Federico Antonio Russo AKA FAR

26年に向けて、社内日本のクリエイターとより積極的に交流し、文化交流プログラムを強化していきたいです。CM、ゲームOP、MVなどの制作で、プレッシャーの少ない環境で絵コンテに挑戦してみたいアニメーター、制作、撮影、処理演出の方は、お気軽にDMまたはbusiness@butapro.comまでご連絡ください。

@truenitoenfermo this is so swag wtf

happy birthday @555_viri 😌

Kashira the Nameless Thief

@ChilumiBoobse i think you're misunderstanding i'm asking you to make a simulation, not to give me any private info

@FARfromani I clearly asked about project that WEREN'T released and WEREN'T announced, not project that allowed to be posted as portfolio. Especially project scheduled for releases in 2027 and 2028.

250 x shot would be fairly priced for something fully inbetweened and colored, but unless you have a strong brand going for 350 for something this simple is risky as a company would be able to offer a lower budget for an higher quality product by benefitting from economy of scale

How Totoro CHANGE Ghibli My Neighbor Totoro started as a box office failure for Studio Ghibli, but over time it fundamentally changed things for the animation house. Becoming the main asset that kept Ghibli in the black and the face of the company. 🔗⏬ youtube.com/watch?v=qsCNt9…

@ChilumiBoobse feel free to look at butapro site or at my anilist/anidb page

@FARfromani Why don't you send me a list of your current project that we're released than?

@ChilumiBoobse someone is scared i see

@FARfromani just curious how often do you send nda documents to random people on Twitter. Should I also send you my LinkedIn account, internal business email and 2FAS vault?

@AdhitMada @LucasBedate @Mrdirector_16 yeah, to make to the average tokyo monthly salary you would need to produce 16000 cuts that month

@LucasBedate @Mrdirector_16 is it?

Is this LO allowed? cause I wanna work on cour 2!!🤓

@TheGuyFromOsaka congrats chafik you really made something that you don't see everyday in current tv anime and you were able to get there not through budget and huge prepro time but with you own determination and the help of your friends

Finally... Debut! I dedicate my debut to Nagamine Tatsuya. One of the best people I've ever met in my life. He taught me: ・If people have fun working with you, they'll keep coming back to you ・Always be grateful to the people you work with ・Do whatever you want #tomeiotoko

@ChilumiBoobse please send me a spreadsheet with how you would handle a project like this, I'm genuinely curious

@FARfromani It doesn't calculate like that. Price on big projects don't scale linear. Shorter videos costs more cause less reuse and more costumization. You compared marginal price (small jobs) as a scalable unit price for a full production. Also, in EU average animation movies costs more

@ChilumiBoobse and this for an animation that lacks BG, comp and prepro work, that a pro can do in very little and can take very little to split the workload too to many different people.

@ChilumiBoobse to put it in perspective, one hour is 3600 seconds. if a studio was to charge 1000 usd x second, only the animation part of the movie w/o any prepro or marketing would cost you 3.6 million usd which would roughly be the budget of a 90 minutes flick in the EU.

@Splatin2 there are so many cool episodes in the second half, the recent one that misu directed and boarded was really nice it bought me to tears even

maybe stopping right before the timeskip was a good thing 🙂

hearing a lot of things about her treatment in later eps…. what did they do to you….

Eid Mubarak for everyone who celebrates!

日本人の方、収入はそれほど高くないなら、近いうちに缶詰食品をいくつか買っておいた方がいいですよ。

ayo???????

@Inkora_Art same brother 🙃

I am not excited for when all the shows I worked on release this year and I have to reject all the job offers coming in because im too tired.