Chaitanya Ramalingegowda

This chart was a “comic book bullpen” staple, tacked up on the wall for reference

A gaze upon the clay, signed by JR. D-60. #RolandGarros

accidently typed in gail.com instead of gmail, and its my new favorite website.

If you know me, you’ve heard me talk about this story for months. @HeraRizwan reported from 3 states. We obsessed over every detail. Google's AI, designed for phones, is now rationing food to pregnant women. Read. Get angry. Share boomlive.in/decode/ai-faci… @pulitzercenter

spot-on, from @anneapplebaum Money quote: "Donald Trump does not think strategically. Nor does he think historically, geographically, or even rationally. He does not connect actions he takes on one day to events that occur weeks later. He does not think about how his behavior in one place will change the behavior of other people in other places." "He does not consider the wider implications of his decisions. He does not take responsibility when these decisions go wrong. Instead, he acts on whim and impulse, and when he changes his mind—when he feels new whims and new impulses—he simply lies about whatever he said or did before." theatlantic.com/ideas/2026/03/…

Carrying clock by BALMUDA 🩶

In 1994, during a power outage, the only time the Milky Way was visible in the city of Los Angeles, many people were scared by the sight and called 911.

They pulled off the impossible: made a real human video look 100% AI generated 🤣

Naim for Mulliner new Bentley flagship audio system

Kimi Antonelli has a special superpower: remembering all of his lap times.

This guy breaks down a billion-dollar jam brand that’s still family-owned, has no outside investors, and has never given a public interview.

A closer look at the poster conception 🔎 #RolandGarros

My daughters' sleeping positions change every time I see them; I never get tired of watching them 🤣

🔥 In full flight! photographer turnipian locks eyes with the elusive Short-eared Owl, capturing grace in motion. 🦉✨

The reckless campaign against Iran will weaken America’s president. That will make him angry. Be warned: he makes a very bad loser econ.st/4lA7lEQ

Netflix released two documentaries on journalism late last year- Cover Up and The New Yorker at 100. The former is an account of the life and times of legendary journalist Seymour Hersh by Laura Poitras, who also made the terrific Oscar nominated All The Beauty And The Bloodshed. The latter is a celebration of The New Yorker magazine in its 100th year by Oscar winning filmmaker Marshall Curry. Both films make for excellent viewing and I highly recommend you see them if you haven’t yet. I have been thinking of them in the light of the news cycle because both in part document what it took for journalists back in the day to investigate war crimes by the USA. In particular about what it took for Seymour Hersh to uncover the horrific massacre in My Lai and Harold Ross’s imaginative decision to dedicate an entire issue of the New Yorker to John Hersey’s reportage of the devastation caused in Hiroshima. Cutting through thickets of propaganda and censorship to get to the heart of these stories before the age of internet and mobile devices was extremely arduous but the documentaries also bring to light the payoffs. Both articles had seismic impacts. Hersh’s piece cemented public opinion against the Vietnam war, leading to a groundswell in protests against it. Hersey’s piece had a profound impact not just on public opinion on atomic warfare but also on public policy. Even Einstein bought several copies and distributed them. One cannot help but register that this is in sharp contrast to the times we live in. Images of murdered children have flooded our timelines, first from Gaza then from Iran. We have witnessed online the funeral procession of over 100 young school children but we cannot quite seem to muster up a response commensurate with the horrors. There are, of course, lone brave voices and pockets of resistance but it is impossible to imagine real change coming out of journalism anymore. What has changed? Your guess is as good as mine. PS - Hiroshima is available to read online without subscription. Hiroshima newyorker.com/magazine/1946/…

The Twisted TRRC

The Hundred Thousand Brick House, Golflinks, New Delhi This residence treats brickwork as both structure and narrative system and is defined by a continuous masonry envelope composed of handmade bricks. Bricks were initially shaped by hand, translated into parametric models, and then executed on site by masons Architects: Labwerk

One Battle After Another is a rare #Oscars Best Picture winner with a budget over $100 million (even after adjusting for inflation)

The last wicket (in Tony Greig’s Voice) The Crowd Celebration Sourav Ganguly’s Interview Steve Waugh’s Interview VVS Laxman’s Interview The Victory Lap The Dressing Room Celebrations #OnThisDay in 2001 - The Victory That Changed Indian Cricket Forever. What’s your favourite part of this victory?