₳ⱠłɆ₦ ₵Ɽł₥Ɇ ⱠØⱤĐ 👽

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₳ⱠłɆ₦ ₵Ɽł₥Ɇ ⱠØⱤĐ 👽 banner
₳ⱠłɆ₦ ₵Ɽł₥Ɇ ⱠØⱤĐ 👽

₳ⱠłɆ₦ ₵Ɽł₥Ɇ ⱠØⱤĐ 👽

@Edddgrrr

UTA 19 // 🇸🇻 // Space Cowboy

Dallas, TX Katılım Eylül 2012
192 Takip Edilen307 Takipçiler
₳ⱠłɆ₦ ₵Ɽł₥Ɇ ⱠØⱤĐ 👽 retweetledi
Kachii
Kachii@badasskachii·
Imagine finally ending a 22-year drought and the entire internet is still talking about Manchester United's captain. The levels are tragic
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₳ⱠłɆ₦ ₵Ɽł₥Ɇ ⱠØⱤĐ 👽 retweetledi
The Touchmine | 𝐓
The Touchmine | 𝐓@TouchmineX·
🚨🏆 𝗕𝗥𝗘𝗔𝗞𝗜𝗡𝗚: Cristiano Ronaldo becomes the first player to win 𝐋𝐞𝐚𝐠𝐮𝐞 titles, 𝐆𝐨𝐥𝐝𝐞𝐧 𝐁𝐨𝐨𝐭, and 𝐌𝐕𝐏 awards in 𝐟𝐨𝐮𝐫 different countries across 𝐦𝐮𝐥𝐭𝐢𝐩𝐥𝐞 continents. 🤯 He doesn’t follow records, records follow him. 🐐
The Touchmine | 𝐓 tweet media
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₳ⱠłɆ₦ ₵Ɽł₥Ɇ ⱠØⱤĐ 👽 retweetledi
Cristiano Ronaldo
Cristiano Ronaldo@Cristiano·
CHAMPIONS!!!!! 🏆 🟡🔵
Cristiano Ronaldo tweet media
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₳ⱠłɆ₦ ₵Ɽł₥Ɇ ⱠØⱤĐ 👽 retweetledi
Actu Foot
Actu Foot@ActuFoot_·
Les larmes de joie D’UN GRAND CHAMPION, D’UNE LÉGENDE qui n’a plus rien à prouver à personne. Mais à 41 ans, IL A ENCORE FAIM. ENCORE LA PASSION. ENCORE SOIF DE BUTS ET DE TROPHÉES. 🥹 Cristiano Ronaldo 🇵🇹 est LE FOOTBALL 🐐
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₳ⱠłɆ₦ ₵Ɽł₥Ɇ ⱠØⱤĐ 👽 retweetledi
TC
TC@totalcristiano·
CRISTIANO RONALDO WHAT A GOAL! 🤯
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**
**@bigguccicraigy·
i just paid $43 to fill up my honda civic i just screamed trump name like mr. crocker
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₳ⱠłɆ₦ ₵Ɽł₥Ɇ ⱠØⱤĐ 👽 retweetledi
Spectre
Spectre@spectre0799·
Mr. Morale but the beat is ALL THE LOVE
me@matananana

@spectre0799 Put a Kendrick verse on All The Love

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₳ⱠłɆ₦ ₵Ɽł₥Ɇ ⱠØⱤĐ 👽 retweetledi
ScreenRant
ScreenRant@screenrant·
Warner Bros. has announced that #SpeedRacer (2008) will be released in theaters, including IMAX, for the week of April 25, in addition to being remastered in 4K Ultra HD, digitally and on disc, on May 19. 🍿 Read More: bit.ly/47vJccQ
ScreenRant tweet mediaScreenRant tweet media
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₳ⱠłɆ₦ ₵Ɽł₥Ɇ ⱠØⱤĐ 👽 retweetledi
Anish Moonka
Anish Moonka@anishmoonka·
You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild. Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real. The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later. Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him. Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman. Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact. 95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.
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₳ⱠłɆ₦ ₵Ɽł₥Ɇ ⱠØⱤĐ 👽 retweetledi
Madrid Xtra
Madrid Xtra@MadridXtra·
🚨 Real Madrid have knocked Manchester City OUT 4 times in the last 5 years. 🤯
Madrid Xtra tweet media
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₳ⱠłɆ₦ ₵Ɽł₥Ɇ ⱠØⱤĐ 👽 retweetledi
Madrid Zone
Madrid Zone@theMadridZone·
🚨 Pep Guardiola becomes the FIRST coach in UCL history to be knocked out of the UCL by the SAME team 3 seasons in a row. Bullied.
Madrid Zone tweet mediaMadrid Zone tweet media
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₳ⱠłɆ₦ ₵Ɽł₥Ɇ ⱠØⱤĐ 👽 retweetledi
gam
gam@mbaafraude·
Guardiola: “Me hubiese gustado jugar 11vs11 esta noche” Si Pep, al Arsenal aquella noche también.
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₳ⱠłɆ₦ ₵Ɽł₥Ɇ ⱠØⱤĐ 👽 retweetledi
rhyme
rhyme@Rhymestyle·
they gonna come over to yugioh and get absolutely burned trying to do the same thing. It wont work.
MBT@MBTYuGiOh

oh, its fucking over.

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₳ⱠłɆ₦ ₵Ɽł₥Ɇ ⱠØⱤĐ 👽 retweetledi
DiscussingFilm
DiscussingFilm@DiscussingFilm·
Eiichiro Oda has written the secret behind the ONE PIECE Treasure on a piece of paper sunk to the bottom of the ocean. Once the series ends, the truth will be revealed.
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