Nothing like the only other person in your showing of Babygirl being a man in his 70s at the youngest. He was asleep, woke up about 80 minutes in, then promptly left.
It's endlessly fascinating how Sony has the exact same messy too many cooks in the kitchen approach to their two Spider-Men series (SSU and animated.) But whereas it actively undermines the animated ones it elevates their live action entries.
Very sad to see people still root their readings of works in (what they perceive to be) the intent of the work. It's such a fundamentally broken line of thought that disregards the agency of the text itself. I do not care what the author intended, it's irrelevant.
I forgot the best part of Kraven. During the trailers some dude in his late 30's walked in right when the 28 Years Later trailer ended and he loudly said "WOW. Do you guys know this? It's 28 Years Later. It's like 28 Days Later and 28 Weeks Later, but it's 28 Years this time."
People (fools) didn't like Madame Web's ADR, but it's only limited to one character. Does Kraven have any extra care and consideration put into place to maybe prevent the need for ADR? Lolno. Instead so many shots are framed with the clear intent to ADR them. It's lovely
Madame Web only has one really bizarre editing choice. Kraven is full of them. Scenes don't flow together naturally at all, it's exhilarating. "Eh, let's throw in this stock footage from 15 years ago and pass it off like we shot it. Nobody will notice."
There's something so endearing about a creative force so insistent on indulging themselves that they refuse to accept any feedback. That's why the SSU movies work so well, they keep devolving further into a clear singular vision that feels so alien, but it just works.