Gustavo Penna

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Gustavo Penna

Gustavo Penna

@GHPenna

A constant conflict between romanticism and realism.

Brazil Katılım Aralık 2009
71 Takip Edilen134 Takipçiler
Gustavo Penna retweetledi
cinesthetic.
cinesthetic.@TheCinesthetic·
Blade Runner 2049
cinesthetic. tweet media
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Anish Moonka
Anish Moonka@anishmoonka·
You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild. Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real. The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later. Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him. Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman. Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact. 95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.
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Gustavo Penna
Gustavo Penna@GHPenna·
Passa o aqui para informar que Devoradores de Estrelas é um dos filmaços de 2026. Assistam.
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Gustavo Penna retweetledi
K’Bucko
K’Bucko@KBucko7·
Reading Dune. Frank Herbert was cooking.
K’Bucko tweet media
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Retro Anime
Retro Anime@retro_anime·
Retro Anime tweet media
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Gustavo Penna
Gustavo Penna@GHPenna·
Minha timeline é 100% Duna.
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Gustavo Penna retweetledi
lo messiah
lo messiah@timchals·
my whole tl after timothée dropped the dune part three picture
GIF
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Gustavo Penna retweetledi
The Sietch of Sci-Fi |
Me @ the Dune trailer releasing tomorrow.
The Sietch of Sci-Fi | tweet media
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Gustavo Penna
Gustavo Penna@GHPenna·
Meus avós tiveram a trilogia Star Wars original. Meus pais, O Senhor dos Anéis. And I’ll have my Dune.
Gustavo Penna tweet mediaGustavo Penna tweet media
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Gustavo Penna
Gustavo Penna@GHPenna·
Atualização: foi entregue sim, hoje, domingo às 20:48 meu monitor ultrawide 🥹
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Gustavo Penna
Gustavo Penna@GHPenna·
Na expectativa de chegar o maior investimento que já fiz para minha vida profissional. Quase tudo que consegui economizar enquanto em floripa deu segurança pra fazer esta compra. Será que o @MercadoLivre mantém a previsão entrega neste domingão ainda?
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Gustavo Penna
Gustavo Penna@GHPenna·
Não estar tocando Down Under na abertura do Grande Prêmio da Austrália é brincadeira.
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Gustavo Penna
Gustavo Penna@GHPenna·
Primeiro Grande Prêmio do ano: abri uma cerveja. Piastri bateu antes da largada: peguei um pote de amendoim.
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Gustavo Penna
Gustavo Penna@GHPenna·
A Mariana Becker é eterna na Fórmula 1. ETERNA.
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Gustavo Penna
Gustavo Penna@GHPenna·
Galera, eu sei que Pacific Rim foi, em partes, muito baseado em Evangelion, contudo, todavia, entretanto, eu to reassistindo Pacific Rim aqui e meu deus é IGUALZINHO.
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