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IndieWire
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IndieWire
@IndieWire
The definitive outlet for film and TV news, reviews, and industry analysis.
Katılım Şubat 2008
3K Takip Edilen924.7K Takipçiler

‘Backrooms’ Director Kane Parsons Had to Choose Between College Apps and an A24 Deal indiewire.com/features/inter…
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The 18 Best Movies We Saw at the 2026 Cannes Film Festival indiewire.com/features/best-…
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Clint Eastwood Gave Luke Grimes His Big Break — with ‘Marshals,’ the Actor Pays Tribute to Eastwood’s ‘Unforgiven’ indiewire.com/features/inter…
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“What No One Tells You” takes Cannes: IndieWire gathered filmmakers, festival strategists, and sales experts for a conversation about the real business of short films.
Featuring Natalie Musteata and Alexandre Singh (“Two People Exchanging Saliva”), Salaud Morisset's Grégoire Féron and Emilie Boulay, and Kickstarter’s Taylor K. Shaw-Omachonu.
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The Cannes Awards Reveal Likely 2027 Oscar Contenders indiewire.com/awards/industr…
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Diego Luna returns as a director with "Ashes" ("Ceniza en la boca"), which was selected for Special Screenings at Cannes.
He sat down with IndieWire's Anne Thompson and fellow producers Valérie Delpierre and Luis Salinas to talk about how Alfonso Cuarón inspired him, and his latest directorial effort.
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Winner of the 2026 Cannes Film Festival Palme d’Or:
“Fjord,” Cristian Mungiu
Full list of winners: indiewire.com/awards/results…

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Cannes Film Festival Jury Reveals Competition Award Winners — Updating Live indiewire.com/awards/results…
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Why ‘Navalny’ Oscar Winner Daniel Roher Moved to Fiction for the Crowdpleasing ‘Tuner’ indiewire.com/features/inter…
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Sex, Politics, and ‘Star Wars’: How Disney’s $4 Billion Fandom Turned Socially Radioactive — Opinion indiewire.com/features/gener…
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How to Make a Soundtrack Album for a TV Show indiewire.com/features/craft…
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"What No One Tells You" takes Cannes: President of @ObscuredPics RJ Millard and the team at @42West pull back the curtain on the strategies, relationships, and timing that can make or break a film's release.
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At Cannes, Filmmakers Explain How They Find Mainstream Funding for Culturally Specific Stories indiewire.com/news/events/wa…
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‘The Birthday Party’ Review: A Dazzlingly Melancholy Monica Bellucci Powers Léa Mysius’ Predictable but Superbly Directed Home Invasion Thriller indiewire.com/criticism/movi…
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‘Once Upon a Time in Harlem’: Why William Greaves Didn’t Finish What He Considered His Most Important Film indiewire.com/news/events/on…
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Why Director Boots Riley Embraced ‘Jankiness’ and an Indie Spirit to Make ‘I Love Boosters’ indiewire.com/features/inter…
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