Chattelly
808 posts

Chattelly
@Chattellly
Everything but the little fishies.
Glasgow, Scotland Katılım Ocak 2012
265 Takip Edilen58 Takipçiler

@WilliamPitmn939 @DrewSav People really will forgive anything if they like the person. The guy paid 23 million to a child out of court , hence no charges
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I would love to see Captain EO posted on Disney+, but the reality is that Disney can't just toss the movie up on the service. It's actually a lot more complicated than that.
Disney owns the film, but the Michael Jackson Estate controls the man. It is a classic "legal stalemate" situation. While Disney produced the short and technically holds the copyright to the footage, any commercial release outside of a theme park theater triggers a mountain of licensing issues that didn't exist in 1986.
The Footage: Disney owns the actual film and the physical elements.
The Music: The Michael Jackson Estate (and Sony Music) owns the rights to the two main songs, "We Are Here to Change the World" and "Another Part of Me." Without these, the movie is basically 17 minutes of silent moonwalking.
Likeness Rights: The Estate controls Michael’s name and image for commercial use. A Disney+ release would be considered a "new" commercial distribution, requiring a fresh payout to the Estate.
Lucasfilm & Coppola: While George Lucas and Francis Ford Coppola likely have smaller "backend" stakes or credit requirements, their involvement is less of a hurdle compared to the music and likeness rights.
If Disney wanted to drop Captain EO on streaming tomorrow, they would run into two major roadblocks:
1. The "Commercial Release" Clause
When the deal was signed in the 80s, it was specifically for a "Theme Park Attraction." The contracts were never written to cover home video, DVD, or streaming. To put it on Disney+, Disney would have to renegotiate the deal from scratch with the Jackson Estate, which is notoriously protective and expensive.
2. Music Licensing Costs
Music licensing for streaming is vastly different from licensing for a physical location. Disney would have to pay a significant royalty for every "play" or a massive upfront buyout for the sync rights. Given that Captain EO is essentially a high-budget music video, the music is the most valuable part of the asset.
The only time Captain EO was ever officially shown outside of a theme park was a one-time airing on MTV in 1996. Since then, it has never been officially released on VHS, LaserDisc, DVD, or Blu-ray. This MTV showing is likely where the "4K" versions on YouTube are from.
tabloid junkie 🌊@theplacehotelly
The fact that Captain EO is just out there in 6K…
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@1874t @FattusPrickus It was over an hour to get in and out on Saturday
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@FattusPrickus I was about 30 mins at Costco in Springburn on Friday.
All for fuel that’s about 10p more a litre than Morrisons was a month ago 😂
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@GlasgowWarriors I think George needs to get an opportunity to start a Scotland game in this campaign ⛽️
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@ScotRugbyBlog That's the only match we managed to get! But thank you!
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@Chattellly If it's tickets for Scotland v Portugal I might be able to hook you up lol
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@TEnglishSport ROG has been bitter and snide about Scottish rugby for years. Don't doubt his ability as a coach but don't want someone like that anywhere near us.
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@michaeljackson So here's a photo from a different event than the one described?
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On this date in 1985, 46 major musical artists joined Michael Jackson in the recording of the charity single “We Are The World” with his co-writer, Lionel Richie, and producer Quincy Jones. The “We Are The World” single and album raised more than $60 million for humanitarian aid. #MJHumanitarian

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Chattelly retweetledi
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@Scotlandteam @MurrayfieldStad why is the stadium closed? Email said turnstiles at 1440. No communication at turnstiles just hundreds of folk queuing...
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@Chattellly I only *really* know one or two actual fans that were confused for a bit - that all disappeared as soon as they heard that fucking despicable “Keep Your Head Up.”
A journalists job is to be curious, not to regurgitate and reinforce company press releases.
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Just finished this episode.
They released fake Michael Jackson songs after he was killed. And then tried to shut down any dissent against the tracks. They then got sued by a Michael Jackson fan, forcing them to settle and remove the fake songs forever more.
Dirty.
Listen here:
Damien Shields@DamienShields
🚨 To mark the 1-year anniversary of the Faking Michael podcast, the team and I have recorded a special episode with @TheMJCast. We discuss the making of the series and reflect on what has transpired since. Listen at the link below👇 🔗 open.spotify.com/episode/60Z7dJ…
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@TheMJAP The week Breaking News dropped though, there were even fans duped. Unbelievable to me, but those of us who called these songs out were maligned by large sections of the fandom. If fans were hoodwinked by MJE & Sony Music then it makes sense to me the media didn't bat an eyelid.
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@Chattellly Yes, agreed. But it also exposed so much of our media - how EASILY they sold out any principles and helped promote such OBVIOUS fraud. And how QUICKLY they went to racism - smearing the Jacksons as the 'greedy Black family' who protested.
When they were RIGHT.
Gross.
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Back this week folks.
The guide and newsletter coming will be out on Thursday 📩

Rugby Broadcast@rugbybroadcast_
Taking a break for a while folks, hopefully will be back soon. -E
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@michaeljackson Hot Fun In The Summertime (the one you locked away a decade ago)
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@andjustice4some I love how they think we were all born yesterday. I don't buy this story one bit. Such is the distrust the Estate have fostered in us consistently since 2010.
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30 years ago on this date - the official release for “HIStory – Past, Present And Future – Book I”. “It's a journey through the struggles of injustice and the ups and downs of life - an album that opens with a ‘Scream’ and ends with a ‘Smile.’” – Albumism michaeljackson.lnk.to/HISToryBookIAW


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