DaOddCouple

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DaOddCouple

DaOddCouple

@DaOddCouple

After a hiatus of 17 years, X-Ecutioners alumni Mista Sinista (former DJ for Common) and Rob Swift (former DJ for Akinyele) reunite.

Katılım Mayıs 2018
45 Takip Edilen301 Takipçiler
DaOddCouple retweetledi
BROLICARM
BROLICARM@DJROBSWIFT·
@MoochieSquad I'm not upset with Tariq Nasheed for his proximity to Whiteness b/c, in reality, there's no such thing as a pure race. However, he and the Foundational Black American useful idiots who support him are hypocrites. People think propaganda agents look like Tom Cruise; they don’t.
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Grown Up Rap
Grown Up Rap@GrownUpRap·
Rap History: Rob Swift (@DJROBSWIFT) - ‘The Ablist’, released February 23, 1999.
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Ryan Proctor
Ryan Proctor@RyanProctor75·
Finally about to jump into @DJROBSWIFT and Rasul A. Mowatt’s recent book “The City Of Hip-Hop”. Have been looking forward to reading this. #TheCityOfHipHop
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BROLICARM
BROLICARM@DJROBSWIFT·
Hip-Hop is more than just a musical genre. It embodies an ethos that includes sound, word, dance, and art. After reading my book, *The City of Hip-Hop: New York City, The Bronx, and a Peace Meeting,* co-authored by Rasul Mowatt, you will gain a deeper appreciation for the “do-it-yourself” spirit and creativity of oppressed youth in New York City. *The City of Hip-Hop* will be available to purchase at your local book stores on December 17th but you can available for pre-order now—routledge.com/The-City-of-Hi…. #thecityofhiphop
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DaOddCouple
DaOddCouple@DaOddCouple·
🙏🏾🙏🏼
BROLICARM@DJROBSWIFT

I’m grateful for many things this Thanksgiving, including my family’s continued support and, of course, Rasul Mowatt for helping me get my first book published. But I’d be remiss if I didn’t extend that appreciation to my incredible year touring the country with my DJ partner in crime, @mistasinista, as @DaOddCouple. I’ve noticed that the sense of camaraderie in DJing has diminished over the years. Seeing so many DJs navigating the landscape alone is puzzling, especially considering there are more DJs today than ever before. Never forget, the individual fame one seeks in our industry doesn’t define the essence of DJ culture but rather the friendships and community that develop through our shared love of music Happy Thanksgiving, y’all!

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BROLICARM
BROLICARM@DJROBSWIFT·
The City of Hip-Hop is not just another book about Hip-Hop culture. It's a deep dive into the political and social conditions that spawned the art, dance, sound, and poetry. Pre-order it now at routledge.com/The-City-of-Hi…) and apply the code AFLY04 to receive a 20% discount.
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DaOddCouple
DaOddCouple@DaOddCouple·
Here’s an excerpt from our appearance on @respectthedjs_'s podcast. You can watch the full interview on YouTube. Here’s the link: youtu.be/9_tWTOHBu68?si….
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BROLICARM@DJROBSWIFT

Have you all noticed how the racist rhetoric in contemporary Hip-Hop has started to diminish over the last two years? It seemed to particularly fade this summer, around the time Joe Conzo served Tariq Nasheed, the fraudulent leader of the FBA disinformation movement, a cease and desist letter for copyright infringement. This situation shows that the truth is mightier than hate and will always prevail. I want to give a huge shoutout to @respectthedjs_ podcast for inviting @mistasinista and me on their show, allowing me to address some of the divisiveness that has polarized Hip-Hop culture during its semicentennial. Be sure to subscribe to their YouTube page and watch the full interview. It's streaming now. Also, don't forget to pre-order my upcoming book, co-authored by Rasul Mowatt, The City of Hip-Hop: New York City, The Bronx, and a Peace Meeting. The truth always endures when the smoke clears. Respect. PS When you order the book directly from Routledge (routledge.com/The-City-of-Hi…), you can save 20% with the code AFLYO4.

