everything slowed down. There are 168 chairs at the memorial, each one representing a life lost on April 19, 1995. They are arranged in quiet rows, each engraved with a name, each standing where a person once stood in that building. Then you notice something that is impossible to process the first time you see it. Some of the chairs are smaller. They belong to children. There is no speech that prepares you for that, no headline that captures it. You simply stand there, and the silence carries a kind of weight that is hard to describe but impossible to ignore. As you walk through the memorial, you pass between two gates marked 9:01 and 9:03. At first, they seem like simple numbers, but then you understand what they hold. One marks the last minute before the attack. The other marks the first minute after. And in between those two gates is 9:02, the moment when everything changed. That minute does not feel like history when you are standing there. It feels present. The reflecting pool stretches across what used to be a city street, its surface calm and still. When you look into it, you do not just see water. You see yourself standing in a place where unimaginable loss occurred, and for a moment, everything else in your life becomes quieter. Nearby stands the Survivor Tree, an American elm that was damaged in the blast but endured. It is not untouched. Its scars are part of what it represents. But it is still standing, and in that, it carries a kind of strength that does not need to be explained. We did not speak much while we were inside. It did not feel like a place for conversation. Some places ask for words. This one asks for reflection. When we stepped outside, Sam Presti looked me in the eye and said, “This is what this state has been through.” Then he said something I will never forget. “Every time you step on that court, you are not just playing in front of fans. You are playing for a state that carries this with it. Give them everything you have. They deserve that.” In that moment, basketball felt different. Not smaller, but clearer. Because what I had just seen was not only about what was lost. It was about what remained. A state that had experienced unimaginable pain and still chose to come together, to rebuild, and to move forward without losing its humanity. From that day on, every time I stepped on the court, I carried that with me. On the nights when I was tired, when I was hurt, when I was dealing with challenges that felt heavy in the moment, I would think about those chairs, about that minute, about the people behind those names. And I was reminded that what I was going through did not compare to what this state had endured. oklahoman.com/story/opinion/…
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SassyMétisChick
SassyMétisChick@SassyMetisChick·
I didn’t know this, did you? Amazing!!!
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delian
delian@zebulgar·
The coolest orbital animation I've seen of Artemis 2 Just really shows you how far away they're flying today and also how precise they need to be to go to the moon
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Brook Bullock 🇺🇸🇺🇸🇺🇸 retweetledi
Mike in the Morning
Mike in the Morning@KOSUMichaelC·
Oklahoma's premier table top gaming convention, TokenCon 2026, kicks off today at the Reed Center in Midwest City and runs through Sunday. @RedDirtRPG is attending with D&D Trivia Friday night at 7:00 and D&D Live Saturday night at 9:00. Come join us: tabletop.events/conventions/to…
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Brook Bullock 🇺🇸🇺🇸🇺🇸 retweetledi
Mike in the Morning
Mike in the Morning@KOSUMichaelC·
A week from today, TokenCon returns to the Reed Center with FOUR DAYS of Table Top gaming! Your friends at @RedDirtRPG are taking part in TokenCon 2026 with #DnD Trivia on Friday night at 7:00 and Drinks & Dragons Saturday night at 8:00. Come join us: tabletop.events/conventions/to…
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Visiden Visidane
Visiden Visidane@VisidenVisidane·
@DaveXDavieau “Keep your sexy armor” Ah, I guess Tika Waylan over there must have lost one of her legplates in a fierce battle or something.
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Brook Bullock 🇺🇸🇺🇸🇺🇸 retweetledi
Dave of Wisconsin
Dave of Wisconsin@DaveXDavieau·
Keep your oversize weapons and 'sexy' armor. Keep your tieflings & drow. This is the aesthetic, this is what fantasy heroes & heroines should look like. (Art by Larry Elmore)
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Brook Bullock 🇺🇸🇺🇸🇺🇸
@NyteHunter @DaveXDavieau But it's also one of the things that makes it great! When as a reader we realize they have been on the cover "the whole time!" One might also say that it's symbolic of Pathways and Choices. ALL of them were supposed to come back to the Inn of the Last Home that night...
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Brook Bullock 🇺🇸🇺🇸🇺🇸 retweetledi
YoDanno #DragonlanceDragonlance
Clyde Caldwell Casefiles No. 001 Before TSR. Before Ravenloft. Before the red haired heroines. Clyde Caldwell earned a Master of Fine Arts degree from the University of North Carolina at Greensboro. That matters. Because a lot of fantasy fans just assume 80s illustrators were self taught garage geniuses who just loved swords and dragons. Caldwell wasn’t winging it. He had formal academic training in composition, color theory, figure work, and oil technique before he ever painted a TSR cover.
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