Critically Sober
386 posts

Critically Sober
@Critsober
Scotland's one man national defence aganist our worst YouTube export. The Critical Drinker.
Edinburgh, Scotland Katılım Mart 2024
7 Takip Edilen14 Takipçiler

@Critsober @TheCriticalDri2 That movie sucked. And no black guy sat through it because it was dead ass boring.
Most realistic part was when the two black criminals came to town, went shopping, came back to see other black criminals looting their car, and shot them in the street.
Now that’s black culture.
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Amazing what can happen when you produce good movies, isn't it?
Film Updates@FilmUpdates
‘PROJECT HAIL MARY’ has grossed over $400M worldwide — now eyeing a $620–700M finish. It cost $190M to produce.
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@BlankEthan85350 @deuhdg31277 @TheCriticalDri2 That's literally 90% of Drinker's reviews on his main channel.
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@Critsober @TheCriticalDri2 Because Hollywood is incapable of making movies where things don't explode that anyone wants to watch anymore?
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@AndIllWhisperNo @TheCriticalDri2 Gee you wonder why women struggle to find roles outside the action genre.
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@Critsober @TheCriticalDri2 An okay movie that's vastly overhyped.
However, given Hollywood used to put out 2-3 movies a week as good or better (except maybe in January), also a sign of how far they've fallen.
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@deuhdg31277 @TheCriticalDri2 Second channel. Under 5 minutes. To pretend like he acknowledged it.

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@Critsober @TheCriticalDri2 Wonder why he ignored this universally praised film by audiences & critics that made tons of money last year? I can’t seem to figure it out, huh.
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@Critsober @mjarbo No, it means what it says. Subtext is for cowards.
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"The Message."
That’s the grift. That’s the Critical Drinker's entire business model summed up in a two-word calling card.
But it's not just him. It's Nerdrotic. It's Geeks and Gamers. It's the Side Scrollers podcast, Sargon of Akkad, and that entire right-wing pop-culture outrage ecosystem.
They don't even have to define what it is, or, like most anti-woke reviewers, actually care enough to engage with the narrative mechanics of a movie or game. It’s just a convenient straw man.
The grift runs on this manufactured outrage. Instead of offering a real community to guys who miss the simplicity of the 80s and 90s, they offer a catchphrase. They blame a changing, diverse pop culture landscape to keep you isolated in the dark, hunting for a reason to be angry at a screen for two hours rather than just participating in society.
This is a necessary cycle to break if you ever want to actually enjoy escapism again.
Is "The Message" a real, foundational critique of modern storytelling? God no. But does it work to keep people angry and clicking? Hell yes it does.
The problem isn't with modern filmmakers, it's with these outrage peddlers who DO NOT HAVE their fingers on the pulse of society at all. Give it a few years, and they’ll all be relegated to Third Rate, small-time comic conventions, sitting at fold-out tables where isolated guys pay them five dollars just to "say the line."

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@Critsober @JCStatsBoi @TheCriticalDri2 Of all GIFs you could have chosen to try and tell us we are delusional for our take on Hollywood..,
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Lol, that's interesting since he was VERY excited to work with me and claimed to be a big fan when it benefitted him. Now that he's trying to break into TV, suddenly he's filled with "regret". Good luck sucking all that Hollywood dick, buddy. Hope it's worth it.
Fandom Pulse@fandompulse
Matt Dinniman, author of Dungeon Crawler Carl, has choice words for The Critical Drinker: "I regret that my books have any association whatsoever with him. I hope one day to have his part in book three removed all together. It's a distraction, and the only edgelord douchebag I want people to think of when they read my books is the AI itself." Why did he feel the need to do this?
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@Doncha_Ngo @mjarbo What you meant by those words is I'm not engaging anymore because I've invested so much of myself into a conspiracy theory about modern Hollywood, that you are going to cause me to suffer an existential crisis if it continues.
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@Critsober @mjarbo I have no desire to waste time trying to teach you the meaning of increasingly basic words. Teaching you what "girlboss" means was enough for one day.
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@BryanKetler @Nightmare_Inc23 @mjarbo Can we please stop pretending Ellen Ripley in Aliens and Sarah Connor in T2 are the norm in action cinema.
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@Critsober @Nightmare_Inc23 @mjarbo You are joking, right?
Ripley?
Sarah Connor?
The bionic woman?
Wonder woman?
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Well, yeah, female empowerment in action movies is performative.
Like Michelle Yeoh luring a pervert into a book shop in opening of Yes, Madam. Hong Kong theatrical cut.
The movie is immediately making a statement she isn't a sex object for the male gaze. And making fun of men who think she is.
She slams a book about Michelangelo shut on the guys pp. The movie is telling men they have to respect her as artist just like the male action stars. No one had even seen Michelle Yeoh perform any action yet.
As Drinker would say. THE MESSAGE.
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@Critsober @mjarbo No, it isn't. "Girlboss" doesn't mean "woman in action role".
A girlboss character embodies performative female empowerment while displaying toxic behaviors that are framed as aspirational, when they'd be treated as villainous if she were a white male.
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@Calebclind231 @impossible_pain @HelloHumans6767 @CentristClash @mjarbo But, aye. Ripley in Aliens was intentionally surrounded with male foils to make her look stronger in a masculine setting.
Hudson might as well have had his balls cut off, given how much damage his masculinity takes to make Ripley look competent.
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@impossible_pain @HelloHumans6767 @CentristClash @Critsober @mjarbo Ripley talks down men and is what u call insufferable at first
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@JCStatsBoi @TheCriticalDri2 Imagine manipulating millions of people into believing conspiracy theories about modern Hollywood with a YouTube channel and antagonising 20 year old woman who say feminist things.
GIF
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@Critsober @TheCriticalDri2 Imagine creating an entire internet account, as a grown man, to directly antagonize one specific other man
It could not be me lol
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