Graham Watts

#FF Bashkiri National Folk Dance at the Choreographic Institute in Ufa - where #nureyev was a student - #barre #barreworkout with a difference - if you have problems with your splits watch this! #dance #Russia

My review of Turn it Out with Tiler Peck and Friends in BThere btheremagazine.co.uk/review-of-turn…

My review of the Alexander Whitley Dance Company Double Bill of Mirror and The Rite of Spring at Sadler’s Wells East bachtrack.com/22/296/view/30…

My review of the double bill by CCN Ballet de Lorraine with Adam Linder’s Acid Gems and Marco da Silva Ferreira’s a Folia. gramilano.com/2026/03/ballet…

My review of Jaivant Patel Company’s ASTITVA at The Place gramilano.com/2026/03/review…

Bumper crop of pieces in the April issue of Shinshokan Dance magazine: Feature on The Nutcracker in London Osipova/Linbury Review Two Carpets in Astana

My review of Russell Maliphant Dance Company’s Landscapes, featuring 2️⃣ vintage Maliphantworks, Afterlight danced by its custodian, Daniel Proietto, and Two, danced for the first time by Alina Cojocaru; and In a Landscape danced by Maliphant himself. bachtrack.com/22/296/view/30…

Review ⭐⭐⭐⭐: Lithuanian National Ballet’s triple bill, Bodies and Codes @GWDanceWriter appreciates the confident, vigorous flair of the Lithuanian National Ballet’s performance of works by Wayne McGregor, Iván Pérez and Krzysztof Pastor. gramilano.com/2026/03/review…

I have spent the last hour listening to a playlist of Gilbert O’Sullivan songs and remembering what a superb songwriter he is - the word play in his lyrics is wonderful #gilbertosullivan

My review of the Bodies and Codes triple bill by Lithuanian National Ballet, comprising Wayne McGregor’s Infra; Flesh by Ivan Perez; and Krzysztof Pastor’s Moving Rooms. Photos by @laimaarlauskaite gramilano.com/2026/03/review…

My take on what Timothee Chalamet gets wrong about opera and ballet…. #chalamet #opera #ballet spectator.com/article/what-t…

My ⭐️⭐️⭐️⭐️ review of The Opera Locos. gramilano.com/2026/03/review…

Exactly 🔟 years ago today - I presented Sylvie with the De Valois Award for Outstanding Achievement in Dance - happy days ! @national_dance_awards_ @sylvie_guillem @sylvie_guillem_etoile @sylvie_guillem.official_fp #dance #nationaldanceawards #grahamwatts #sylvieguillem

Congratulations to Ryan Tomash for being promoted to Principal Dancer at New York City Ballet 👏👏👏👏👏

March issue of Shinshokan #Dance magazine includes my 6️⃣ page round-up of Royal Ballet productions, including Like Water for Chocolate, Against the Tide, La Fille mal Gardee and The Nutcracker.

My review of John Neumeier’s Liliom by Czech National Ballet, in Prague in Shinshokan #Dance magazine.

My review of the final night of Resolution ‘26 covering rubble/Fantasy by Brooke Sorensen; Subject to Change by Billy Gigurtsis and Jana Melkumova-Reynolds; and The Physical Impossibility of Death in the Mind of Someone Living by Julia Lupascu. theplace.org.uk/blogs-stories/…

My review of Mário Radačovský’s Coco Chanel in Brno, ‘a work of moving and poignant intensity.’ gramilano.com/2026/02/coco-c…

My review of The Royal Ballet’s Giselle. btheremagazine.co.uk/review-of-gise…

My review of Jetske Mijnssen’s production of The Barber of Seville in Oslo gramilano.com/2026/02/norweg…

My review of Pina Bausch’s Sweet Mambo. I haven’t counted but I think this brings my tally of separate works by Bausch close to 30. bachtrack.com/22/296/view/30…