Hoyte Van Hoytema, ASC, FSF, NSC, Archives

WATCH: 144-minute conversation with cinematographer Hoyte Van Hoytema, ASC, FSF, NSC: vimeo.com/515961435

Watch: Mountain Dew - ‘Major Melon Bottle Count’, directed by Tom Kuntz, filmed by #cinematographer Hoyte Van Hoytema:

Hoyte van Hoytema, FSF, NSC, ASC says the big screen is best for movies: cinematography.world/hoyte-van-hoyt…

How Hoyte Van Hoytema pulled off the mind-blowing ‘Tenet’ car chase: latimes.com/entertainment-…

Director Christopher Nolan and Cinematographer Hoyte Van Hoytema, ASC, FSF, NSC share an exclusive behind the scenes look on #TENET – watch now: youtube.com/watch?time_con…

📽️ Hoyte Van Hoytema, ASC, FSF, NSC in conversation with Roger Deakins, BSC, ASC, CBE (90 minutes): ▶️ teamdeakins.libsyn.com/hoyte-van-hoyt… #HoyteVanHoytema #RogerDeakins #TeamDeakins #Cinematography #Filmmaking

Time is running out. Watch the new trailer and listen to @trvisXX’s soundtrack single “The Plan” now. #TENET only in theaters. Tickets now available: fandango.com/tenetfilm

3/3 #HoyteVanHoytema #TENET #ChristopherNolan

2/3 #HoyteVanHoytema #TENET #ChristopherNolan

ICG Magazine August 2020 exclusive TENET movie interview! With Christopher Nolan, Hoyte Van Hoytema, ASC, FSF, NSC Jennifer Lame (editor), Keith Davis (1st AC), Scott Fisher (special effects), and Andrew Jackson (visual effects). 1/3 #HoyteVanHoytema #TENET #ChristopherNolan

From Director Christopher Nolan. #TENET, coming to theaters. Watch the new trailer now.

In the midst of the digital era Ali and Nina Boriri are running the last film lab in all of Scandinavia. WATCH : "Ali & Nina" with Hoyte Van Hoytema, ASC, FSF, NSC, Linus Sandgren, ASC, FSF, Katelin Arizmendi, Chayse Irivin, CSC and Niklas Johansson, FSF: vimeo.com/402243207

… which ultimately gives it the highest resolution - but also, with the experience of depth and color rendition, there's nothing like it right now." 2/2 — Hoyte Van Hoytema, ASC, FSF, NSC #HoyteVanHoytema #TheASC

"We played around with the @IMAX cameras a lot with @Interstellar as well, and it's undeniably the best and most visceral format. It's the biggest negative, so it will harvest light and spread it out over the biggest amount of celluloid, … 1/2 #HoyteVanHoytema

"I am very much with Chris Nolan that there is not yet any medium that reaches the depth and quality of film. So if you want to tell a story in a visual way – as a dramatic, close-up, immersive experience of what is in front of you on-set – film is still the No.1 choice. " — HvH

Hoyte van Hoytema, ASC, FSF, NSC and director James Gray paint a portrait of souls adrift in deepest space with their sci-fi drama @adastramovie : ascmag.com/articles/ad-as… via @AmericanCine @ARRIChannel @Kodak_ShootFilm @AatonDigital @CamtecCameras @ZEISSCine @EFILMHollywood

Here's the first trailer for Christopher Nolan's new film, @TENETFilm, shot by Hoyte Van Hoytema, ASC, FSF, NSC: youtube.com/watch?v=LdOM0x… @Panavision @Kodak_ShootFilm @IMAX

Light and colors (in its many stages on the journey away from the sun) played an important role in the way the script develops: I think film reads and registers that in the most visceral and sensual way." 2/2 @Kodak_ShootFilm #HoyteVanHoytema @adastramovie

#HoyteVanHoytema on @adastramovie : "I am in love with the feel of film. The texture adds a level of life and humanity to what often becomes quickly sterile in science fiction. 1/2 @Kodak_ShootFilm

#HoyteVanHoytema on #Her:"Spike's script was a very verbal one, but it had little pointers in it. We agreed there was a lot of poetry between the lines. Spike didn't want anything dystopian, and he wanted a future that felt a little more tactile than it does in most films. 1/3