ROLLY!🥐 (COMMS OPEN)

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ROLLY!🥐 (COMMS OPEN)

ROLLY!🥐 (COMMS OPEN)

@Caneroll_

WHERE THE HELL IS THE BOSS? || ESP/ING 🇻🇪 17 y/o rn||Proshipers,zoo and pedos get tf out and DNI

IN YOUR NIGHTMARES Katılım Mart 2024
897 Takip Edilen392 Takipçiler
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noelle
noelle@femtanylll·
New song tonite :p
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Plage !
Plage !@plagedark·
QME
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GLITCH
GLITCH@glitch_prod·
GAMEOVERSE. OUT NOW! Go watch it on our YouTube channel!
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ChrisProductions
ChrisProductions@ChrisProd_·
CYN WAS NEVER POSSESSED BY THE SOLVER. THIS HAS BEEN CONFIRMED! I'VE BEEN SAYING THIS SINCE 2024 AND NO ONE IN THIS FANDOM LISTENED TO ME. I WAS RIGHT. I WAS RIGHT. I WAS RIGHT. I WAS RIGHT. I WAS RIGHT.
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pixelyearn
pixelyearn@cstalgic·
forgot i made this rig a year ago! #nitw #maeborowski
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GLITCH
GLITCH@glitch_prod·
See you tomorrow
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AJ DiSpirito
AJ DiSpirito@AJDiSpirito·
Oh yea also, this was the first working demo of BITE ME, written for EP7 (again with fake vocals). This ended up being remade for the full song. Lastly I want to mention that Liam was a big part in getting me to write the best song I could, I'm grateful for that collaboration
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GLITCH
GLITCH@glitch_prod·
ZXX
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Matt Braly
Matt Braly@Radrappy·
HERE WE GO - I am very proud to announce that an animation studio based in Thailand has acquired the rights to my movie. They are called "The MONK Studios", are based in Bangkok, and are passionately pursuing a way to make this discarded film a reality.
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SuperWiiBros08
SuperWiiBros08@SuperWiiBros08·
VENEZUELA MENTIONED in Pragmata thank you Capcom
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ً
ً@browneyedsirena·
as a latin american, no one will ever make me feel bad about pirating, that's how i've been able to get access to the majority of media i consume
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ArtifiSoap
ArtifiSoap@artifisoap·
made this for my college thesis project! #ArtifiSouls
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Viev 🇻🇪🤍✨
Viev 🇻🇪🤍✨@Vivilight55·
Muera la opresión, Abajo la tiranía, libertad a los pueblos de américa y del mundo 🤍 #SonicTheHedgehog
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GLITCH
GLITCH@glitch_prod·
If there’s been any theatre cancellations or an inability to enter a region, we want you to know that we’ve been trying our best. There’s ratings compliance, security policy and legal rules specific to EACH country and theatre chains that we are trying to navigate around the clock. Some regions are straight up rejecting our distribution because there are censorship laws and we refuse to change the original vision of this show. In other regions, there are laws that say we can’t due to how close it is to its streaming release. Any cancellations or refusals have been due to security concerns. For example, one distributor wanted us to email them the raw video file so they could then mail it to ratings agencies by post. This is how leaks happen and we take this very seriously.  This however, does not mean we aren’t still trying relentlessly to enter these regions. We also want this finale to be accessible in as many countries as possible. Thank you all for helping the TADC finale get this far.
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