Jazz Journal

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Jazz Journal

Jazz Journal

@JazzJournal

The genuine article since 1948

London Katılım Kasım 2010
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JJ 04/86: Wayne Shorter, interviewed by Mark Gilbert. Forty years ago, Mark Gilbert had his first go at fathoming the mysterious roots of the tenor and composition giant. First published in Jazz Journal April 1986 jazzjournal.co.uk/2026/04/29/jj-… via @jazzjournal
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JJ 04/86: Loose Tubes. Forty years ago, Mark Gilbert welcomed one manifestation of the 80s jazz 'revival' that properly reflected the vitality implicit the term. First published in Jazz Journal April 1986 jazzjournal.co.uk/2026/04/29/jj-… via @jazzjournal
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JJ 04/86: Herbie Hancock / Foday Musa Suso – Village Life. Forty years ago, Mark Gilbert was disappointed that Herbie Hancock seemed disinclined to relieve the monotony of 40 minutes of noodling kora jazzjournal.co.uk/2026/04/29/jj-… via @jazzjournal
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JJ 04/86: Rhythm-A-Ning. Forty years ago, Chris Sheridan applauded Gary Giddins' misapprehension of fusion as music of 'stuffed rhythms, runny intonation, bloodshot mel­odies'. First published in Jazz Journal April 1986 jazzjournal.co.uk/2026/04/29/jj-… via @jazzjournal
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JJ 04/76: Tony Bennett & Bill Evans – The Tony Bennett And Bill Evans Album. Fifty years ago, Michael Shera heard Bill Evans making one of the best singers of popular song sound better than he was jazzjournal.co.uk/2026/04/29/jj-… via @jazzjournal
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JJ 04/76: Dexter Gordon – Stable Mable. Fifty years ago, Steve Voce observed that the bare-bones setting of tenor and rhythm exposes weakness but that in Dexter's case there wasn't any. First published in Jazz Journal April 1976 jazzjournal.co.uk/2026/04/29/jj-… via @jazzjournal
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JJ 04/76: Lee Konitz & Warne Marsh At Middleton Hall, Hull. Fifty years ago, Michael Shera marvelled at seeing Warne Marsh - 'the greatest tenor saxophonist active in jazz at present' - appearing, improbably, in Hull jazzjournal.co.uk/2026/04/27/jj-… via @jazzjournal
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JJ 04/66: Eddie Harris – The In Sound. Sixty years ago, Steve Voce, declaring himself resolutely out with the Out Sound, couldn't square Harris's immaculate tone and technique with the way he deployed them. jazzjournal.co.uk/2026/04/27/jj-… via @jazzjournal
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JJ 04/66: Paul Desmond – Glad To Be Unhappy. Sixty years ago, Mark Gardner was glad to find that while the jazz scene in general lacked good taste and sincerity, those qualities were abundant in the work of Paul Desmond and Jim Hall jazzjournal.co.uk/2026/04/27/jj-… via @jazzjournal
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JJ 04/66: Freddie Hubbard – The Night Of The Cookers – Vol. One. Sixty years ago, Mark Gardner enjoyed the sparks flying when two creative, virtuoso bebop trumpeters - Freddie Hubbard and Lee Morgan - locked horns jazzjournal.co.uk/2026/04/27/jj-… via @jazzjournal
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Judith Owen: ‘I dream of being unladylike’. We might assume from past photoshoots that Judith Owen is a raunchy bar-room blues belter but her new album, Suit Yourself, shows her aptitude for more subtle shades jazzjournal.co.uk/2026/04/26/jud… via @jazzjournal
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Swanage Jazz Festival presents ‘pure jazz’ in 30 concerts. While other festivals drink the compromise of pop crowd-pullers, the 35-year-old Jurassic Coast event, driven by grassroots enthusiasm, sticks with those versed in the real thing jazzjournal.co.uk/2026/04/22/swa… via @jazzjournal
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Cheltenham Jazz Festival 2026. An array of pop, blues, soul, R&B - and jazz - is lined up for the 30th Cheltenham Jazz Festival later this month. Among the jazz players are Guy Barker, Joshua Redman and Emma Rawicz jazzjournal.co.uk/2026/04/21/che… via @jazzjournal
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