Nix v3

Once upon a time this was me

So basically.....

nobody can convince me kuro doesn't allow artist freedom with wuwa characters when this whole aubrena animation was endorsed by them

@snakesmuse o pior é que todas as partes que eram pra ser realmente difíceis e longas eu dei sorte de pegar tirolesas incríveis de outros jogadores

A parte da neve em death stranding 1

The Free-Spirited Chaser👧 They worshipped the Stones of Epoch. She turned them into brass knuckles. A desperate choice during the siege of the Bloodflame Vault bonded Gigi Murin to these powerful relics from the Great Celestial War. Now she channels their raw energy through heavy-duty venting gauntlets to keep her own arms from incinerating. When all else fails, bring cosmic relics to a street fight. #rkggk #marvelrivals #hololive

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Truth Nuke.

Himedanshi Vergil

【NIKKE × RAZER Collaboration PV Commemoration Event】 A special collaboration event with Viper! ⚡ Follow our official community and share this post for a chance to win an exclusive collaboration set! How to Join 1. Follow @NIKKE_en 2. Repost this post Rewards - NIKKE x RAZER "Heartbeat Temptation" Viper collaboration set x 3 Event Duration ~ Mar 28th, 23:59 (UTC+9) #NIKKExRAZER

What the dog doin. #FWMCpix

Eu lamberia os pés dela igual se lambe um picolé

i need a dude who amounts to nothing bro

@PardoVol3 @AnishA_Moonka hypei

@DiagonalNix @AnishA_Moonka Nem fodendo

You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild. Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real. The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later. Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him. Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman. Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact. 95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.

헤어스타일

They are being mean to Vesti again. But you know, a pink Vesti might have been peak.

Male otaku used to get excited seeing women in otaku space. Liking yuri used to be the sign that you're deep into otaku culture. If you're upset at women liking yuri playing a gacha game "meant for men," you are the tourist.

New Pinned Tweet! Fuck Capitalism Free the Global South from Imperialism LGBTQ people are valid Colored people are valid Women are equal to men and to say they aren’t is lunacy Yuri and Yaoi are based Socialism/Communism is the only future We’re friends if you support these.

oomf said she’s gonna start playing Nikke because of the drama