Diabolique

Cody Noble interviewed legendary independent filmmaker and co-founder of Troma Entertainment @lloydkaufman and musician and film composer @WillieWisely about their work on Tromeo and Juliet. diaboliquemagazine.com/tromeo-and-jul…

"Yellowjackets and Honeycomb," writes @middleagedwitch, "are both nuanced explorations of girlhood, adolescent relationships and violence." diaboliquemagazine.com/honeycombandye…

"Carleton Carpenter’s performance is delicate, nuanced, sweet and incurably endearing," writes @lee_gambin of the inimitable actor in FEARLESS FAGAN. diaboliquemagazine.com/he-dont-look-s…

Remembering the mighty @mikethemcpadden. @kat_diabolique on McBeardo: "It can’t end like this because McBeardo never ends. His legacy is only just beginning." diaboliquemagazine.com/a-tribute-to-m…

.@BostonWookiee is back to explore the postcolonial concept of the monstrous inversion in Jayro Bustamante's LA LLORONA. diaboliquemagazine.com/la-llorona-man…

"[T]he essence of the Poe films came with Corman," argues @BondVivant1 in his look back at THE PREMATURE BURIAL. diaboliquemagazine.com/the-ghastly-ex…

"[T]he 1980s was perhaps the strongest decade for television horror series," argues @JosephWPerryJWP in his tribute to shows ranging from FRIDAY THE 13TH: THE SERIES to HAMMER HOUSE OF HORROR. diaboliquemagazine.com/when-terror-ru…

Diabolique's @lee_gambin spoke with actress Dinah Manoff about the first CHILD'S PLAY film, Chucky, and her career spanning film and television. diaboliquemagazine.com/chuckys-first-…

Which of Roger Corman's Edgar Allan Poe adaptations is best? "Whether or not Pit and the Pendulum is a better film than House of Usher is a moot question," argues @BondVivant1. diaboliquemagazine.com/one-loud-long-…

Want a good, original deep dive into the folkloric underpinnings of HALLOWEEN III? Then please check out my 2018 piece for ⁦@DiaboliqueMag⁩ on Samhain, Isle of Man folk magic, and the echoes of Nigel Kneale’s first script in the final film. diaboliquemagazine.com/unlocking-nige…

As the veil between the living and the dead thins, the crisp Fall air whistles news most exciting down the wind: the Belles are back! That’s right. Your favorite Hell’s Belles and twin cultural libertines, @kat_diabolique and @mondoheather, have returned! diaboliquemagazine.com/episode-8-hell…

Dave J. Wilson looks at the films of exploitation maven Don Jones. diaboliquemagazine.com/don-jones-scho…

Canadian Synthpop, early music video, & BEYOND THE BLACK RAINBOW & more are explored! Come one, come all & enjoy. 🔺🧿📼💽 diaboliquemagazine.com/picture-music-…

The always insightful @JosephWPerryJWP is back with reviews of new HD releases from @networktweets, including THE DARK EYES OF LONDON and THE MONSTER. diaboliquemagazine.com/reviews-networ…

Tom Clark on José Bénazéraf's FRUSTRATION: "A crowning achievement from one of the figureheads of the golden age of Euro sex and horror hybrids." diaboliquemagazine.com/provincial-dis…

A look back at the existential horrors of WAKE IN FRIGHT, courtesy of @JohnnyRestall: "Fifty years on, the film remains ferociously powerful." diaboliquemagazine.com/come-and-have-…

"No attempt to plot the course of Folk Horror on film can be called complete without some consideration of two seemingly humble British TV plays: Robin Redbreast and Penda's Fen," argues Rob Talbot. diaboliquemagazine.com/robin-redbreas…

Everyone needs to bow down before Salome Jens and crown her 'queen'. I hope this interview conducted with her for our SECONDS book explains why: 'Touched by an angel: Miss Salome Jens' diaboliquemagazine.com/touched-by-an-… via @DiaboliqueMag

From the technicolor terrors of SUSPIRIA to the more prurient fantasies in REINCARNATION OF ISABEL, Rob Talbot looks at the witches of Eurohorror. diaboliquemagazine.com/revenge-of-the…