Ignacio García

En una imagen aparece el alcalde de Bonares junto a Pedro Sánchez, presidente del Gobierno de España. En otra, aparezco yo con mi hija, Fuente Clara Cabrera Mateos, que falleció con tan solo 25 años hace dos años. Murió como consecuencia de un trágico accidente: su vehículo colisionó con dos mulos que estaban sueltos en el término municipal de Bonares. Lo más grave es que esta situación no era desconocida. El alcalde sabía que estos animales eran dejados sueltos de manera reiterada. Durante múltiples plenos del Ayuntamiento, la oposición le recriminó insistentemente la existencia de mulos y caballos sueltos sin control, sin que se adoptaran medidas efectivas. Incluso después del fallecimiento de mi hija, esta negligencia siguió siendo señalada públicamente sin que se asumieran responsabilidades claras. Desde la asociación Fuente Clara Cabrera Mateos consideramos que existe una presunta dejación de funciones por parte del alcalde de Bonares. Por eso, las preguntas son directas: ¿Le has contado al presidente del Gobierno, Pedro Sánchez, que una joven de 25 años perdió la vida en tu municipio porque, presuntamente, no se actuó ante una situación conocida y reiterada de animales sueltos? ¿Le has contado al presidente del Gobierno, Pedro Sánchez, que la Asociación Fuente Clara Cabrera Mateos lleva dos años pidiendo tu dimisión como alcalde de Bonares por la presunta dejación de funciones que le costó la vida a nuestra hija? En esta vida no todo vale. La memoria de mi hija exige respuestas. Y, sobre todo, responsabilidad.

No sé, Pedro. Yo viví 11 años en Sevilla bajo gobiernos del PSOE siempre. Mi hospital público era uno privado, adscrito al Servicio Andaluz de Salud, el Hospital San Juan de Dios del Aljarafe (en Bormujos). Te hablo de finales de los 90. Lo que era bueno entonces es malo ahora? Así que deja de mentir aunque sea por una vez en tu vida.

Spain is committing economic suicide, half a million foreigners don't work, collect the Spanish basic income, and this was BEFORE legalizing another half a million. As the video shows they go straight from getting legalize to collect the IMV for doing NOTHING. Only those with JOBS should be legalized.

🔥 One Of The Greatest, Most Brutally Honest Scenes In TV History. In Landman, Billy Bob Thornton’s character Tommy Norris drops a masterclass monologue that completely obliterates the delusional “green energy” fantasy in under two minutes. Billy Bob Thornton as Tommy Norris is out in the Texas oil patch, looking at those massive 400-foot wind turbines supposedly “powering a clean future”… while they’re actually running remote oil wells because there’s no grid electricity out there. She asks, “They use clean energy to power the oil wells?” Tommy fires back: “They use alternative energy. There’s nothing clean about this.” He breaks down the “clean” reality: These things sit on giant concrete foundations poured with diesel, made from steel cooked in fossil fuel furnaces, hauled and cranked up by fuel-guzzling trucks and cranes, then slathered in petroleum lubricants just to spin for their measly 20-year life. Tommy doesn’t stop there. Fossil fuels aren’t some dirty secret, they’re the lifeblood of everything modern. The roads you drive, the tires on your EV, the plastic in your phone, your clothes, your fridge, your medicine, your makeup and lipstick… you name it. Pretending we can wave a magic wand and “transition” away from oil overnight? That’s the real delusion sold by folks who’ve never gotten their hands dirty in the real world. Taylor Sheridan and Billy Bob delivered one of the most honest, unapologetic scenes on TV in years. No preaching, just straight facts from the patch. Watch the clip. None of this is “green” or “clean”. Not the turbines, not the transition, not the fantasy.

Soy europeo. Hace 16 años, las economías de la UE y EE.UU. estaban prácticamente a la par. Hoy, la economía de EE.UU. es un 50% mayor que la de toda la UE junta. Esta es la cruda realidad detrás del suicidio económico que está sufriendo Europa 🧵:

“Julito”, el amigo del “padre” ZP con el que salía “a correr” por El Pardo, tenía 14 teléfonos móviles prepago desechables. ¿Vosotros tenéis 14 móviles desechables o sois fachas? eldebate.com/espana/2026042…

⭕️ BOLIVIA. 2026. 400.000€ públicos españoles para: “VOCES Y DERECHOS EN EL ESPACIO CÍVICO DIGITAL” boliviano. La máquina de sacar dinero no para…

Bono sólo ha sido un cargo público y no se le conoce actividad alguna, pero es millonario. La Agencia Tributaria ni lo mira. Pero mete tú en la declaración de IRPF una desgravación dudosa y tienes a los inspectores llamando a la puerta.

