Dubai Literary Salon

Getting to the Truer Version of the Story ift.tt/2ZtbFQv

Rendering Truth Faster ift.tt/3vSRffF

Drawing Inspiration from Micronature ift.tt/3m9s8Sy

What Metallica’s “Black Album” Teaches Us About Writing Briefly ift.tt/3m4Kvbu

A Review of Brenda Miller’s A Braided Heart ift.tt/3G0J9Gu

Writing and The Green-Eyed Monster ift.tt/3jfltV6

Two Humorists Walk Into a Blog ift.tt/3FZNnhw

Dear Book, Dear Writer ift.tt/3pe186C

Yes Writers, You Can Break Form ift.tt/2YPvd1z

Community vs. Solitude for Writers ift.tt/3iWTjOw

Reading for the First Time After a Drought ift.tt/3v9dM7R

On Writing Retreats ift.tt/3FORmh9

Revision and the Multi-Faceted Self ift.tt/2YM1eqZ

Review of Abby Hagler’s There Was Nothing Left But Gold ift.tt/30220Ap

Fiction? No. Memoir! ift.tt/3iFti68

Writing as Subversive Activism ift.tt/3AesdZ1

Florilegia: Gathering from Your Literary Garden ift.tt/3FixuT9

The Joy of Detail in Nonfiction ift.tt/3mr76xR

A Review of Judy Bolton-Fasman’s Asylum ift.tt/3miSn7W

Writing Groups: How? Why? ift.tt/3AXS7kT