Matthew Eng

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Matthew Eng

Matthew Eng

@Eng_Matthew

Brooklyn, NY Katılım Ocak 2012
347 Takip Edilen1.5K Takipçiler
Jordan Z. Adler
Jordan Z. Adler@jordanzadler·
@Eng_Matthew @reverse_shot Came across this review after wondering about the FLOWER OF MY SECRET poster in the film. Terrific analysis, beautifully articulated.
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Reverse Shot
Reverse Shot@reverse_shot·
"LAST SUMMER is not so much a provocation that those who know only of the logline and Breillat’s career might be led to believe. This is a master class in emotional precision." @Eng_Matthew on Catherine Breillat's LAST SUMMER. reverseshot.org/reviews/entry/…
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Matthew Eng
Matthew Eng@Eng_Matthew·
Needed Michael's beautiful words on his hero and ours: the irreplaceable and eternally inspiring Terence Davies ❤️
Reverse Shot@reverse_shot

When @SightSoundmag asked me last week to pen an obituary for Terence Davies, I was decimated. I also knew nothing I wrote in the space allotted could do justice to the films or to the human being. It was an honor to have lived with his cinema. bfi.org.uk/news/terence-d…

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Matthew Eng
Matthew Eng@Eng_Matthew·
A highlight of my day/year/life: walking by British Museum and realizing man with shopping cart crossing street is Mike Leigh. Spoke to us for five mins. He’s in the middle of editing his next film but doesn’t know what to call it. Almost ascended when he said “Katrin Cartlidge.”
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Matthew Eng
Matthew Eng@Eng_Matthew·
I have spent the past six months watching, researching, thinking about, and standing in perpetual awe of the late, great Mary Alice. For @Hazlitt, here is a reconsideration of her formidable career, immovable presence, and unwavering devotion to her craft: hazlitt.net/longreads/ligh…
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Reverse Shot
Reverse Shot@reverse_shot·
PAST LIVES is "about two people contemplating the possibilities of what could have been and what still might be, but it is also about the electric charge and covert forces that draw two bodies and souls together." Review by @Eng_Matthew: reverseshot.org/reviews/entry/…
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Reverse Shot@reverse_shot·
"The raw material of Reichardt’s film is the daily, soul-sucking minutiae that comes with choosing and devoting oneself to the artist’s life in a country that cannot nor will not sustain such endeavors." @Eng_Matthew on SHOWING UP, opening today! reverseshot.org/reviews/entry/…
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Reverse Shot@reverse_shot·
The Dardennes return with a tale of two Cameroonian teenage refugees posing as siblings to remain in Belgium in the persuasively angry TORI AND LOKITA. Opens today. Review by @Eng_Matthew reverseshot.org/reviews/entry/…
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chloe lizotte
chloe lizotte@celizotte·
i'm not one for hyperbole but, at this point, it's possible i have thought about "80 for Brady" more than anyone else on the planet. and i am grateful to RS for allowing me to reckon with what that means, in writing. hope you enjoy!
Reverse Shot@reverse_shot

A new EVENT HORIZON column from @celizotte is always a cause for celebration. Here she is on the weird confluence of everyday spectatorship, fandom, and complicated catharsis in the movie-like product 80 FOR BRADY. reverseshot.org/features/3041/…

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Matthew Eng
Matthew Eng@Eng_Matthew·
Sincerest thanks to @celizotte and Michael, two stellar, caring editors. 💕
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Matthew Eng
Matthew Eng@Eng_Matthew·
And for @reverse_shot, I wrote about a range of Sundance documentaries, including Little Richard: I Am Everything, The Disappearance of Shere Hite, Going to Mars: The Nikki Giovanni Project, and A Still Small Voice: reverseshot.org/features/3036/…
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Matthew Eng
Matthew Eng@Eng_Matthew·
For @NotebookMUBI, I wrote about some exceptional Sundance dramas that I adored (All Dirt Roads Taste of Salt, Passages, The Starling Girl) and some I'll be all too happy to forget: mubi.com/notebook/posts…
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