Blue Origin just compressed one of the most important learning curves in aerospace history by 3x. First Falcon 9 landing: December 22, 2015. First reuse: March 30, 2017. SpaceX took 15 months to go from "we caught one" to "we flew it again." First New Glenn landing: November 13, 2025. First reuse: April 19, 2026. Blue Origin did it in 5 months and 6 days. That compression is the entire story. The second mover in platform-scale physics businesses gets the expensive lessons for free. SpaceX ran 611 public landing attempts so that every aerospace engineer on Earth could watch the failure modes, the thermal protection trade-offs, the grid fin geometries, the refurbishment cycle. Blue Origin replaced all seven BE-4 engines on this booster before reflight. They didn't need to discover reuse was hard. They needed to skip to the part where you know which parts to replace. Run the numbers on the gap that's still there though. SpaceX has 598 booster landings. Blue Origin has 2. SpaceX has 565 successful reflights. Blue Origin has 1. SpaceX's fleet leader has flown 34 times. The record for Blue Origin's reused booster is today. Dave Limp said the goal is a 30-day reuse cadence by end of 2026. SpaceX's fastest turnaround is 9 days. Bezos caught up on the milestone that mattered and is still a decade behind on the cadence that actually prints money. Both things are true at once. Reusability is no longer a moat. Cadence is.

Hace unas semanas, un grupo de “expertos y expertas”, financiados por Open Society (Soros), acudió a la CIDH y a la ONU a, básicamente, pedir la liberación del 100% de los pandilleros arrestados durante el régimen de excepción. Estos videos fueron vistos por el pueblo salvadoreño, lo que generó un fuerte rechazo hacia todas las ONG, “periodistas” y políticos que apoyaron el informe. Fue un desastre de relaciones públicas para las organizaciones de supuesta defensa de los derechos humanos. Sin embargo, al ver la reacción y ser cuestionados por la gente, su excusa fue que no defendían a terroristas, sino a supuestos inocentes. Así que decidieron intentarlo otra vez, esta vez ante el Congreso de los Estados Unidos. El plan era presentar al Gobierno de El Salvador como un violador de derechos humanos. Sin embargo, les salió peor: cuando les preguntaron directamente si estaban de acuerdo en que la MS-13 es una organización terrorista, no pudieron responder, y luego afirmaron que, independientemente de los crímenes cometidos, ellos estaban ahí para defender los derechos de esas personas. Vean el video. Vean claramente cómo defienden a terroristas. Vean cómo dicen que, aunque hayan cometido crímenes horribles, ellos están ahí para defender sus derechos. No lo digo yo, lo dicen ellos con sus propias palabras en el Congreso estadounidense. Que no los engañen: no están defendiendo a supuestos inocentes, están defendiendo a terroristas. Están diciendo que la MS-13 no es una organización terrorista y que, sin importar sus delitos, ellos igual defenderán sus derechos. Que no quede ninguna duda: lo que buscan estos supuestos “periodistas”, organizaciones de “defensa de los derechos humanos” y políticos nacionales y extranjeros que los apoyan, es la liberación de estos criminales, para que puedan volver a someter al pueblo salvadoreño a su régimen de terror y volvernos a convertir en el país más peligroso del mundo. Pero se dispararon en el pie, otra vez. Vean el video y juzguen ustedes mismos.

Shōgun won 18 Emmys in 2024, the most any show has ever won in one season. Hiroyuki Sanada has been acting since 1966. Shōgun was the first time any studio ever gave him a producer credit. That single word in the credits is why. The tweet you're seeing makes it sound like Sanada walked into a room, slammed his fist on a table, and refused to sign until the studio respected Japan. The full story is quieter and explains a lot about how Hollywood actually decides what to make. Sanada was first asked to play Toranaga around 2016. He asked the studio one question: would they hire Japanese actors and crew specialists for each department. They said yes. He signed on. The show then sat in limbo for years. In 2020, the new showrunners Rachel Kondo and Justin Marks took over and asked Sanada to come on as a producer. It was the first producer credit anyone had ever given him in nearly 60 years of acting. His words to USA Today: "It means I can say anything, anytime." Sanada moved to Los Angeles in the early 2000s and got his first big role in The Last Samurai in 2003, opposite Tom Cruise. The two became friends after a moment on set where Cruise insisted Sanada use a real samurai sword in their fight scene. Sanada swung the blade up to Cruise's neck and stopped just short of drawing blood. Cruise didn't blink. After that film, almost every time Hollywood made a project set in Japan, they called Sanada. He consulted on 47 Ronin, The Wolverine, Mortal Kombat, Westworld and others as the actor. On set he would adjust how a sword was being held or fix armor that had been put on backwards, then walk young cast members through how someone in 17th-century Japan would have moved. He kept hitting the same wall. He told Backstage magazine: "I started feeling the limit of saying something just as an actor. It was a hesitation, I don't want to break their pride, the crews." When you are only the actor, you can suggest things to the director and the costume team but you cannot make them happen. You cannot fire someone who keeps getting it wrong, and you cannot bring in the specialists you know in Tokyo. You are a guest in someone else's house, and there is only so much you can rearrange before being rude. A producer can. The minute they put the title next to his name, Sanada brought in Japanese specialists for every department, from a master of gestures and period movement advisers to a Kabuki-style stage movement coach and obi-tying experts. Co-creator Rachel Kondo told Rolling Stone it was as if Sanada had been waiting 20 years to make those phone calls. The show came out in February 2024 and swept the Emmys seven months later. Eighteen wins, beating a record HBO's John Adams had held since 2008. First non-English show to ever win Best Drama at the Emmys. Sanada became the first Japanese actor in history to win a Primetime Emmy. His co-star Anna Sawai became the first Asian woman to win Best Actress in a Drama. The first episode racked up 9 million views in its first six days, beating the premiere of The Bear season 2. The clip you are watching is the visible top of a very deep iceberg. Underneath is a 63-year-old who had been pushing for the same thing for 20 years, in the small ways an actor is allowed to push, until someone finally handed him the title that let him push out loud.

