
Dave Sun
25.3K posts



研究彝族世系源流,必须首先有关于上古时期年代学研究的明确结论,否则寸步难行,并且难以避免关于年代学的臆测妄论。 目前关于彝人上古时期第三十一世祖“笃慕”(仲牟由)的年代,以《中国彝族通史》为例,就可悲可耻地认为是公元前9世纪到公元前8世纪之间。 这比实际的笃慕时代晚了8000多年。

即将发布重大研究成果及论证过程,人人可验—— 彝族“糯侯”和“恒侯”世系,确定跟犹太人同宗共祖,“糯侯”特指糯家三长子之一“糯雅”,“糯雅”即 Noah 。 希伯来语真神 Eloa,e 是发语词,无实义。Loa ,就是“糯雅”。 所谓复数 Eloahim,就是“糯恒”! 糯侯世系被动了手脚。 犹太拉比也搞了很多小动作。

我在继续深入钻研彝族古代文献,已经有了更加重大的发现。以往的推断敏锐且精准,最新的发现反复验证。 我重点关注“糯侯世系”,主要文献是《西南彝志》、《彝族源流》、《谱牒志》(《彝族创世志》)。 反复对比分析,我看出了大问题——现传“糯侯”世系一定被篡改过,关键年代节点就在左彻、颛顼。

缔造“古埃及文明”的炎帝世系的衰亡,祸起“蚩尤”反叛周王不守“禅让”旧制。 左彻残暴收拾了南方的“古蜀”(夏后),将炎帝族群古蜀人民大规模赶回了阿拉伯半岛的“北地蜀国”,特别是以色列中央山脉一带。 左彻不仅长期对“蚩尤”进行污名化,甚至污名化炎帝世系。 炎帝世系传了七十世,史载仅存八世。

@LD_daofeichang all of my research on "Zeus" compacted visually:

@LD_daofeichang 这么丰厚、悠久的文献,不知道先生当初是如何“进入”的?每个学科都是慢慢征途啊!


🚨俄乌战争的本质是一场「代理人战争」🔥 关于这一点,英国前首相鲍里斯·约翰逊在去年底一次媒体访谈中已公开承认。这也是我一直以来所坚持的观点。 泽连斯基的背后是以拜登为首的美欧左翼政客;而俄罗斯背后则站着中共。 看不清这一点,就很难对俄乌局势有准确的判断。



@GalacticArcanum @LD_daofeichang This person is not a linguist, just an amateur researcher with some ideas. There is no such calendar.



仔细读,认真想,道长的全方位考证揭示出人类文明起源和发展的最符合逻辑的历史真相,精彩绝伦。道长这种基于不同族群的文献记载和考古事实的历史叙事,因为具有彻底的颠覆性效应,不见容于无论中外的主流叙事,但是却带给世人重新认识“真理是怎么得到的”这样一个最基本也是最根本的问题,值得反复咀嚼

Detail of the double emblem on the death mask of king Tutankhamun (solid gold and inlaid with lapis lazuli, carnelian, and obsidian), c. 1323 B.C. ▫ Most kings were crowned with a single serpent, the fiery uraeus, but Tutankhamun’s mask bears a rarer splendour; the cobra and the vulture together. This double crest is no mere ornament, as it magnifies his divine guardianship and whispers of a kingdom reunited after the turbulence of Amarna. The cobra is Wadjet of the Delta, hissing and ready to spit fire at those who dare threaten the king. The vulture is Nekhbet of the Nile Valley, wings spread in maternal shelter. Together they are the Two Ladies (nebty), the eternal emblems of Lower and Upper Egypt. Resting upon the boy-king’s brow, they announce him as rightful lord of the Two Lands. These guardians were thought to live, not lie still. The serpent, with its glinting inlaid eyes and delicate scales, seems poised to strike. Their placement above Tutankhamun’s own eyes is no accident, they are his sentinels, watching and warding, shielding his gaze as he journeys into the afterlife. Fashioned of solid gold and inlaid with lapis lazuli, carnelian, and obsidian, they shimmer with colours as bright as the desert dawn. Against the smooth brilliance of the mask, their tiny details stand out, alive with the promise of divine protection for eternity. Read more: egypt-museum.com/mask-of-tutank…



