CJanitorC 1.0

I had been in a rut for some time but finally got out of it. Been working on a big project and here it is I've been wanting to do something based off of my favorite @basedbinkie Fundamental and Unfamiliar A desktop of Hope and Kindness #chivalrystarved

@AGaI1502 For me it'd be 1 : Cerebella 2 : Valentine 3 : Dahlia/Filia (too hard to pick, so they're on the same level and also, Gilf)

@Combinecommando she's on my top 3 along with Squigly

Valentine comm

@AGaI1502 The older I get, the more I am leaning towards Valentine. I still think Cerebella is the best girl though

I love Valentine!

is just a little guy!

Slayers Return: (1996)

Wanted to do that gold bikini thing and then I watched The Batman again

@MidnightTeeth Better late than never at all

I missed may 4th 😩

Thirens probably see things differently 🧐

@OddOnnion Keep the vile felinid in the burrito, it's going to steal all the treats and pancakes

Goat Girl Slumber Party!!

Slumber Party!!

Am I missing any? • Postmodern "deconstruction" of a genre that thinks it's more clever than it really is. • Everything is ironic because they're afraid attempts at sincerity will be seen as cheesy. • Bathos (when something serious happens but the drama is immediately undercut by a joke). • Fucked up moral lessons such as portraying selfishness as good. • Aversion to heteronormative romance. • Unlikable "strong female character" who talks down to everyone. • Fetishism masquerading as progressivism. • Villain is a thinly veiled stand-in for the writer's dad. • If it's a sequel, prequel, adaptation, or remake, then it's written less like a story set in that universe, and more like a metacommentary about the franchise where creative decisions are based not on what's natural or logical, but on audience expectations or the subversion thereof. • Protagonist was always perfect the way they are and they just had to learn to unleash themselves instead of improving or overcoming weaknesses. • "This is a good character because they're really powerful." • Conflating high stakes with high drama. • Soapboxing. • "It's sci-fi/fantasy, so it doesn't have to be consistent with its own internal logic or established rules!" ("space wizards" argument.) • "Who cares whether or not it makes sense! What matters is how it makes you feel!" Because these things are mutually exclusive somehow. • Female villain is only evil because of something a man did to her. • "The man-eating, soul-stealing, vampire rapist spider people are just misunderstood. Humans are the real monsters." • "Capitalism bad. Now here's a thing we included just so we could sell toys of it." • Pop cultural references. • "LOL drugs." • "Isn't it funny that we're drawing attention to this trope we're doing? We're so much smarter than those other shows and movies that do the same thing because at least we're self-aware!" • Ugly on purpose for no real purpose. • Snarky and irreverent protagonist who quips and has a witty retort for anything said to them. • Sexualizing women bad, sexualizing men good. • Safe-edginess that's just casual bigotry toward acceptable targets such as straight men, French people, American southerners, etc. • Old IP "reimagined" for the "modern audience". • Protagonist is a shameless self-insert. • "Humor" is "person I don't like dies." • "Muh realistic anxiety attack!" • Someone told them "write what you know" and what they know is coffee shops and porn. • Cute, child-like thing is evil. • "Traditionally heroic virtues are bad, actually." • "I may be a cannibal who burns down orphanages, but at least I'm not a racist!" • "Morality is subjective! Unless you disagree with my politics, in which case you're objectively evil!" • Thinks they can make a scene "emotional" by simply showing a character crying when they haven't done anything to earn that emotional moment. • Dialogue has a lot of "ums" and "yeeeahs". • Memes in the place of jokes. • "Creative" insults that are just swear words combined with other words, like "fuckstick", "shitballs", or "bitchmuffin". • Adult characters talk like teenagers. • Characters use internet slang in real life. • All male characters are stupid, evil, or both. • Baby talk combined with excessive profanity. • Male protagonist gets pushed aside for a female character. • All characters who oppose the protagonist (and therefore the writer's ideals since the protagonist is the writer) are strawmen because the writer cannot model other people's minds. • "Why tell a timeless story that will resonate with future generations when I can make it about my pet political gripe of the week?" • "How can I show that this character is unique and rebellious? I know! I'll give her blue hair and a side-shave!" • Sexual preferences/gender identity is a character's entire personality. • Stupid gotcha argument presented like it's profound wisdom and always goes unchallenged. • "It's a made-up story, so we can do whatever we want with our adaptation! Who cares about the author's intent or the reasons they wrote it how they did?" • Performative support for whatever happens to be the current political issue of the moment that no one will care about in five years.

Prikol #helltaker #zdrada #malina

@voido_voiderino Everyone wishes they could just go back to being 18, I'd love to go back to being 19 myself, 2012-2014 were years that I thoroughly enjoyed and often reminisce back on

its not true that I'm 25, man. I'm already turning 26. I'm getting older and older, and I've got more and more responsibilities. I wish I could be 18 again, cuh

絵

スレスパおもろいよねーっていう

if she ruined your city… what would you do to her? #zentreart #vtuber

skebのご依頼ありがとうございました🙏

Shantae - Snake Princess🐍 (Repost) It wasn't a Golden Week picture, but, I realized that this outfit is a kind of golden bikini... I want to draw a bikini next year at GW [2023] ← → [2024]