POV: Si el contenido no prende, al menos que prenda el papel para asar pimientos rojos a fuego lento. La coherencia también puede ser inflamable. Lo de algunos no es actuar… es descarriarse con estilo. Cata olfativa de prensa: hay cabeceras que informan… y otras que directamente fermentan en antorchas de Baqueira. Leonardo opina #glamour #baqueira #vip #club #elpais @el_pais @luzsmellado @pedroj_ramirez @abc_es @larazon_es @elmundoes @elespanolcom @elconfidencial

In Spain, a minority government brands parties representing about 45% of the electorate—more than 11 million votes—as “traitors to the nation,” and even targets journalists as “traitors” for asking questions. This is about as far as any government has gone in democratic Spain.

⭕️ Cada vez sois menos. Os ha convocado un desesperado, y habéis acudido prestos porque estáis igual de desesperados por mantener chiringuitos y estructuras bien regadas con lo público. Vuestra irrelevancia se aproxima…

¿Por qué los centros históricos europeos tienen casas tan estrechas y altas? No fue por falta de espacio. La verdadera razón esconde una de las mayores trampas fiscales de la arquitectura: la mayor evasión de impuestos de la historia urbana. Tira del hilo 🧵👇🏽👇🏽👇🏽

Emma Watson walked into Harry Potter at 9 and out of it at 20. Eleven years on one set, with the same people at the same lunch table. She showed up to her first non-Potter film expecting another family. Everyone else was there to work. She called it bone-breakingly painful. She said this to Jay Shetty last September. Watson meant it literally. Her classmates were her castmates. Tutors travelled with her. She did her school exams between takes. Her castmates had their own versions of the crash. Daniel Radcliffe told Heat magazine in 2012 that he filmed entire scenes in the later movies while still drunk from the night before. "Dead behind the eyes" is how he described himself on camera. He was 18. Went sober in 2010. Rupert Grint told The Sun he struggles to remember life before Potter at all. "I lost myself a bit along the way." He bought an ice cream van and thought hard about giving up acting to run it. Tom Felton spent $40,000 a month in a Malibu rehab facility in his mid-twenties. He wrote in his memoir that he never knows which version of himself he'll wake up to. He was 12 when he got the part of Draco. None of this was supposed to happen. UK law capped their work at four hours a day between 7am and 7pm. They had qualified teachers on set. Parents signed off on everything. By Hollywood standards, this was the protected version. Compare it to Jake Lloyd. Cast at 8 as young Anakin Skywalker, chosen over 3,000 other kids. Up to 60 press interviews a day. Fans who hated the Phantom Menace sent death threats and tried to find his home address. He quit acting at 12. Later diagnosed with paranoid schizophrenia. His mother handles his public life because he thinks he doesn't deserve his fans. Or Macaulay Culkin. Went from $100,000 on Home Alone to $8 million on Home Alone 2 in two years. He told New York magazine his father, who managed his career, taught him "how not to be." At 14, he took his parents to court to keep them off a trust fund worth $15 to 20 million. Psychology Today ran a piece on this last year. A child's brain is still building the part that handles emotion. Asking a kid to perform like an adult while that part is half-built sets them up for damage that shows up years later. Warner Bros is doing it all over again. The new HBO series started filming last July. They built a school on the Leavesden lot for up to 600 kids, running 5:30am to 8:30pm. They auditioned 32,000 children for the next Harry, Ron, and Hermione. The shoot will run eight to ten years. Watson said she wasn't built for environments that cutthroat. She got out. Went to Brown. Walked away from acting because it had stopped feeling like a life. Most of them did.

Ayer fueron casi 2H para llegar a la Cartuja y otra hora larga para volver del estadio, siempre caminando, do dos niños pequeños. Todos los años lo hago yo, como periodista, trabajando. Pero ayer, como aficionado, he decidido que no vuelto a la Cartuja. Me da igual. NO VUELVO! 🤦

Si el pasaporte español no vale nada, si votan en España quienes no han puesto jamás el pie en ella, y ser español no implica derechos e incluso resta frente a quienes no lo son, ¿para qué y para quién pagas impuestos? Si no hay un “nosotros” no se me puede exigir solidaridad.

Vienen a hacer el trabajo de jubilado que los jubilados españoles no quieren hacer 🙏.