jordan metro

RIP Akira Toriyama. Mine and so many others lives and childhoods wouldn’t be the same without his work.

Information ; Dear Friends and Partners en.dragon-ball-official.com/news/01_2499.h…

@aquakultre I FEEL THAT. I have days where I feel like I know so much, and other days where I’m like “I have no idea what I’m doing”

@JustChrisSabat Losing it

Prepare to lose your minds.

@edthesoundman 100000% accurate. Also one of those people who cracked in the beginning of my career but since actually buying plugins, it’s tells my clients that I’m personally invested in my craft and into the work I provide for them, which in turn makes people want to invest into me.

The explanation: Each word I type is intentional (particularly my use of the word “own” in the original Tweet, and should clue you in on a more deliberate meaning). When you pirate a plugin, you are benefiting from its use without paying for it—but even “normal” people will justify theft when they view software as nothing more than 1s and 0s. These physically-intangible creations are seemingly worthless to them—remarkable tools, created by those passionate enough about their work to execute a finished-product worth installing. Freeloaders don’t value the art (or time) of developers, and my suggestion is that people who don’t value the work of others must not value their own work, either. No need to convince me otherwise—it’s just a suggestion. The other half of my Tweet refers to “plugin collectors” (I said EVERY plugin) who spend more time downloading software than they do creating music. It could be argued that piracy has intrinsic benefits, and that many people wouldn’t even be “doing music” had it not been for piracy (thank you Peter Quistgard!). Well, if that’s true, then expression through music must not be deep in their blood and bones like it is in mine (true for a good portion of hobbyists these days)—in which case, I can’t relate. I do believe that plugin piracy creates future customers (if I had my own plugin brand, I’d deliver the unlocked versions to piracy groups myself)—but that determination is for the artist (the developer) to decide (maybe the “pay what you want” model isn’t widespread for a reason). This will be harder to appreciate for those who have never invested anything more than a few mouse-clicks to reach their goals—but the idea that piracy is good for business is an assessment that the uninvested and biased have no business making (not even addressing the money being made by the uploaders; from hosting sites that pay-per-click). You have excused the act of taking what you want (in part by vilifying the companies that you rely on every day)—no need to waste anymore time justifying what, according to your own moral compass, needs no justification. The year is 2023, and accessibility is no longer an excuse. A plethora of amazing free-plugins exist, and if you can’t succeed using free and stock tools, then you aren’t really trying. I don’t say that as an insult—I just mean that the assumption of free tools being inferior is a convenient one, and active-pirates have no need to challenge that theory. Do exceptions exist? Yes they do. Pay for them. The people in the video are gross—but we are all capable of gross behavior, which is why thought-exercise is so important to our growth as human beings. Growth is almost always the point of my so-called “bait”—it always has been. This Tweets has been composed for thinkers; not for numbskulls. Now, imagine if I took the time to explain every one of my Tweets to you people 🫠

@edthesoundman Tone Empire Firechild.

List the plugins that you regret buying:

If you want something done right…thanks to everyone who gave names for this list. Keep ‘em comin’ and let’s give flowers to the rappers who deserve them! open.spotify.com/playlist/715w2… #HipHop50 #CanadianHipHop #FemaleRappers #EnbyRappers

@alextumay You’re my hero man

Mixed or recorded most if not all: Tha tour, barter 6, slime season 1/2, Jeffery, BTG, slime language, Hear no evil, on the run, so much fun. Mixed or recorded like half of slime season 3 Mixed one on I’m up, slime language 2 Recorded one on business is business

Insane to think that I’ve worked on 14 projects with @youngthug #freejeff

I miss twitter bro

@edthesoundman Yes. I don’t understand it lol mixes have stopped mattering for a lot of young rappers. It’s a certain sloppy approach people like for some reason

So much modern hip-hop is being released in an unpolished state, and I’m beginning to wonder… I can’t think of one good excuses for why a piece of music from a high-profile artist would pass without the mix being handled by a master. Any theories? Is amateur-sounding what’s in?

Audio engineers need to organize to protect and define our intellectual property as AI is starts to exist in every part of the industry. If an AI is using existing songs to create new songs the mixes are a part of that. Our input needs to be defined in times like these.

@UAudio please add Avalon 737 to spark. Please 🥺

@oldmanebro Too much

How big is the population of voters who believe this wild shit?

@mymixtapez @Shotbyronald1 @whoisreef What a dick riding question

@edthesoundman @DannyKBeats As far as antisemitism for sure for sure

@DannyKBeats Duh.

Kanye West > Drake

@ComplexMusic Scathing. @BNYX beat is undeniable fire though

Drake put more energy into troll-style marketing for “Search & Rescue” than the song, resulting in a below-average track that’s bogged down by pettiness. complex.com/music/a/j-rose…

@edthesoundman Woowww. I started on 6 just before they updated to 7.

How long have you been using FL Studio?