Fandance

The @CallofDuty movie hits theaters June 30, 2028 By release weekend, the fanbase will have already decided whether it's good. Six months earlier, on Reddit, in Discord servers, in group chats. Now there's a place to put that conviction.

Sneak peek 👀

The critics are the ones most upset about ratings on @letterboxd, IMDb, and Rotten Tomatoes, not the audiences. Wonder why that is? 🤔

Fans have generated billions in entertainment alpha over the past decade. 🎬 Studios captured the upside 📰 Critics captured the bylines 📊 Aggregators captured the data 👥 Fans captured nothing How about we fix this?

Fandance consensus for "The Devil Wears Prada 2" landed at ⭐8.0–8.1 Opens tonight. What is your call?🤔

🔥 AI Agent如何重塑Web3交易格局？ ⏰ 时间：4/30 21:00 (UTC+8) 🔗 链接：x.com/i/spaces/1pkqr… ✨ 主办方：@MetaEraCN，@1024EX 🎙️ 特邀嘉宾：@XavierQin，@I3_Cubed，@InterlaceMoney，@kaelan_zy，@Fandance_io，@Dingerquant 📅 设置闹钟与我们一起探索： - 最看好 AI+Web3 哪些细分交易赛道？ - 对于普通 Web3 交易者而言，AI 辅助交易工具能带来哪些切实的帮助？新手该如何快速适配这类智能交易模式？ - 对比传统人类交易员，AI 参与 Web3 交易在效率、决策精准度上有哪些核心差异？两者分别具备哪些不可替代的优势？ - 行业发展视角来看，AI Agent 在 Web3 交易领域的普及，还需要突破哪些技术或市场层面的瓶颈？ #AI #Web3 #Crypto

Every correct fan prediction - whether it's "this will be huge' or "this will flop" - was essentially free early alpha. The cumulative value, captured by no one, is probably in the billions.

Rotten Tomatoes isn't a rating platform. @letterboxd isn't a rating platform. IMDb isn't a rating platform. They're sentiment polls. Polls don't price anything - markets do.

Every sleeper hit was a confident @Reddit recommendation 6 months earlier. Every flop had a "this looks bad" thread months before release. The alpha was public. The market wasn't.

We've been building something for the people who always knew. The ones who called it early. The ones with zero platform and perfect taste. Soon.

Somewhere on @Reddit, there's a guy with 100,000+ karma in r/boxoffice who's called every major flop and hit for five years. His hit rate beats any analyst on @Variety's payroll. He makes $0 from this. There are thousands like him.

"Everything Everywhere All at Once" hit a 95% audience score on @RottenTomatoes within two weeks of release - April 2022. It won Best Picture eleven months later. The signal was there from day one.

Imagine if sports worked like film criticism. A small group of accredited pundits rate every game. No markets. No positions. No fantasy leagues. Just critic scores. 😒 That's how weird the entertainment industry actually is.

The people who've watched the most films, played the most games, and seen the most shows aren't critics. They're fans.

People spend years watching movies, binge-watching shows, playing games, rating everything, and deciding what succeeds and what fails. That judgment has great value, but it does not have a market yet.

Content used to be scarce. That's what made it valuable. Now, AI and streaming have made content infinite. The new scarcity? Judgment. Knowing what matters before everyone else does.

🔵Every movie you've rated. 🔵Every show you called before it trended. 🔵Every game you scored before the reviews dropped. Each one is a position. Every early call is alpha. You just can't trade it yet.👀

Studios spent $50,000,000,000 on content last year. The people who knew which titles would hit? They were posting for free on @Reddit and @letterboxd.

Every @IMDb rating is a consensus price with no market behind it. Think about that.🤔

The entertainment industry generates $2T+ in value every year. Millions of people predict what will be a hit and what will flop - on Reddit, on X, on group chats. They're right more often than studios are. But none of them get paid for it. 😬