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BROLICARM
BROLICARM@DJROBSWIFT·
In this excerpt from our lecture and Q&A at @MIT earlier this week, Rasul Mowatt and I discuss how the ingenuity that characterizes Hip-Hop is significantly influenced by the unique environment of New York City in the 1970s. #brolicarmydjschool #thecityofhiphop #routledge #mit
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DaOddCouple
DaOddCouple@DaOddCouple·
💪🏾🙅🏻‍♂️
BROLICARM@DJROBSWIFT

Surprises are guaranteed to happen when you’re DJing live. This also applies to the button-pushing, pre-produced bs DJing we often see at festivals. From missed cues to technical glitches, the unexpected is part and parcel of the live performance experience. But what happens when those missteps turn into full-blown mishaps? How do you navigate the sonic landscape of live performance when the unexpected comes knocking at your door, especially when the audience is watching you struggle? Take, for example, @DaOddCouple performance last week at The Howlin’ Wolf. We skipped soundcheck. In all fairness, @mistasinista and I were beat. We had a radio interview the morning of our show and then an in-store in the late afternoon, and I was still recovering from my Doom set at the @brooklynmuseum 2 days before. I was going on fumes while we were in New Orleans. But if we had done a proper run-through of our set, we would have discovered one of my turntables was defective. The RCA jacks were messed up, and Serato could not read it. Thankfully, @shmahaa, a fan who attended the in-store earlier that day, knowing we were down one turntable, raced home, grabbed one of his, and brought it back to the venue. In this video clip, you see him walk up on stage and set it up while Sin and I perform. When disaster strikes during a performance, it’s easy to feel overwhelmed. Your adrenaline is pumping, the audience is fixed on you, waiting to see how you’re going to adapt, and time seems to slow to a crawl. Since we can’t always predict what will happen on stage or in the DJ booth, DJs must train our minds and instincts the way athletes train their bodies and remain calm and focused under pressure. @DaOddCouple #realdjs

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BROLICARM
BROLICARM@DJROBSWIFT·
In a recent interview on @wwoz_neworleans, I discussed conjunction as a key, albeit neglected, factor in why Hip-Hop exists. Hip-hop wasn't "created." It was triggered by certain conditions in the Bronx, NY, during the 1970s. If you're open-minded enough to learn more about my thesis on this topic, check out my upcoming book, The City of Hip Hop ⏩ a.co/d/fIE7Gtf.
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BROLICARM
BROLICARM@DJROBSWIFT·
Music is the backdrop of most of my memories. Whether it was the Salsa, Merengue, or Cumbia my dad played at home while preparing for a gig that coming weekend or the funk, rock, and soul my brother played when he would invite his High School friends over to jam on my dad's equipment while my parents were away at work, my childhood was driven by song. So, early in my adolescence, I realized the power of music and how it could bring people together. That understanding grew even more when Michael Jackson's THRILLER album, produced by Quincy Jones, dropped in 1982. That album changed everything for me because, for the first time, music didn't just connect me to the people in the environment with which I was hearing it, a basement church gathering where my dad was hired to DJ or park jam my brother took me to. THRILLER bridged me to the entire world. Whether you were a kid in Jackson Heights, Jacksonville, or Japan, Quincy Jones' ability to compose, arrange, and score an album that transcended people's life experiences globally is why, to this day, I value the power behind music. In 2006, Herbie Hancock invited me to perform with him and his band at the WORLD ECONOMIC FORUM in New York's Waldorf Astoria. I got to meet and play alongside legends like Bono and Wynton Marsalis. But with all due respect to everyone I interacted with that week, it was getting to vibe with Mr. Quincy Jones, who curated our performance and made the most substantial impact on me. When I was a kid, from afar, his music influenced me. To this day, I vividly remember my dad giving me 12 bucks to go buy THRILLER from Numbers Record Store on 78th Street and 37th Avenue when I dropped by because he specifically wanted to play "Billie Jean" at his next party. But now, I was talking to the man, learning his manner and experiencing how his mind worked. At the end of our performance on the night of our show, I remember he walked up to me, rubbed my stomach, and said, "That was smooth, Rob." I was a DJ with no formal training, yet Quincy regarded me as a musician like anyone else in Herbie's band. Thank you, Quincy. Rest in peace.
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DaOddCouple retweetledi
BROLICARM
BROLICARM@DJROBSWIFT·
Iron sharpens iron, @DjAlizay. Rest in peace, @DJClarkKent.
Zay Don Chong@DjAlizay

@DJROBSWIFT I never knew that one! I have so many questions! To hear that yall were the arch nemesis to the supermen is crazy but makes sense as to why yall were as good as yall were!

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