Cormac Donnelly

Super.......Volume........ deformativesoundlab.co.uk/supervolume/

Hi @Expedia I've just recieved an impersonal and very late (non)apology email for your total failure to book me a holiday. I can't phone CS with no booking number, I can't find an email and you appear to have no complaints procedure. I would love (love) to get this sorted asap.

@FinalSpace @WorldsApart_Liv

Happy Final Space Friday, We’re deep in book tour planning right now while we wait for the graphic novels to land in Virginia. But I NEED YOUR HELP. TAG your favorite bookstores on this post. Seriously let’s flood this thing. We’re going to reach out and see who’s open to hosting a graphic novel signing. Normally a publisher handles all of this but as you know it's just me and @gungnirbooks has been a huge help on that front. Right now it’s shaping up to be a June tour. First stop is locked: The Last Bookstore in Los Angeles. We’re also working out ticketing. If it’s a bookstore event, tickets will be free and most likely hosted through finalspaceends.com. I may also tap into some comedy club venues I have access to do live shows + signing combo. Make it an experience. So yeah, tag your favorite bookstore. Let’s send this off with a bang! -Olan PRE-ORDER: finalspaceends.com

My new video essay featured in the first issue of Cinégraphia, the journal of the Sydney Literature and Cinema Network. vimeo.com/1074720429 You can find the journal at the link below openjournals.library.sydney.edu.au/Cinegraphia/is…

@AvantiWestCoast Are all 1st July trains running? Currently showing all as on time and available

We are delighted to publish five new articles in Screenworks Volume 15.1! Some reading and viewing to look forward to once the marking is finished! Check them out in the thread below... screenworks.org.uk/archive/volume…

We are excited to welcome four new members of the Screenworks editorial team as Associate Editors: Hamidreza Nassiri; Rebecca Ora (rora); Amanda Egbe; and Veronika Hanáková. You can read all about them below, or on our website here: screenworks.org.uk/about

Defragmenting Drive C in Windows 95

Fab discussion about the Peer Review of Screen-Based Creative Practice Research with one of our Associate Editors, Matthew Hawkins (LSBU) with Roy Hanny (Chair of the MeCCSA Practice Network) youtube.com/watch?v=WhbXLR…

NEW EPISODE: Jason Mittell joins to discuss his videographic book, THE CHEMISTRY OF CHARACTER IN BREAKING BAD, the first in a new series he edits for Lever Press. Listen: thevideoessay.com/jason-mittell-…

"Cut to Sound" is a group exercise prompt based on a collaborative videographic experiment, exploring the relationship between sounds, images, and words. Detailed instructions + 3 videos made by 24 participants: arielavissar.work/cut-to-sound Check them out - and make your own!

"𝐑𝐞𝐟𝐫𝐚𝐦𝐢𝐧𝐠 𝐭𝐡𝐞 𝐀𝐫𝐠𝐮𝐦𝐞𝐧𝐭: 𝐕𝐢𝐝𝐞𝐨𝐠𝐫𝐚𝐩𝐡𝐢𝐜 𝐂𝐫𝐢𝐭𝐢𝐜𝐢𝐬𝐦 𝐚𝐬 𝐆𝐫𝐚𝐝𝐮𝐚𝐭𝐞 𝐑𝐞𝐬𝐞𝐚𝐫𝐜𝐡 𝐏𝐫𝐚𝐜𝐭𝐢𝐜𝐞" application deadline extended to April 7; please share with your students and colleagues! Learn more here: sites.google.com/view/reframing…

Check out the last two publications of our Volume 15.1, Alison Peirse's 'LOOK AT ME' and Jonathon Crewe, Marcus Nicholls, Dennis A. Olsen's 'The impact of gender' screenworks.org.uk/archive/volume…

@FinalSpace Very cool experience. I imagine it will make me dwell a little more with the pages (depending on the length of the tracks I suppose) and I like the idea of extending the those moments where the music informs the mood and also the time spent in the moment with the characters

HAPPY FINAL SPACE FRIDAY! Already I need you all to test these music QR codes out for me and comment if you like this idea. I like this idea but it also mean putting a QR code over art. Test it out imagine this would be throughout the book. You like it? I could just do a play list but I feel like the QR codes could make this a cool experience. So Daz is ankles deep in coloring PART 8. Joe is finishing up PART 6. I'm starting to gather all the notes from the Test Readers and deciding what to do and what not to do. A little more inking and lettering but not much. Overall people seem to really love it so I have to assume I have something really good here. I know this process has been slow but I hope you all see I'm really trying to make the best thing possible, and I want it to be a treat. That mean lots of reviews to catch things even though I've read this novel 1000 times I still miss things. I also have never wrote one of these before and so I want to make sure every moment lands. I appreciate the patience, I don't thing I've seen artists work faster than the ones on this project. We're getting there! More soon! Onwards! -Olan PRE-ORDER: finalspaceends.com

🥁Announcing the Public Domain Image Archive! 🥁 We are v excited to share our new sister-project, the Public Domain Image Archive (PDIA), a curated collection of 10k+ out-of-copyright historical images, all free to explore and reuse pdimagearchive.org @pdimagearchive

Today, 1/4, 3:15, Expanded Screens program 2 presents NYC as it’s featured in documentary and experimental remix films. The artists represented pick up and disturb iconic TV clips, touristic images, video game simulations, and canonical films. bit.ly/Expanded25

Free virtual screening and Q&A of our film! @picturehouse441 are hosting a screener and online Q&A with Howard and Walter live on the 7th Jan! Details here: picturehouse441.com/event/hernamew…

Featuring 'Pan Scan Venkman' by yours truly! 📼

Delighted to publish a new video essay - Closing Time At The People Shop: A Saturn Dealership in Ruins by @skutnicki examining the lingering impact of the car brand in shaping American consumer culture, through its abandoned dealerships & iconic adverts doi.org/10.37186/swrks…

Have you ever experienced an artwork that left an impact that could be felt days, months or even years later? In this video essay, @CormacRestrike recalls having such an experience with a scene from the Steven Spielberg film ‘Minority Report’ (2002) aeon.co/videos/a-haunt…

My videographic portfolio is out; part video essay, part tutorial, and (large) part a soundwalk of Boston in the footsteps of Michael Southworth to whom this research owes a great debt. I highly recommend his thesis on The Sonic Environment of Cities. 🚶‍♀️📼 screenworks.org.uk/archive/volume…