Devin

4.2K posts

Devin

Devin

@DevinNash

Executive and Creator | 2x Esports and Brand Agency CEO | Studying Marketing, Tech, & Content Creation Ideas in the New Media World

Texas Katılım Eylül 2012
1.2K Takip Edilen45K Takipçiler
Devin
Devin@DevinNash·
Tapping in on the Twitch viewbotting discussion as an actual agency brand advertising executive. This Twitch post is unlikely to convince any advertisers or streamers that the issue is improving. Here's how to actually address this problem - Viewbotting is an engineering and incentives problem disguised as a cultural one. There is no solution to this problem that can ever be achieved via culture change or moderation. People are debating the efficacy of the solution in Twitch’s post when the entire implementation isn’t even relevant. Given Twitch’s track record, no one should believe Twitch will enforce this “viewer cap” change appropriately even if they did have the proper backend data (and I think they don’t.) They won’t even enforce against popular streamers who have viewbotting programs visible on their screen, streamers who roleplay bringing slaves on their broadcasts and feed them treats, or broadcasters who advocate blatent political violence, and so on. Many streamers are on their 8th or 9th temporary bans for various TOS-breaking content. No one believes Twitch's intervention via moderation will change anything. So again it’s a matter of engineering and incentives. I’ll break down each one. But first a productive question to ask. Why does Youtube Live - which now eclipses Twitch’s live viewership by 40% - have nearly no problems with bots and viewbotting? Well first the engineering problem. Viewbotting gets solved by better detection, pattern recognition, IVT analysis, device fingerprinting, IP patterns, watch-time anomalies, removing off-platform embedding, and other boring backend stuff. As Dan correctly noted, these are things you can’t be public about because they’ll quickly see counterplay from the viewbot services. You just have to lock in and fix it. Google has spent billions of dollars solving this because advertisers don’t like invalid traffic. Their IVT rate now sits at a healthy 11% or so, easily beating competing live services like Tiktok (24%) and Twitch (35%+.) Twitch hasn’t taken this problem seriously. I’ve spent hundreds of thousands of dollars on Twitch, and no team member has ever communicated to me or any of the agencies I work with about their IVT rates accurately. On the contrary it often feels like they throw raw viewership numbers around in pitch decks and presentations as the REASON to go advertise there. That used to work, but money is getting smarter in digital. Brands correctly care about return on spend and engagement with real people rather than just the perception that there are viewers around. You need both bravery and expertise in engineering to make massive changes. Twitch actually has phenomenal engineers, many who were brought on by the former CEO to develop the world’s most advanced CDN (content delivery network) from 2015-2022 before Youtube Live recently surpassed it. But I’m not sure the company has the bravery to make real, necessary changes that many commentators on this post have noted must happen. Successfully “fixing” this would represent a 30-35% global drop in viewership for a website already perceived as ailing against its competitors. To solve the engineering side you just have to apply more of the above technical solutions and spend money and time. Communicate with advertisers, refund us in high IVT events, keep improving your CDN, etc. It’s not a moderation issue, it’s not a viewer cap issue, that’s crowd pandering and will fix nothing. Both advertisers and the community begged for years for attention on this topic, while viewbotters bled us all and collected millions of dollars. Twitch has eroded trust and should just stop making these posts to the public. Users have lost tolerance for the platform and just need to see the actual changes. The second problem is the incentive problem. Every system to succeed on Twitch is set up based on the number of viewers you have. The entire Partnership/Affiliate pipeline is viewership based. The entire discovery funnel is viewership based. Sponsorships are calculated on CCV per $. And the entire culture of the website is “more viewers = better.” So of course everyone will do anything possible to get more viewers. This not only encourages viewerbotting but also toxic streamer culture (IRL nuisance streamers, etc) because, again, it’s all about the views. On Youtube Live monetization rewards sustained engagement and overall channel performance. Ads, super chats, channel memberships, etc. Discovery is pushed by an interest-based recommendation algorithm. Viewers will find you because of interest alignment - not because you have the most viewers. Barely anyone viewbots there because there’s no point. Adding viewers won’t help your channel, and Google’s AI/ML will instantly and automatically suppress your channel and shut off your ads. It is frustrating that the C-Level over at Twitch keep posting about viewbotting as if it’s going to get solved by human moderation. As if Twitch is going to magically have an amazing enforcement team with “the data” that goes after the serial offenders and returns everything to normalcy. This is all solvable, even from where Twitch is now. But you have to make the investments on the engineering/CDN side and just get to work. Everyone is waiting and hoping for these changes. Twitch’s viewbotting epidemic is a downstream effect of what every major streamer and industry professional told them would happen for years. They didn’t implement discovery engines, they didn’t change the incentive systems, they didn’t invest aggressively against obvious botting cases, and they didn’t communicate. Now they have an existential advertising and creator crisis. You reap what you sow.
Twitch Support@TwitchSupport

