Fabayou

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Fabayou

Fabayou

@Fabayou

Senior Level and Game Designer. Any pronouns. @ZPMods Game Designer and founder. PP by @quassihollic .

France Katılım Aralık 2012
479 Takip Edilen257 Takipçiler
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Fabayou
Fabayou@Fabayou·
Finally, here is the thread of all of my thread. From my Mario Maker's level, to some game design analysis you'll find everything that i made here :
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LukeCB14
LukeCB14@LukeCB14·
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Heneryque 🌈
Heneryque 🌈@Heneryque·
rappel
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2XKO Japan
2XKO Japan@2XKOJP·
みつばちスキンが2XKOにやってきた🐝 かわいい? 甘く見たら、ひと刺しからフルコンボだ。 気をつけて。 Illustrated by かるもぬふさん(@karumonufu#2XKOJP
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Agent (New Account)
Agent (New Account)@MarimoAgent·
Pulling up to locals with this from now on (gift from a friend I just got) 😂💚
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gang antisioniste
gang antisioniste@METALGWERS0LID·
les gens qui ne savent pas éternuer sans hurler jsp mais apprenez à êtres des humains qui sachent vivre en société jsp
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Miury
Miury@miu_wallp·
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DevilfishDFV🐟
DevilfishDFV🐟@DevilfishDFV·
😴NIGHT NIGHT!😴
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adakaiTCG
adakaiTCG@adakaiTCG·
GIVEAWAY🔥🔥🚨🚨!! I’m giving away a Straw Hat Egghead DON set!! How to enter: - Follow @adakaiTCG - Like this post - Retweet this post Entries end on 2/6/26 @ 11:59PM EST!!
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bbno$ 👶🚫💰
bbno$ 👶🚫💰@bbnomula·
I am becoming progressively more worried for our humanity due to extensively terrifying improvements to AI generated content media. From blatant misinformation to even the recent commercial adaptations of AI (acquisition of Suno into the music industry) WHICH NOBODY NEEDS. We need artists to thrive - not feel discouraged. Please be weary with what you see or hear online, contemporary media feels like nothing is real anymore. AI sucks and we need to stand up against it.
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Alex Moukala
Alex Moukala@alex_moukala·
Rift of the Necrodancer was one of the very first games I ever wrote music for... and it won a Best Music award last night at the indie awards! On top of that, our soundtrack was also nominated for the Steam Awards alongside my absolute favorite OST of the year: Expedition 33. It's kinda funny seeing them there together, but in a way it also makes total sense too. Despite being wildly different, Rift and Expedition 33's soundtracks have a very important key factor in common that made them what they are. It's something I've noticed when I interviewed Lorien Testard and Guillaume Broche from Sandfall earlier this year, which can be summarized into a single word: Trust. Lorien is a composer with a lot to say, whose musical intuition comes from a pure place of passion and reverence for the art. Guillaume, the game director, saw this and trusted Lorien's musical choices across the board while working on Expedition 33. I asked them if they ever had moments of contention or creative mismatches, and they clearly answered: no. Guillaume always let Lorien cook, encouraging him and trusting his vision every step of the way, allowing him to create a soundtrack that will echo for generations to come. Interestingly, I think this was the very same dynamic between Hironobu Sakaguchi and Nobuo Uematsu during the earlier Final Fantasy games. I've had the pleasure of working on a number of games these past few years and I've noticed that, sometimes, there are directors who really micro-manage you and make you doubt your own creative voice in ways that will inevitably lead to make your music worse. And then there's people like Guillaume, whose trust, respect and excitement lead you to do your best work. People who "let you cook". I was extremely fortunate in this respect many times in my career, working with very capable folks who saw the best in me and got the best out of me. The very first team who did this in my case is the one I'm celebrating in this post: Rift of the Necrodancer's team! We had a ragtag crew of composers in this project, from different countries, different walks of life but most especially very different music styles. ( @dannyBstyle , @FamilyJules7x , @visagermusic , @hollett_samuel , @nicknausbaum & my secret weapon: @Aram_Zero ) At every step of the way, the entire Rift team has been nothing but supportive, appreciative, curious and pushed us to truly get crazy, never making us doubt our creative voice. I want to believe that it's not a coincidence that the game's soundtrack ended up being so beloved that it goes all the way to winning / being nominated for awards. I can't take much credit for it, as I was just one of several composers who worked on it after all! But I do take pride on the whole team, for how amazing they have been to work with. Sending my congrats to them, and a high five to all game directors out there who let their composers cook!
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Toei Animation
Toei Animation@ToeiAnimation·
📢 Let’s go to Elbaph! Watch the official trailer for the new arc of the anime series, ONE PIECE! THE ELBAPH ARC APRIL 5TH, 2026 #ONEPIECE #ELBAPH
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かるもぬふ
かるもぬふ@karumonufu·
wip/Kindred
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シグ
シグ@sigu_83366·
#今年も残りわずかなので今年一番伸びた絵を貼る
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