Harold Foxx

“Open to Interpretation” is a five-minute dark comedy sketch about Jeremy Stone, a Black Deaf comedian who captivates the audience with an unexpected relationship with his ASL interpreter. Coming soon! @DisabilityChall #OpenToInterpretation

Thank you @variety for the article on the 2026 Easterseals Disability Film Challenge Awards Show! Congratulations to all of this year’s winners! And thank you to EVERYONE for making this another amazing year of disability representation in filmmaking! ID: screenshots of @variety article with photo of nominees and filmmakers with disabilities at the awards show step and repeat. #disabilityfilmchallenge #edfc2026 #easterseals #winners #awardsshow variety.com/2026/film/news…

And the winner for Best Editor presented by @paramount is.... Tony Pape for THE TICKET. Congratulations! ID: blue background with the film poster and winners names and the film title. #EDFCAwards #EDFC2026 #disabilityfilmchallenge #easterseals #dramedy

And the winner for Best Director presented by @nbcuniversal is.... Jayla Hodge, Jaylin Hodge and Jerah Milligan for THE TICKET. Congratulations! ID: blue background with the film poster and winners names and the film title. #EDFCAwards #EDFC2026 #disabilityfilmchallenge #easterseals #dramedy

Check out our incredible 2026 finalists! Watch as we livestream the EDFC 2026 Awards ceremony from @Sony pictures tomorrow Thursday, May 7th at 7 PM PST. Link on our website and YouTube channel! ID: montage of clips from 2026 finalist films #EDFC2026 #disabilityfilmchallenge #easterseals #dramedy #nominees

Today’s finalist announcement/screening was a packed house at The Lido Theater in partnership with the Newport Beach Film Festival! Down below are the 2026 EDFC finalist results. Mark your calendars and go to our YouTube channel on May 7 at 7 PM PT for our 13th Annual Awards ceremony. Congrats to everyone who made a film this year! 2026 EDFC finalists: Best Film presented by Sony Pictures:
Amor Fati - Joe Guintu 
Don’t Forget To Dance - Tim Bartow 
The Ticket - Jaylin Hodge 
ZIPTIED – Angel Giuffria 

Best Director presented by NBCUniversal: Dead Wife Montage – Wren Brooks Don’t Forget To Dance – Carmen Flood 
The Shoot – Juan Arce The Ticket – Jayla Hodge, Jaylin Hodge and Jerah Milligan
Neighborhood Watch – Vincent Rutley

Best Actor presented by IMDbPro:
Be Right Out – Colin Miller
Dead Wife Montage – Marissa Bode
Neighborhood Watch – Vincent Rutley
VIVIAN PROBZ – Jessy Yates

Best Awareness presented by Amazon MGM Studios:
Back To the Dark Ages – Anna Pakman I will be fine – Steven Ching Reclaiming – Aly Corvin
The Shoot  – Juan Arce 
Best Writer presented by Netflix: Amor Fati – John Kessler and Joe Guintu
Crip Club – Aya Obeid and Shan Hafez
Interruptions - Stephanie Castelete-Tyrrell
The Ticket – Jaylin Hodge, Jayla Hodge and Jerah Milligan 
Best Editor presented by Paramount:
Before I Die - PJ Germain
Dead Wife Montage - Janine Anne Uyanga
The Shoot  – Rich Valverde
The Ticket – Tony Pape  The finalist films have audio description tracks on YouTube. Just go to your settings in the film you want to watch and in subtitle track selections choose English AD. ID: Group photo of people with and without disabilities in front of the Lido theater at the 2026 EDFC Finalist announcement. #EDFC2026 #disabilityfilmchallenge #easterseals #dramedy #finalistannouncement

VD: Flyer with a bold purple and orange design promoting a panel titled “Race & Hollywood with a Deaf BIPOC Lens.” It features headshots of Harold Foxx (actor/screenwriter/comedian) and Sophia Morales (actress/ASL dubber), with event details: April 24, 2026, 11AM–1PM at CSU Long Beach (Horn Center 100), highlighting short presentations and a panel discussion on representation in media.

Join us tomorrow for Race & Hollywood with a Deaf BIPOC Lens. A conversation on representation, power, and the business behind the screen. Come through. 🎬 🎦

VD: Top: rehearsal — blocking the scene. Bottom: final — cinematic execution.

The Making of “The Ticket” @DisabilityChall

ID: Harold with dreadlocks and sunglasses leans on a red counter, wearing a black graphic T-shirt and flashing a relaxed hand sign in front of a red-and-white striped wall.

Out and about—birthday mode activated. 😎🎉

ID 2: A group of film crew members gather in a lush green forest. One man sits shirtless in a chair holding papers, while others stand or crouch nearby, some holding green-and-white umbrellas.

ID 1: A man with locs sits on a wooden platform in a forest, wearing a white tank top and olive pants. A crew member in black, wearing headphones and holding a boom mic, stands in the foreground.

Behind the scenes, #HinterFilm Writer/Director @brittfalardeau Sostis Productions

ID: A man in a yellow jacket is filmed on set, shown both in person and on a camera monitor in close-up.

#HinterFilm Writer/Director @brittfalardeau Sostis Productions

@SP_SULLY Thanks bro 💪🏾

@IamHaroldFoxx Congratulations‼️

Every iconic landmark on the CSUN campus hits different now. After two intense years of sweat, tears, laughter, and every emotion in the toolbox, it all comes full circle. Twenty years ago, I graduated from Gallaudet University—and now here I am, standing tall at CSUN for grad school like life said, “Run it back.” And CSUN? It welcomed me with open arms like, “Took you long enough, but we saved you a seat.” Back then, I was sprinting across campus at Gallaudet chasing Dean signatures like it was the Amazing Race. Now? We just DocHub it—from anywhere. I swear, professors out here signing off on theses while yachting with a mimosa in one hand and WiFi in the other. New era, same hustle. I’m beyond grateful to CSUN for giving me the space, tools, and opportunity to chase my dream of becoming the best screenwriter I can be. But more than that, it gave me lifetime connections with classmates and friendships that’ll outlast any group chat. And now… I can officially say: once a Matador, always a Matador. MFA complete. Foxxism certified. @csunorthridge #CSUNGrad2025

TWO GOATS 🐐🔥💪🏾⛳️🏌️ @PGA_JohnDaly @AdamSandler #HappyGilmore2