FADEL

I drew 300 drawings in this cut. On the beach - 12 seconds independent animation #indie_anime #sakuga #2danimation

Character design #charactersheet #oc #indie_anime

@KennyReganMusic Thank you

@FADELdahnim nice work!

Tie-down animation test #indie_anime #genga #2danimation

Joyful nostalgia animation test Animation by me Music by: IG @ / briannaofficial #indie_anime #sakuga #2danimation

@darksscreen نعم 😄

@FADELdahnim نشل؟ 😍😍😍

@ElbormesProd Thanks ✨

@FADELdahnim Outstanding

@s0603w Thank you

@FADELdahnim This is beautiful

Animation process breakdown using Clip Studio Paint. We love seeing all the little pieces coming together ✨ Thanks fadeldahnim for letting us share this! Artist:instagram.com/fadeldahnim/?h… #clipstudiopaint #animation

@Ahmedmedhat000 Usually people do not appreciate the value of something until it is lost

Art will eventually cease to evolve because there will be nothing more to steal from.Although AI generated works are still markedly inferior to authentic human creations, the true damage comes from tasteless directors and an equally undiscerning audience that embraces them.And Yes,they greatly outnumber those who possess real aesthetic discernment

The clean up cut before coloring of my previous 12 seconds animation.

@JKRWHY Thank you!

@FADELdahnim Would love to see the process behind this one! Love the final result here so much 💖💖💖

I drew 300 drawings in this cut. On the beach - 12 seconds independent animation #indie_anime #sakuga #2danimation

@ghibli_world Makiko Futaki was an amazing animator she was also good at animating grass and animals full with personality and emotion. What a coincidence I just have read about her in Starting Point book by Hayao Miyazaki 2 day ago!

水魚の上を疾走するポニョは、二木真希子さんが描きました。 このシーンは、ジブリ美術館で販売されているパラパラ漫画にもなっています。 #崖の上のポニョ #ポニョ

My participation in the Rawya character design competition for #UnderMire game @TableKnightGame

@ani_obsessive They kept their values and virtues through all their works. If you watch their classics you will notice that the ground base was strong and you can see a lot of characters and even scenes influnced later works they have done! It's amazing to see their progress!

Isao Takahata and Hayao Miyazaki didn't start as the artists they became. Surviving the brutal world of TV anime in the '70s changed them and their style. They made classics like Heidi and Anne of Green Gables and found their own paths, as we explore: ─➤animationobsessive.substack.com/p/the-pressure…

@Ahmedmedhat000 This opening captured the feeling of ninja world. The camera lens give depth of movement and harmonizing characters with background

@Schutz_1 @AnimeTherapy على الأقل أفضل من أغلب أساليب الأنميات الرائجة هذه الأيام. للأسف الأغلب يتبع أنماط محددة ل3 أسباب رئيسية: - الأساليب الرائجة أكثر أمان ليتقبلها الجمهور - أكثر أمان في الربح وإنتاج منتجات - أسهل في التكيف لرسمها (حتى الشخصيات في نفس العمل تكون متشابهة في أصل الهيئة)

سيتم الكشف عن معلومات جديدة تخص الأنمي الأصلي "Goodbye, Lara" وذلك في 1 يوليو 2025 🧜‍♀️🗓️ الأنمي سيكون من إنتاج استوديو Kinema Citrus (الاستوديو المنتج لأنمي "Made in Abyss") ومن إخراج تاكوشي كويدي. قصة حورية تلقى مصيرا مأساويا بعد تمنيها العيش مع حبيب بشري. #さよならララ #GoodbyeLara #さよララ

@Goodbye_Lara Glad to see this classic art style and less saturation color! Looking forward to watching it

「私、愛してしまったの」 ˚⊹⁺‧┈┈┈┈┈┈┈┈┈┈┈‧⁺ ⊹˚ 　　 オリジナルTVアニメ 　　 『#さよならララ』 　　　 ティザーPV公開 ˚⊹⁺‧┈┈┈┈┈┈┈┈┈┈┈‧⁺ ⊹˚ 主人公ララ役： #菱川花菜 2026年放送決定🧜‍♀️ ティザーPV▼ youtube.com/watch?v=T16XFX… #さよララ #GoodbyeLara

@Ahmedmedhat000 This is because frame rate difference besides there is no shadow when the character contacts or gets close

awesome animation persumed watanabe my favourite part from the episode but still there is this dissociation between his animation and the backgrounds ((the part where axel fails off ))