Dipiya Dilawari

33.4K posts

Dipiya Dilawari

Dipiya Dilawari

@Dipdil

Live, Laugh, Love Spread Positivity 🌸

Katılım Şubat 2010
1.8K Takip Edilen3.2K Takipçiler
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Dipiya Dilawari
Dipiya Dilawari@Dipdil·
In my 12th Geography, I did a project on how USA Policy of sanctions on Iraq ruined the entire generation of children of Iraq. My prayers with the children of Iran. Western nations who are so protective of their own children, but they have no empathy for the children of Asia.
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🏅Mukhtar مختار
🏅Mukhtar مختار@Ajmermukhtar·
@Dipdil You invited me with a space but did not give me the mic nor did you talk on the topic. I even messaged you.
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Dipiya Dilawari retweetledi
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.@madhub4la·
after her traumatic abusive first marriage, she found him, and she meets her soulmate again 💗
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Lost Temples™
Lost Temples™@LostTemple7·
If you had to live your entire life in just one season, which would you choose?
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Dipiya Dilawari
Dipiya Dilawari@Dipdil·
@ReallySwara You are a very straightforward, humble, and a liberal person. It is always good to watch your interviews.
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Swara Bhasker
Swara Bhasker@ReallySwara·
Sorry I just saw this… Thanks Dad ❤️❤️❤️ Please tell the internet more about how I’m exasperating and reckless and my other character flaws 🤪🤪😂😂💜💜
C Uday Bhaskar@theUdayB

To the most endearing, exasperating, affectionate, argumentative, reckless, resolute daughter - whose deep commitment to principles & values dear to her, often drive me up the wall, even as I am humbled by her tenacity in the face of advancing adversity..MHR Pagli @ReallySwara