A note on our work to combat viewbotting, from CEO Dan Clancy: There’s been a lot of discussion recently about viewbotting on Twitch, and I wanted to share an update on our enforcement efforts. Viewbotting is bad for our business. We don't benefit from it, and we believe it harms the creator ecosystem overall. However, effectively combatting viewbotting is challenging. As we deploy updates to our real-time detection algorithms, viewbotting companies quickly respond with updates to avoid detection. Also, our detection systems must be precise to ensure that legitimate viewers are appropriately counted. Today, we’re introducing a new enforcement type that we plan to roll out over the next few weeks. For channels identified as persistently viewbotting, we will apply a cap to the streamer’s CCV for a fixed period of time, on all of the Twitch surfaces. The cap will be based upon historical data regarding that creator’s non-viewbotted traffic. Repeated violations will result in longer penalties. Streamers will be notified when an enforcement is applied, along with the duration of the penalty, and can appeal through the appeals portal. While streamers will be notified, we will not make a follow-on announcement when we begin issuing these enforcements, and will not publicly share details about when and where these enforcements are applied. Unfortunately, providing details simply makes it easier for companies to work around our interventions. We believe this approach will help us make meaningful progress against viewbotting. We will continue refining our systems and expand when we apply these enforcements over time. - Dan Clancy

