



Exploring Eliot
379 posts

@ExploringEliot
A project exploring the fantastic George Eliot collections at Nuneaton Museum & Art Gallery, Nuneaton Library and Herbert Art Gallery & Museum.


















For a woman born in 1819, George Eliot led an extraordinarily progressive & independent life. Yet Middlemarch’s women find no such freedom. Why is this? Find out at #FindingMiddlemarch🔎 exploringeliot.org/FM/7 feat. an assortment of Eliot's writing tools...


The latest #FindingMiddlemarch chapter includes Edwin Long's The Babylonian Marriage Market @RHUL_Gallery. By spotlighting an ancient scene that presents women as commodities rather than as individuals, Long holds up a mirror 🪞to Victorian society... exploringeliot.org/FM/7

Both “textile” & “text” derive from the Latin for weaving “texare”. Explore how George Eliot’s weaving of words parallels the needlework practiced by her female characters at #FindingMiddlemarch ... feat. this beautiful box used by Eliot to store lace. exploringeliot.org/FM/7







What can a persistent rumour about Eliot’s right hand tell us about what it was like to be a woman in the 19thC growing up in the provinces? Find out in the latest chapter of #FindingMiddlemarch🔎 exploringeliot.org/FM/7







This sampler was made by Mary Ann Tidye in 1813 at age 11. @The_Herbert houses an impressive collection of samplers stitched in the 19thC by girls as young as nine. As a child, George Eliot would have produced comparable work. 🪡🧵#FindingMiddlemarch🔎 exploringeliot.org/FM/7

Both “textile” & “text” derive from the Latin for weaving “texare”. Explore how George Eliot’s weaving of words parallels the needlework practiced by her female characters at #FindingMiddlemarch ... feat. this beautiful box used by Eliot to store lace. exploringeliot.org/FM/7


