
"NASHVILLE immerses, overwhelms, and humbles me. It is a paragon of an ideal cinema." Read @Eng_Matthew's expansive personal essay on Altman's grandest film for our ongoing Reverse Shot Does It Again symposium: reverseshot.org/symposiums/ent…
Matthew Eng
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"NASHVILLE immerses, overwhelms, and humbles me. It is a paragon of an ideal cinema." Read @Eng_Matthew's expansive personal essay on Altman's grandest film for our ongoing Reverse Shot Does It Again symposium: reverseshot.org/symposiums/ent…









When @SightSoundmag asked me last week to pen an obituary for Terence Davies, I was decimated. I also knew nothing I wrote in the space allotted could do justice to the films or to the human being. It was an honor to have lived with his cinema. bfi.org.uk/news/terence-d…

"NASHVILLE immerses, overwhelms, and humbles me. It is a paragon of an ideal cinema." Read @Eng_Matthew's expansive personal essay on Altman's grandest film for our ongoing Reverse Shot Does It Again symposium: reverseshot.org/symposiums/ent…

















A new EVENT HORIZON column from @celizotte is always a cause for celebration. Here she is on the weird confluence of everyday spectatorship, fandom, and complicated catharsis in the movie-like product 80 FOR BRADY. reverseshot.org/features/3041/…






