Harald Geisler

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Harald Geisler

Harald Geisler

@HaraldGeisler

… is discontinuing social media. Follow: https://t.co/6ZkY3rMQCt 🛰️ RSS: https://t.co/46ftG1CxPt

Frankfurt am Main, Germany Katılım Eylül 2010
76 Takip Edilen325 Takipçiler
gal౨ৎ
gal౨ৎ@prtygal777·
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𝙗𝙡𝙖𝙣𝙠
𝙗𝙡𝙖𝙣𝙠@blankspac_e·
by Harald Geisler
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Harald Geisler
Harald Geisler@HaraldGeisler·
IN REAL LIFE #0 & #1 — Framed 26 x 20 x 3 cm. Initially created for the Typographic Postcard series, it became the 35th postcard with a print run of 1000. After selling the first object, I continued the series with IRL #1 haraldgeisler.com/2024/04/20/in-…
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Harald Geisler
Harald Geisler@HaraldGeisler·
Excited to share the typographic objects HOME and OFFICE with you. They became cards #36 and #37 with a print run of 1000 each. Turn the cards around, and read (HOME) WORK and (OFFICE) PARTY on the back. Framed 26x20x3cm haraldgeisler.com/2024/04/19/off…
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Harald Geisler
Harald Geisler@HaraldGeisler·
"RIGHT CLICK SAVE AS" was initially created for the Typographic Postcard series. It became Typographic Postcard #33. The first edition was printed 1000 times. The backside of the card says “WHATEVER”. Find out more: haraldgeisler.com/2024/03/31/rig…
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Harald Geisler
Harald Geisler@HaraldGeisler·
Currently, I am thinking about new postcards. Here are some thoughts I've been playing around with, and if you fancy, leave a comment or send me a postcard.
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Harald Geisler
Harald Geisler@HaraldGeisler·
Currently, I am thinking about new postcards. Here are some thoughts I've been playing around with, and if you fancy, leave a comment or send me a postcard.
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Hrant Հրանդ Փափազեան Papazian
. @hectormangas Concerning the current @typotheque survey on Armenian: Nativeness and fluency are not the same, especially when it comes to reading among diasporans. For example I'm a native, but do not read as fluently as I'd like because of many years of neglect. >>
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Taxi Cab Industries
Taxi Cab Industries@AmritRandhawa96·
The Philosophy of Karl Gerstner for @modernistmag Layout issue #44 The piece is made up of a series of aphorisms about contemporary graphic design, stylised numerically in the same fashion as Wittgenstein’s 1922 text The Tractatus Logico-Philosophicus.
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