Jon Addison

In December I worked with a fabulous array of talented writers and I'm looking forward to supporting more of you in 2025. If you're interested in carefully considered feedback and guidance, get in touch at Fix My Script. fixmyscript.net

I’ve worked with countless writers who would agree that our collaboration has taken not only their script but their writing as a whole to the next level. I’d love to hear from anyone interested! ❤️

#Screenwriters, looking to perfect your script with a dedicated script consultant? Get in touch through my website below. No AI, no faceless company - just honest, carefully considered feedback and guidance from someone who truly cares about your vision. fixmyscript.net

@WriterHBlack Can't wait to give this a watch!

Only the Sunday Times calling my script ‘earthy and clever’ And yeah, I know this stuff shouldn’t matter and yet… #thewives

@sophierodger_ Hi Sophie - apologies, I can’t seem to see your submission in my emails (nor my spam). I received 300+ submissions so I’m afraid notes were only supplied to some of the script I’m moving forward with pitching to the team.

@JonAddison_ Hi Jon, thanks for letting me know. I didn't receive an email and double checked (for my own peace of mind!)and the pilot was sent before midnight. Just for my records, were any notes given for the entries or only notification if the script was going to the 'next round'? Thanks

@JonAddison_ Hi Jon, I sent in a script for the pilot callout in June and wondered if you had sent feedback and I had missed it in my emails! Thanks Soph

@abibaumann_ Don’t fret, I’m sure I’ll do another call for pilots in a couple months!

@ReelJordiSteel Hi Jordi. Good question. That has an impact on the 'power of the pitch', but if the story blows me out the water, the IP / true story can't be ignored, and or there's significant competition success attached to the project, then it doesn't matter - I'm for sure interested!

@JonAddison_ Hey Jon, are you accepting non-represented writer with no credits so far?

@WriterHBlack I work for Pathe, though submissions will be independently received and submitted to the team by myself. For legal reasons Pathe do not accept unsolicited scripts. This is my own external work that I'll put forward to Pathe, should the 'right' projects / people come my way.

@JonAddison_ Could you say which prod co then I will certainly RT to my writer mates

@ImChrisWoodley If the story catches my eye - I'm in! But to be fair, you are very right about companies staying distant from period drama right now.

@JonAddison_ Hi Jon! Would you be open to reading a pilot set in 1990's? 😊 That is 'period drama' by some people standards.😂 I know how some companies feel about that. But my project is semi- autobiographical and defo touches on key issues in the UK.x

@LinsayRousseau Hi Linsay! Unfortunately, only looking for UK screenwriters. Wishing you the best of luck out there in the States!

@JonAddison_ Hey Jon. I'm based in the US but the industry is dead over here. I have two pilots that I have a deep personal connection to, one is based on true events and one is partially set in Europe.

@Philip_Lawrence Slate relatively new (established in film prior to TV), so open to anything but prefer: based on true stories, writer with connection to story / expert in area, impactful themes that touch on key issues in the UK. Also, keen to find a love story if the right one is out there.

I'm not gonna share those disgusting racist tweets, but I'm gonna state that Francesca is a gorgeous human being - both inside and out. I can't wait to see her in @JamieLloydCo 's Romeo & Juliet and fucking eat it up it like I know she can. The people that know, KNOW.

📣 There's only ONE MORE DAY to submit to the New Writers Collective! Hear from one of our 2023 New Writers Collective delegates, Carys Thomas. Carys is a writer, director, and creative from Cardiff. Deadline: Thursday 21 March Entry Fee: £24 Submit! 👉 bit.ly/3T7UtJt

@CampionAmbrose You're too kind, my friend! 🥰

YES 👏 YES 👏 I can honestly say that THE BACKROOMS is one of the best TV pilot spec scripts I have ever read and this is most deserved. Amazing news. Congratulations, Jon!

An amazing surprise to wake up to! My script THE BACKROOMS has just progressed to Finalist at @atlantafilmfest, pushing it into the Top 2% of all scripts on Coverfly! I'm stoked that all my hard work is starting to land Finalist spots at globally renowned screenwriting contests🥳

For all my UK friends starting out in TV, I can wholeheartedly recommend The Network. A very valuable experience!

@tonyshoey Colour me hyped, Tony. 🔥

Wooooo, some great news with my screenwriting! I've just grabbed a Semifinalist spot at Atlanta Film Festival and Second Rounder at Launch Pad Pilot Competition (among other accolades), pushing my script THE BACKROOMS to the top 5% of all projects on @Coverfly 🙌🥳

@NathanBryon Love it, Nathan!

Bafta nomineee party with these pretty folkes!!!! #ryelane 🍾🍾🍾🍾🍾🍾🍾🍾🍾🍾🍾🍾🍾🍾🍾🍾🍾