๐•ฐ๐–†๐–—๐–‘๐–ž ๐•น๐–Š๐–™๐–๐–Š๐–—๐–‘๐–†๐–“๐–‰๐–Ž๐–˜๐–

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๐•ฐ๐–†๐–—๐–‘๐–ž ๐•น๐–Š๐–™๐–๐–Š๐–—๐–‘๐–†๐–“๐–‰๐–Ž๐–˜๐– banner
๐•ฐ๐–†๐–—๐–‘๐–ž ๐•น๐–Š๐–™๐–๐–Š๐–—๐–‘๐–†๐–“๐–‰๐–Ž๐–˜๐–

๐•ฐ๐–†๐–—๐–‘๐–ž ๐•น๐–Š๐–™๐–๐–Š๐–—๐–‘๐–†๐–“๐–‰๐–Ž๐–˜๐–

@ENetherlandish

Private Collector Early Music Playlists: https://t.co/QNLxsTzQA7

Bruges Katฤฑlฤฑm Kasฤฑm 2022
126 Takip Edilen655 Takipรงiler
๐•ฐ๐–†๐–—๐–‘๐–ž ๐•น๐–Š๐–™๐–๐–Š๐–—๐–‘๐–†๐–“๐–‰๐–Ž๐–˜๐– retweetledi
Solas
Solas@solas_na_greineยท
Master of Augsburg, The Coronation of the Virgin surrounded by Angels and Saints, ca. 1470
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๐•ฐ๐–†๐–—๐–‘๐–ž ๐•น๐–Š๐–™๐–๐–Š๐–—๐–‘๐–†๐–“๐–‰๐–Ž๐–˜๐– retweetledi
Elemer
Elemer@guillaume_mbrยท
Berlin, musรฉe Bode Maรฎtre de l'Histoire de Joseph (Bruxelles, vers 1490/1500) Joseph descendu dans la citerne Joseph vendu par ses frรจres
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๐•ฐ๐–†๐–—๐–‘๐–ž ๐•น๐–Š๐–™๐–๐–Š๐–—๐–‘๐–†๐–“๐–‰๐–Ž๐–˜๐– retweetledi
John McCafferty
John McCafferty@jdmccaffertyยท
Bodleian Library Oxford MS. Ashmole 1504 known as โ€˜The Tudor Pattern Bookโ€™ fol. 33r Dragon Dromedary
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๐•ฐ๐–†๐–—๐–‘๐–ž ๐•น๐–Š๐–™๐–๐–Š๐–—๐–‘๐–†๐–“๐–‰๐–Ž๐–˜๐–
Nice to see a bunch of medieval lots at Sothebyโ€™s day 2 sale. The sale has everything from sculptures to a few miniatures. Will be an interesting barometer for the market. A few thoughts: - Iโ€™m not a fan of most of the stuff being sold from the โ€œConnecticut collectionโ€, at least not at these estimates. - Major auction houses have just not had a lot of supply in the last year or two of medieval stuff. So it becomes harder to gauge where the mid level market is at for medieval art. - This auction will have a good number of lots pass. Which will show what the market wants and in which areas estimations may be too high. - interesting assortment of provenances from museum deaccession, a US Ambassador, and WW2 Restitution
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๐•ฐ๐–†๐–—๐–‘๐–ž ๐•น๐–Š๐–™๐–๐–Š๐–—๐–‘๐–†๐–“๐–‰๐–Ž๐–˜๐– retweetledi
C B Newham
C B Newham@cbnewhamยท
The Donor Knight One of the sixteen panels of glass in St Peter, Lowick (Northamptonshire). This wonderful glass, made in c.1310-30, depicts four kings and eleven prophets.
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๐•ฐ๐–†๐–—๐–‘๐–ž ๐•น๐–Š๐–™๐–๐–Š๐–—๐–‘๐–†๐–“๐–‰๐–Ž๐–˜๐– retweetledi
AriannadaTodi
AriannadaTodi@AriannadaTodiยท
Io non l'ho mai provato Urrร .
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๐•ฐ๐–†๐–—๐–‘๐–ž ๐•น๐–Š๐–™๐–๐–Š๐–—๐–‘๐–†๐–“๐–‰๐–Ž๐–˜๐– retweetledi
Solas
Solas@solas_na_greineยท
Simon Marmion, A Choir of Angels, (detail) ca. 1459
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๐•ฐ๐–†๐–—๐–‘๐–ž ๐•น๐–Š๐–™๐–๐–Š๐–—๐–‘๐–†๐–“๐–‰๐–Ž๐–˜๐–
I haven't done a ton of research, and could well be wrong (feel free to dunk on me if so), but there is a red flag here in my opinionโ›ณ๏ธ. This painting is supposed to be by the hand of Colijn de Coter and workshop, based on Nicodemus from Rogier's Prado Descent. Yet not only is the face of Nicodemus copied, Saint Luke here is shown flooded with tears while in a completely different scene - drawing the virgin, which is not a tragic or sad scene. I am skeptical that this painting is anything more than a pastiche by a follower who didn't know much about what they were copying.
๐•ฐ๐–†๐–—๐–‘๐–ž ๐•น๐–Š๐–™๐–๐–Š๐–—๐–‘๐–†๐–“๐–‰๐–Ž๐–˜๐– tweet media
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๐•ฐ๐–†๐–—๐–‘๐–ž ๐•น๐–Š๐–™๐–๐–Š๐–—๐–‘๐–†๐–“๐–‰๐–Ž๐–˜๐– retweetledi
Elemer
Elemer@guillaume_mbrยท
Sintra, parc et palais de Monserrate. La rรฉsidence, dรฉjร  cรฉlรจbre par le sรฉjour de Beckford en 1794-95, et de Byron, a รฉtรฉ transformรฉe ร  partir de 1858 par l'architecte britannique James Thomas Knowles.
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๐•ฐ๐–†๐–—๐–‘๐–ž ๐•น๐–Š๐–™๐–๐–Š๐–—๐–‘๐–†๐–“๐–‰๐–Ž๐–˜๐– retweetledi
museoes
museoes@museoesยท
El espectacular retablo flamenco de la Iglesia de El Salvador de #Valladolid. Realizado en Amberes antes de 1504 y con pinturas del Maestro del Trรญptico Morrison.
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