Droste Effect Mag

We are proud to present a new issue of Bulletin dedicated to Ivana Spinelli's artwork. Visit her solo show at @GALLLERIAPIU in Bologna for @artefiera 2020 Read [free] Bulletin no. 22 – Semiotic Circuits by Elisa del Prete at drosteeffectmag.com/bulletin-22-se… #ArteFiera2020

Just posted a photo @ Artissima Fair instagram.com/p/CkwEgcUoqoW/…

Just posted a photo instagram.com/p/CkwAYR2IUX-/…

Just posted a photo @ Biennale Gherdeina instagram.com/p/ChPVzdgMc1O/…

Just posted a photo @ Biennale Gherdeina instagram.com/p/ChPU3OusMJI/…

This edition of the @la_Biennale was delayed by one year due to the world health emergency. The last time it was postponed due to exceptional circumstances was in 1944 … Read more at drosteeffectmag.com/venice-biennal… Here Simone Leigh, 2022 Golden Lion winner, at the US Pavilion

The 59th International Art Exhibition of the Venice Biennale is finally open: this edition was delayed by one year due to the world health emergency. The last time the Biennale was postponed was during the Second World War (…) drosteeffectmag.com/venice-biennal…

A Meditation on History: Art Exhibitions in Shanghai in 2000 Art history is constantly passivating: a kind of depicted framework painted into the cultural and social environment following our expectations. […] drosteeffectmag.com/art-exhibition…

Art City Bologna presents a few innovative features, including the creation of a new art space cluster outside of the city, in the nearby San Lazzaro, where three contemporary art spaces decided to give themselves a collective identity: drosteeffectmag.com/clan-lazzaro-n… #ArtCityBologna

#waitingforartcity A Century of Drawing in Italy is curated by Claudio Musso, author of our Bulletin #23 on artist @ivanaspinelli, also included in the show at Fondazione del Monte. Read Claudio Musso's essay drosteeffectmag.com/bulletin-23-gr… 2nd image: Margherita Morgantin, Ivana Spinelli

35 years after Gordon Matta-Clark created his piece, the @whitneymuseum, in collaboration with the @HudsonRiverPark Trust, is developing its own Day’s End in a neighborhood that has changed dramatically since the 1970s. Read more at drosteeffectmag.com/history-wild-w…

The @whitneymuseum in collaboration with the Hudson River Park Trust is developing a remaking of "Day’s End" by Gordon Matta-Clark. Unlike the artwork that inspired it, this new public sculpture is institutionally approved and will be permanent: drosteeffectmag.com/history-wild-w…

As a temporary solution to the Museum's forced closure, MAMbo converted its space into an artist residency. ⬇️ Rachele Maistrello, Vincenzo Simone, Francis Offman, Bekhbaatar Enkhtur's studios. Thanks to @MAMboBologna for kindly organizing our studio visit. #nuovofornodelpane

As a temporary solution to the Museum's forced closure, MAMbo converted its space into an artist residency ⬇️ Allison Grimaldi Donahue, Eleonora Luccarini, Massiel Leza, Giuseppe De Mattia's studios Thanks to @MAMboBologna for kindly organizing our studio visit #nuovofornodelpane

Read more about THE MANY COLORS OF THE SKY RADIATE FORGETFULNESS in @DrosteEffectMag here: bit.ly/2CyAy29 “In Magdy’s film, confusion and ambiguity reign: the city appears to exist in a flux between construction and destruction...” (12/20)

The second in a series of excerpts from their archive, The Lecture Agency presents documents from Salvo’s art practice in the 1960s and 1970s. Find them at this link: drosteeffectmag.com/salvo-performa… Salvo, Benediction of Lucerna (1970/1975), photograph, courtesy of FER Collection, Ulm.

A 1970 excerpt from artist Salvo's archive, chosen and introduced by The Lecture Agency, a research platform dedicated to the study of performance lectures: drosteeffectmag.com/salvo-performa… #Salvo #archiviosalvo #TheLectureAgency #TLA #performancelecture #1970 #selfportraits

"Ryan Gander swims upstream, avoiding by-now-common reproductions of human experience of reality in artificial digital media." Read our interview with the UK artist at drosteeffectmag.com/ryan-gander-wh… "Equivalent Economies and Equivalent Means” (2018). Courtesy the Artist and GB Agency.

We interviewed UK artist Ryan Gander, who talked about the reality of the virtual in his work, and how it reflects on what doesn't exist – yet. Read it at drosteeffectmag.com/ryan-gander-wh… #RyanGander #animatronic #virtualreality #artinstallation #interview #animatron

Art Workers Italia was founded during this COVID-19 crisis to claim fair recognition and compensation for art workers in Italy. This is their manifesto: drosteeffectmag.com/art-workers-it… #ArtWorkersItalia #AWI #manifesto #COVID19 #crisis #contemporaryart #artworkers #pandemic

The following manifesto was first published by [ART WORKERS ITALIA] on Labor Day as a response to the current crisis due to the COVID-19 pandemic. Learn how to be part of the project: drosteeffectmag.com/art-workers-it… #ArtWorkersItalia #AWI #COVID19 #artworkers #workersrights #LaborDay