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Sankirtan
Sankirtan@vaishnavasadhu2·
Be responsible for your own happiness. Happiness is not something to be found—it is something to be created. When we stop placing the weight of our emotions on others, we reclaim our inner freedom.
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Pushkar Trivedi
Pushkar Trivedi@PushkarLfc·
@marlboroadvv I relate to this scene very much. I had to live with maternal grandparents when my mother died. I was 5 at that time. Those 2 years had gave me enough childhood trauma. I don’t see this movie for this same scene. It’s just too much. Too much.
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z.@marlboroadvv·
the fact that ishaan was fighting all his battles alone without being understood. this traumatized me as a child
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Dipiya Dilawari
Dipiya Dilawari@Dipdil·
@Varunra65924691 @marlboroadvv Ishaan has a learning disability, not a mental health issue. Yes, due to harsh treatment from his father and previous teachers, he almost developed a mental health issue. But it's a film and a sensitive teacher arrives. In real life, such children are alone.
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Varun rao
Varun rao@Varunra65924691·
@marlboroadvv just showed how mental health is treated in india 😭
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Dipiya Dilawari
Dipiya Dilawari@Dipdil·
@marlboroadvv Most children with learning disabilities fight their battles alone. Being a female child makes it worse.
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Sankirtan
Sankirtan@vaishnavasadhu2·
The passing of Asha Bhosle fills my heart with a profound sense of loss. For more than seven decades, she enriched Indian cinema with her extraordinary voice, bringing depth, emotion, and joy to countless songs.
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Professor
Professor@Masterji_UPWale·
My wife and I were having dinner at a restaurant in Bengaluru. There was a young couple sitting next to us. You could tell it was a special night. We overheard bits of their conversation..New job, finally some stability, something worth celebrating. They looked genuinely happy. Then their bill came. The card didn’t go through. They tried another. Declined. You could see the shift instantly. The smiles faded. They started quietly discussing what to remove, what they could actually afford. My wife looked at me. I didn’t say anything. Just called the waiter and asked him to add their bill to ours. We told him not to mention us. Just say it’s taken care of. We left before they could turn around. Didn’t want a thank you. Just wanted them to finish their night the way it began. We forgot about it. Three years later, a letter arrived at our home. Somehow, they had tracked us down. The waiter remembered us. Helped them find us. The letter said they were getting married. That night, the one we barely remembered… was their first proper date after months of struggle. Their first moment of relief after a long, difficult phase. They wrote: “Someone paying our bill made us believe that good people still exist. We carried that feeling through everything that came after.” They invited us to their wedding. We didn’t know them. But we went anyway. They introduced us to everyone.. “These are the people who showed us kindness when we needed it the most.” We danced at their wedding. We teared up during their Vows. Somehow, we felt like family. Today, they have a baby. They send us pictures, festival wishes, little updates from their life. And we’re a part of their story… because of one small moment. Sometimes family isn’t blood. It’s just people who chose to see you. #SundayStories
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KBS Sidhu, ex-IAS 🇮🇳
Asha Bhosle’s Sacred Offering at Anandpur Sahib, 2001 At the Anandpur Sahib function in 2001, held at the Virasat-e-Khalsa memorial, Asha Bhosle’s rendering of Gurbani left an impression that went far beyond the ordinary bounds of a ceremonial performance. In that sacred setting, at the birthplace of the Khalsa and amid commemorations linked to three centuries of its history, her voice acquired a deeply devotional power. Since the lyrics were drawn from the Sri Guru Granth Sahib, this was not merely Shabad singing in a musical sense, but an expression of Gurbani rendered with reverence and humility. That forenoon, she rendered “Mere Sahib, Mere Sahib” (मेरे साहिब, मेरे साहिब) in the tune of “Nanak Naam Jahaj Hai” (ਨਾਨਕ ਨਾਮ ਜਹਾਜ਼ ਹੈ / नानक नाम जहाज़ है), drawing together the worlds of film music and Gurbani-inspired devotion in a single, seamless act of homage. The melodic line, already deeply familiar in Punjabi households, resonated with renewed emotion in Asha Bhosle’s voice and held the sangat spellbound. For those present, it was a reminder that music, when wedded to faith, can transcend performance and become prayer. Her participation thus symbolised a rare confluence of artistic greatness and humility, where a celebrated playback singer stood before the Guru and the Panth simply as a devotee.
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Anish Moonka
Anish Moonka@anishmoonka·
Asha Bhosle was cast out by her own family at 16. She’d eloped with her elder sister Lata Mangeshkar’s secretary, a man twice her age. The marriage turned abusive. She walked out with two children and a third on the way, returning to a family that barely wanted her back. To survive, she took every recording job the top singers rejected. In Indian cinema, actors don’t sing their own songs. Singers record in a studio, and the actors lip-sync on camera. In the 1950s, the big films went to established voices. Bhosle got the leftovers: B-grade soundtracks, cabaret numbers, songs for the villain’s girlfriend. Between 1948 and 1957, she recorded more songs than any other singer in the country, but almost none of them mattered. Her break came from composer O.P. Nayyar, who gave her the lead songs in Naya Daur (1957). For the first time, she was the voice of the heroine. By the mid-1960s, she’d partnered with a young composer named R.D. Burman. Their first major collaboration nearly didn’t happen. When Bhosle heard the westernized dance number “Aaja Aaja” for Teesri Manzil (1966), she told Burman she couldn’t sing it. He offered to rewrite the music. She refused, rehearsed for ten days, and delivered one of the decade’s biggest hits. That professional partnership became a marriage in 1980. Burman died in 1994. In 1981, composer Khayyam asked her to sing two notes lower than usual for the film Umrao Jaan. The ghazals (traditional Urdu love songs) she recorded won her India’s National Film Award and shattered the idea that she could only do pop. At 62, she recorded the Rangeela soundtrack with A.R. Rahman. At 79, she made her debut as a film actress. Guinness World Records certified her in 2011 as the most recorded artist in music history. She put out over 11,000 songs in more than 20 languages across eight decades, and no other recording artist on Earth has come close. Her voice crossed borders in ways almost no Indian artist had before. Cornershop wrote “Brimful of Asha” about her in 1997, and a Fatboy Slim remix sent it to No. 1 in the UK. The Black Eyed Peas sampled her vocals. The Kronos Quartet, a classical string ensemble, recorded an album of R.D. Burman compositions with her and earned a Grammy nomination. Earlier this year, at 92, she appeared on a Gorillaz track. She outlived the people closest to her. Her daughter Varsha died in 2012 at 56. Her son Hemant died of cancer in 2015. Her sister Lata, the most famous singer in Indian history, died in 2022, also at 92. After Varsha’s death, Bhosle told reporters the pain would stay with her until her last breath, but added: “You should always laugh with others but cry alone.” Asha Bhosle died today in Mumbai at 92. She recorded her first song at 10, her last collaboration at 92, and spent the 82 years in between proving that the woman they once threw out could outlast every voice that came before or after her.
Narendra Modi@narendramodi

भारतातील सर्वात ख्यातनाम आणि अष्टपैलू आवाजांपैकी एक असलेल्या आशा भोसले जी यांच्या निधनाने अतिशय दुःख झाले. त्यांच्या अनेक दशकांच्या अद्वितीय संगीत प्रवासाने आपल्या सांस्कृतिक वारशाला समृद्ध केले आणि जगभरातील असंख्य लोकांच्या मनाला स्पर्श केला. भावपूर्ण गीतांपासून ते जोशपूर्ण संगीत रचनांपर्यंत, त्यांच्या आवाजात कालातीत तेज होते. त्यांच्याशी झालेल्या संवादांच्या आठवणी मी सदैव जपून ठेवेन. त्यांच्या कुटुंबीयांना, चाहत्यांना आणि संगीतप्रेमींना माझ्या भावपूर्ण संवेदना. त्या पुढील पिढ्यांना प्रेरणा देत राहतील आणि त्यांची गाणी सदैव लोकांच्या आयुष्यात गुंजत राहतील.

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