JORDAN BAYNE ᵍᵐ 📽 The Squad

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JORDAN BAYNE ᵍᵐ 📽 The Squad

JORDAN BAYNE ᵍᵐ 📽 The Squad

@jordanbayne

Award winning Filmmaker | Film3™ OG | Founder: @film3squad @aiengen3 @metacannes | CPP @Hailuo_AI @pika_labs @Kling_ai | Featured in @deadline @variety @vogue

New York - Madrid Katılım Eylül 2008
3K Takip Edilen10.7K Takipçiler
Invideo
Invideo@invideoOfficial·
We sent Agent One to Wong Kar-wai's film school. It read every page. Studied every frame. Learned the rules of how he sees, what he frames, and what he leaves out. Then we made a film with it. We directed, Agent One assisted, the way any crew member who'd done their homework would. Check the thread below for a breakdown👇 & comment “agent one” to get the treatment doc in dm.
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Henry Daubrez 🌸💀
Henry Daubrez 🌸💀@henrydaubrez·
WE DON’T NEED MORE REMIXES. WE NEED NEW WORLDS. Testing The Light Within as a feature. The solo studio is real, and it’s testing the future of storytelling.
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Mike Miller
Mike Miller@pt5films·
"AI will never replace real filmmakers." It won't. That's the point. It will replace the gatekeepers who decide which filmmakers get to make things.
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DJ Furth
DJ Furth@djfurth·
this quote from actor-director Mathieu Kassovitz (in American Cinematographer's April issue) captures the wild economic reality that's the new-normal: "A project that might have cost $50–60M is now closer to $25M using AI." that's not a projection but a current reality
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JORDAN BAYNE ᵍᵐ 📽 The Squad retweetledi
enGEN3
enGEN3@AIengen3·
IP Protections + fan participation. We are just getting started. Shout out to our fearless leaders @jordanbayne and @PAWmckenzie and our partners @mercaturaforum
JORDAN BAYNE ᵍᵐ 📽 The Squad@jordanbayne

Proud to announce Olympic medalists @fkerley99 and @DaLJBeast are launching on enGEN3 Brand protection + fan participation Thank you to @SBJ for featuring @AIengen3 created by @jordanbayne founder @Film3Squad + @PAWmckenzie co-founder @GoldfinchEnt sportsbusinessjournal.com/Articles/2026/…

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ICP HUB Egypt
ICP HUB Egypt@icphub_EG·
Big surprise EnGen3 by @jordanbayne and @PAWmckenzie developed by $ICP Hub Egypt launches its athlete programs with international athletes with launch party happening in Cannes Film Festival! Stay tuned for details, artists, reach out to try out the platform in testing period. sportsbusinessjournal.com/Articles/2026/…
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George Strompolos
George Strompolos@gstrompolos·
Digging into YT demonetization issues impacting AI creators. There are 2 camps: 1) AI for original storytelling, new worlds & IP, 2) AI for low-quality, repetitive content to game system. Be in camp 1.
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BETTY
BETTY@betty_nft·
Speaking strictly about pfps, this next run feels like it could have 2021 energy but we’ve got a cheat sheet of which projects stuck around to build and which didn’t. I’m excited to see what the OGs that are still here do, and equally excited to see some fresh entrants. LFG.
GIF
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JORDAN BAYNE ᵍᵐ 📽 The Squad retweetledi
Ben Stiller
Ben Stiller@BenStiller·
There are already very few buyers out there. Original ideas and non legacy IP is extremely hard to get made by a major studio or network. The winnowing down of choices results in less opportunity for new voices and diverse viewpoints in what we all are given the opportunity to see. It’s already been challenging for years, and the merger will only make this worse.
Mark Ruffalo@MarkRuffalo

HBO was the only streamer willing to make “I Know This Much Is True”. Very difficult material. We won an Emmy and a Golden globe for it. Knocking out even one streaming service, or combining even two, would have made “I Know This Much Is True” impossible to get made.

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BETTY
BETTY@betty_nft·
I truly believe at the end of 2022 when marketplaces tried outdoing each other by how much money they could save by not paying creator royalties (but maintaining their own fees), we saw not only the death of some incredible projects with potential, but a waste of 4 solid years on a stupid argument to save individuals peanuts by taking the wind out of the sails of so many. I think we’d have seen product market fit a lot earlier for a lot more people if royalties were left alone, and I think the people responsible for all of it know that. Instead we saw mass farming in a race to the bottom where only a small handful of people benefitted. Moving on, as things start to pick back up again, we have a chance to learn from what clearly didn’t work. People often talk about the golden era of NFTs. It was because of royalties. Your favourite projects literally all did what they were able to do because of royalties. They raised millions and survived so long because of the royalties.
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BLVCKL!GHT
BLVCKL!GHT@BLVCKLIGHTai·
If you want something to listen to this morning with your coffee, check out the chat I had recently when I sat down with @jordanbayne open.spotify.com/episode/36WyiR…
JORDAN BAYNE ᵍᵐ 📽 The Squad@jordanbayne

New Film3 OG episode. live on YouTube/Spotify/Apple + I’m joined by @BLVCKLIGHTai one of the most original voices working in the space right now. We talk human authorship, world-building, AI workflows, and what it means to build new cinematic language

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