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Devin
Devin@DevinNash·
I will break your side of it (Kick) down more in the upcoming video. What your program is doing for your streamers makes a lot of sense. As I mentioned in the OP, I see it as an alternative (and probably superior) marketing strategy to putting your site on the map versus what Twitch did from 2015 -> 2020.
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Santamaria
Santamaria@Svntvmvriv·
@DevinNash Interesting take. “Uninteresting” creator might be due to aging out of the space. These creators get picked up by other media outlets for interviews. That’s hard to fake. Correct, this is a free service to KICK creators. New things are scary to those who use to own the system.
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Devin
Devin@DevinNash·
If you understand this chart you understand the state of livestreaming in 2026. You can propel any influencer to high viewership regardless of content quality by tricking algorithms into featuring them. It guarantees followers and is basically pay to win. Here's how it works: Central Discord servers post opportunities for anyone to clip any content from a streamer in exchange for CPM ($s per 1000 views.) Typical CPMs are .50c to $2, with a minimum view limit for payout of 100,000 views. The clippers are mostly second or third world where the USD currency exchange rate is more favorable. Platforms are usually Tiktok, Instagram, and YT Shorts, but also sometimes X. Clavicular has said payouts are sometimes as high as $30 CPM, but I don't believe that. Because of the view limit, many of the views on these charts are free. Clavicular had 2.2 billion views on 70,000 clips, putting the average clip at 31,700 views. That would suggest most of the views are free (below the 100,000 view limit.) I am also told a single clipper can count multiple clips towards that view limit. If that is true, it would make these campaigns much more expensive than what I state below. Assuming 90% of the views are free, it would cost about $222,123 a month to run his campaign alone at $1 CPM. That number goes up to $666,371 if only 70% of the views are free. It's also exponentially higher if the CPMs are even remotely where Clavicular says they are (it would be in the millions per month.) Now here's the interesting part. None of these people are running these themselves. With respect to these streamers, some of them are quite smart but none of them have the marketing prowess to run a campaign like this. These campaigns are being run and funded by Kick themselves. To quote Clav on stream last month: "I believe it’s about a thousand clippers right now. A billion views a month. Kick has helped push me a lot with their clipping budget, over six figures a month in that campaign going towards pushing me out to new audiences." Kick is spending MILLIONs of dollars a month promoting these streamers, and then is also paying them via their partner program as well. It seems to be totally arbitrary who gets promoted and who doesn't, a "who you know" sort of thing. This is a different approach to Twitch's growth marketing strategy that they executed from 2012-2019ish, which was to pay streamers for exclusivity and the number of viewers they had with MGs and bonuses. It's a much more effective strategy because it abuses algorithms. 70,000 clips in a month of Clavicular tells an algorithm "hey a ton of people are posting about this person, make sure anything he posts blows up." You could be the most uninteresting person ever (indeed some of the people on this list are) and still get massive reach because it's not the people that are voting on your popularity with engagement. It's the algorithm pushing it no matter what because it's taught that sheer volume of posts about the same thing = that thing is important. From one perspective this is astroturfing content creators and creating false ecosystems. From another it's a new age multi-million dollar marketing campaign from a platform to drive viewers to itself. Wherever you stand on it, streaming is a much more "gamed" ecosystem now and will remain so. There's no real way to police this behavior since it hijacks how algorithms perceive growth and serve content. This makes livestreaming the most "rigged game" in content creation and you will see very few broadcasters come up in the next couple years who aren't utilizing this strategy.
Devin tweet media
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Devin
Devin@DevinNash·
@nmplol Huh, this is a really smart insight I never thought of. For all extents and purposes it is absolutely an ad. I will include this in the upcoming video and mention you.
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Nick Polom
Nick Polom@nmplol·
@DevinNash I’m curious with all these clippers and them getting paid to do so…. Are these all not mini #ads ? Do they not need to disclose they are being paid? Curious how it’s different than let’s say McDonalds paying me to tweet about their burgers
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Devin
Devin@DevinNash·
@TanisAtTheDisco Thank you!! Post did better overnight, so I will leave the post up. It originally had 50k views in 5 minutes but editing the post reset and bugged it. I will do a video in 1-2 days with WAY more information. Since this post I learned a lot more. I will post it on my main YT.
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Devin
Devin@DevinNash·
@mastermind6000 Ninja's 2019 New Years floss dance in Times Square split the timeline so we're stuck in this one bro.
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Eric Kinney
Eric Kinney@mastermind6000·
@DevinNash Every name on that list I recognize is for being a complete piece of shit human - Asmongold, Clavicular, Adin Ross. Ragebait = engagement now. what happened to the good ol' days of artificially inflating a streamer to sell games, like Ninja?
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Airwingmarine
Airwingmarine@AirwingMarine·
@DevinNash Will there be a downstream effect of diluting CPMs on content because of strategies like this?
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Devin
Devin@DevinNash·
@aawkdys I am excited to read your upcoming post. 🔥
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Devin@DevinNash·
This strategy looks overwhelming at scale but still works for a small creator or someone with limited budget. You could get a couple friends together and post your content across multiple platforms. You won't generate billions of views but you will meaningfully grow your audience relative to the work you put in.
