Joshua Beamish

New ballet season announces! @BalletVan's new season starts with Balanchine's Apollo & Other Works, Sep 11 & 12, 2026. 🎭Vancouver Playhouse With Classical Masters Feb 11-13 & @ giselle May 13-15, 2027. More info & ticket links here🎟️bit.ly/4u0nFlf #dance #YVREvents

Joshua Beamish signals that city’s dance scene is stepping up en pointe with launch of @BalletVan @JoshuaBeamish Learn more @PancouverMedia: pancouver.ca/joshua-beamish…

@GoneBoy94 Penelope Cruz & Mira Sorvino

La mejor ganadora del Oscar a Actriz Secundaria de la historia. Repesca! Vota DOS de las eliminadas en la ronda 1 que quieras que vuelvan a la competición y estén en la ronda 2.

@sethsfilmreview Incredible taste

Tried to make a list of my 10 favourite acting performances of the last 10 years. Thoughts?

🆕Come to the 🎭Vancouver Playhouse for the debut of @BalletVan city's newest professional ballet company in After the Rain & Other Works. 📅Apr 23 to 25, 2026. Ticket links🎟️ bit.ly/40cO0zz @JoshuaBeamish #Dance #VancouverEvents

@filmprcris Exactly. Stole the whole film. No traction

Sort of blown away by Gwyneth Paltrow in MARTY SUPREME and the way she just walks away with the film. How did this marvelous turn get so little awards traction?

@NextBestPicture Impeccable taste! My exact picks

Best Actress for every year this decade 2025: Rose Byrne, If I Had Legs I’d Kick You 2024: Marianne Jean-Baptiste, Hard Truths 2023: Emma Stone, Poor Things 2022: Cate Blanchett, Tár 2021: Kristen Stewart, Spencer 2020: Carey Mulligan, Promising Young Woman

One of the most deserving sweeps I’ve ever seen

"You should be inside of a film when you go into a theater. It should surround you, envelope you, so you can live inside a dream." -- David Lynch

New York Film Critics Circle – Best Actress WINNER: Rose Byrne, If I Had Legs I’d Kick You

the scene in if i had legs i’d kick you where rose byrne is begging her therapist to to tell her what to do hits me so viscerally in the gut every time. give her that oscar

@CinemaTweets1 Exactly! No dramatic tension after the first 20min. So much potential. Puzzling in every way.

A House of Dynamite (🌟🌟) isn’t just bad storytelling, it’s another example of Kathryn Bigelow’s failure to say something meaningful about geopolitical affairs. Put your political beliefs aside, this is a mediocre film at its absolute best & I welcome anyone to try and prove otherwise. Sure, A House of Dynamite asks a worthy question- what would happen if a nuclear warhead was headed to the United State. But it fails to properly engage with this question & ultimately fails to even entertain its audience. I very much enjoy the political thriller genre & wanted to enjoy this film. But this is without a doubt one of the year’s biggest disappointments. Part of why I say A House of Dynamite is poor storytelling is because the same story is repeated from three different vantage points. In other words, the plot is not thick enough here: we learn within the first 20 minutes that an unidentified nuclear warhead is headed towards the United States. Within the first 20 minutes of the film, which is told through Situation Room leader Olivia Walker (Rebecca Ferguson), we specifically learn that 1) the warhead is headed for Chicago & 2) the U.S. doesn’t know who is responsible. From there, the same series of events is told from the perspective of a U.S. military base lead by General Brady (Tracy Letts) & then eventually the third and final perspective which is from the U.S. President (Idris Elba). From just a sheer storytelling perspective, by telling us within the first twenty minutes that the warhead is headed for Chicago & the U.S. can’t identify who sent the warhead, there is truly not much plot left to tell. Nothing else really happens. Instead, we’re left with the same, repetitious reaction from Walker then Brady then the President. We gain nothing by having the same series of events repeated over and over from a different perspective. Instead, as an audience we actually lose something- which is the film’s momentum or any intensity that was created in the first act. Then there’s the political messaging. I think this story is at its strength when both the President and General Brady have to explore whether to de-escalate nuclear war or preemptively strike other countries before they can launch their arsenals. The problem here is the dialogue or discussion around such an important, sensitive topic is utterly pathetic. There is zero consideration, thought, or accountability factored into these discussions from General Brady or the President that properly accounts for the loss of life in *other countries*. It’s like this entire film operates on the premise that loss of life outside of the United States is negligible. Not only are we left with a paper-thin plot, we’re left with paper-thin dialogue that does not rise to the importance of this film’s subject matter. Lastly, the performances. You would think with a cast that features actors like Ferguson, Ilba, Jared Harris, and more would thrive- but because of how this film is edited and because of how this screenplay is written, none of the performances stick. I am a massive Ferguson fan- but her talents are wasted in this film, as is this entire ensemble. We never see her again after the first act & in that first act, we’re only given a taste of what she can really bring to the film. This is the case with nearly every performance. Why tease us and then pull the rug out from under our feet? It’s a lost opportunity for every actor involved. I really looked forward to A House of Dynamite going into 2025. I’m really disappointed to say this is not a good film.

@BilgeEbiri This film is shockingly bad and sentimental in the worst, most obvious ways. Also, this is the modt confoundong Idris Elba performance I’ve seen. What was he doing?

I loved Kathryn Bigelow's A HOUSE OF DYNAMITE, a film that a lot of people seem to be interpreting as a fantasy (read: propaganda) of American power and competence, when in fact it is the exact opposite of that. vulture.com/article/review…

#ForImmediateRelease Internationally acclaimed Vancouver choreographer @JoshuaBeamish announces the launch of Vancouver-based ballet company, Ballet Vancouver Performance Series (@BalletVan) PUBLICITY MATERIALS: bit.ly/42juEdF 📸 by Karolina Kuras

Nothing will ever be as insane/mind-bending as the Kate Middleton is missing era

The industry is so racist, because what do you mean Marianne Jean-Baptiste and Michele Austin still haven’t been cast in anything after giving two of the BEST performances of last year in #HardTruths…

@awards_watch Less into After the Hunt as a prospect just because you don’t like the poster?

2026 Oscar Predictions: SUPPORTING ACTOR (August) 1. Stellan Skarsgård – Sentimental Value 2. Adam Sandler – Jay Kelly ↑ 3. Jeremy Strong – Springsteen: Deliver Me From Nowhere ↓ 4. Sean Penn – One Battle After Another 5. Paul Mescal – Hamnet #Oscars awardswatch.com/2026-oscar-pre…

Attention Vancouver! Principal Dancers Frances Chung and Harrison James are taking part in the 20th Anniversary Gala of Joshua Beamish/MOVETHECOMPANY. This guesting is extra special as it marks Frances' first performances back in her hometown in 10 years! 📷: Alex Reneff-Olson

.@sfballet Principal Dancer, Frances Chung & MOVETHECOMPANY Artistic Director, @JoshuaBeamish tell CTV Morning Live's @Keri_Adams about their show at the Vancouver Playhouse! 🩰 ctvnews.ca/vancouver/vide…

@Matty_In_Perth @Senators As a stranger, if you can only commemorate the lost life of your child through your own love of a hockey team it’s not endearing, its tragic

On May 8th, I lost a piece of me. My Son Caleb fell victim to a sickness not talked about enough, suicide. Caleb knew my love of the Ottawa @Senators and was well aware of the #Sens community I was involved with. We attended our last game together on March 13th. RIP my boy! Xoxo