FannyG.

@o_franco_aleman bonne fin de journée Franck, merci à toi! 🥤🪭

merci beaucoup! 😀🌸 @FrannyGrey

more London #streetart #UK #Britain #art #arte #Kunst

The Coral - Let The Music Play youtu.be/2XzfXKbYX4s?si… via @YouTube

Buster Keaton preparing to knock on a door in The General (1927)

On my way back from Ukraine.🇺🇦 Another week there. Another return that feels different from the previous one. What strikes me now is not simply that the country changes with each visit. It is the scale of the transformation. Every time I come back, Ukraine feels profoundly altered again- politically, physically, psychologically, biologically. A country fighting for its survival while rebuilding and reshaping itself at the same time. For the last two years, I have been focusing on what has always obsessed me, what I understand well from my own experience: the human body. The body as the first place where violence is enacted. And the first place where resilience begins too. This time, however, not symbolically - literally. Ukraine is changing its physical body every day. I spent these days close to the bodies that will carry this war long after the last shot is fired. Long after the future agreements, negotiations, compromises, and diplomatic performances that people still imagine as “the end.” But wars do not end when guns fall silent. They continue in flesh. In amputated limbs. In phantom pain. In damaged nerves. In altered movement. In the exhausting effort of standing up again. In bodies that become landscapes where history remains permanently inscribed. War is not only a frontline. War is in human flesh. I’ll keep telling you about that.

'The Flask Exterior, Hampstead' (2016) by James MacKinnon jamesmackinnonfineart.com

Billy Wilder's wonderful grave, at Westwood Village Memorial Park - L.A.

Interesting list! The 100 best novels of all time | Fiction | The Guardian theguardian.com/books/ng-inter…

Les bonnes nouvelles sont rares! N’hésitons pas à les faire circuler . Au Texas, un réseau de pilotes d’avion vient en aide aux femmes en attente d’un avortement lemonde.fr/international/…

📸 Olympia (Édouard Manet, 1863).

C’est quoi le fascisme face à la Culture ? C’est ça. C’est quoi la chasse aux juifs ? C’est ça ! C’est quoi la complicité ? C’est justifier ça. C’est quoi la lâcheté ? C’est faire semblant de ne pas voir ça. Ma solidarité totale avec @joannsfar

“We turn our backs on nature; we are ashamed of beauty. Our wretched tragedies have a smell of the office clinging to them, and the blood that trickles from them is the color of printer's ink.” — Albert Camus

Bravo à @CarolineFourest - l'une des rares à dénoncer l'homophobie du Sénégal Si ceci👇se passait dans un pays "blanc", on serait scandalisé. Puisqu'il s'agit d'un pays africain, on n'ose pas dire. Au contraire, un tel 2 poids 2 mesures est totalement raciste @24hPujadas @LCI

Iceland's Foreign Minister warns of Russian interference in the country's upcoming EU referendum and hopes Icelanders won't fall for the same kind of lies Brexit was based on👇

“Don’t think about making art, just get it done. Let everyone else decide if it’s good or bad, whether they love it or hate it. While they are deciding, make even more art.” — Andy Warhol

Olga Kvasha, contemporary Ukranian painter #WomensArt

' .. musicians are storytellers.. ' ♡ rest in peace Sonny Rollins

(1946 - 2026)

Thérèse Liotard (1949 - 2026) (Régine chez Sautet, la tante Rose qui chantait avec sa sœur Augustine, Agnès Varda et Suzanne.. quelle tristesse)

The Beatles - The Beatles - Let It Be (Official Music Video) [Remastered... youtu.be/CGj85pVzRJs?si… via @YouTube