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Covent
Covent@ChrisCovent·
@DevinNash How the hell does someone like me do this for twitch?
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Devin
Devin@DevinNash·
@aawkdys Cool. If that's true, here are your options: 1) Educate me on how it works so I can better explain it. 2) Make your own post on how it works. 3) Have the audience conclude whatever they want based on my research. Your call.
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Adi
Adi@aawkdys·
@DevinNash Literally everything is wrong this post is bait
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Devin
Devin@DevinNash·
@aawkdys That was already pointed out to me and I made an edit to clarify it, thank you. That would just make the campaigns more expensive to run but everything I said would stay intact. We can DM if you want I'll clarify it better if I'm wrong.
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Adi
Adi@aawkdys·
@DevinNash Everything is just speculation from your end for starters views are accumulated For example you could have 4 posts with 25,000 views so no the views aren’t free Basically everything is wrong
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Devin
Devin@DevinNash·
@aawkdys Help me understand where I'm wrong and I will update and clarify it.
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Adi
Adi@aawkdys·
@DevinNash Not accurate at all
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Devin
Devin@DevinNash·
@d3ad1n51de Interesting. Thanks for posting this. Everything I stated would hold true if this were the case, it would just mean these campaigns are much more expensive to run.
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d3ad1n51de
d3ad1n51de@d3ad1n51de·
@DevinNash You're wrong. The views add up. You don't need 100K views per clip – 100K is just the minimum to get paid. If you post 4 clips that combined get 110K views, you get paid. Most clippers post a ton of clips, so hitting 100K+ views per month is easy.
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Airwingmarine
Airwingmarine@AirwingMarine·
@DevinNash Will there be a downstream effect of diluting CPMs on content because of strategies like this?
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CHEFPK
CHEFPK@CHEFPK3·
@DevinNash We are, imo, in the quantity era once again. I'm texting this theory in the summer.
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Devin
Devin@DevinNash·
I'm honored you believe I've had that much influence on this space, but I'm not that important. My business is brand advertising and the last time more than 5% of my budget was in livestreaming was 2020ish. I make no money based on what Kick does or doesn't do (they have no advertisers) and hope primarily to educate.
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Fizzoli
Fizzoli@fizzoli85·
@DevinNash The current streaming culture is a result of stuff YOU fought and advocated for. More so directly by the actions of trainwrecks and his amphetamine fueled obsession with conquering twitch. You aren’t outspoken on the morality because you would never bite the hand that fed you.
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Devin
Devin@DevinNash·
Nah. I have nothing to do with this program and never did. I've never worked with Kick or been paid $1 by them. I study this stuff because it's interesting and I have a natural drive to understand new media and talk about it. From a certain perspective it's one of the most interesting and effective marketing campaigns ever run by a platform. Though I'm deliberately vague on where I stand on it morally because I'd rather the reader decide.
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Fizzoli@fizzoli85·
@DevinNash You and your boy trainwrecks created this BTW…
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Devin@DevinNash·
very good questions - there are no quantifiable differences between ads or paid sponsorship posts and regular ones, provided the content quality is equal (sometimes it being an ad makes the content worse, which is what creates this perception) it is fair to judge based on CPM alone, and this is the sole basis that Youtube, Twitch, and all major platforms use to churn tens of billions a year through the creator economy. the CPM figures I included above include usage rights. there is no universe where a $281 CPM is justified, and even creators like Mr. Beast are not pulling this from their video sponsorships.
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Legendaley
Legendaley@Legendaley·
To be devil's advocate here - organic reach is typically stunted when posts are labelled as paid partnerships, no? Is it fair to judge based on CPM alone? I guess if it's only an organic post, yes it makes sense though the photo doesn't show us the full quote. In all major brand deals I've done, there was almost always usage rights (paid ads) included as part of the picture to maximize reach.
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Devin
Devin@DevinNash·
Influencer offered $4,000 for the post ($281 CPM) and Phoebe counters $400 ($28.17 CPM) Then puts Phoebe on blast for not having enough money. I've done millions in creator advertising spends and $281 CPM is up there with the most ridiculous offers I've ever seen. Even still Phoebe countered with a rate that was well above what the influencer's views and engagement deserve. For context a Tiktok post will usually go for $4-$10 CPM. Phoebe's counter was more than reasonable and she was very polite about it. For a healthy ecosystem both creators AND advertisers need the deal to make sense on both ends. You'll always have a wide range of deal values and subjective considerations (engagement %, audience trust, etc) but neither side should try to extort the other. In this case the influencer was way beyond the pale. All kinds of better things to do with $4,000. Literally impossible to get a return on advertising spend for that on 14,200 views average. I could hire ten people with signs for a week to walk around a downtown city and get a better ROAS than that. The real mystery is why Phoebe was even doing her own influencer activations. Respect for standing on your own two feet and hustling but you get an agency to avoid exactly this. @PhoebeAdellle - I probably would open one more spot to AOR for Phia. Just saying.
Raq@raqisright

When a billionaire’s daughter says you’re “out of budget” Girl, pls

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