KFCExpert

skebリクエストありがとうございました！！

@PiggyKropotkinn We boutta return the Christian Puritanism Movement with this bitch. All thats missing are Congressional meetings about how scandily dressed women are corrupting the minds of children.

Posting beautiful FromSoft women with amazing and tasteful designs for no particular reason

Commission for Kittipon Ruchakanit

こどもの日

"Asking for Directions" by northernmostfox on IG

#アズールレーン #AzurLane👕⬜️

Golden Boy (1995)

Mordred has good jeans

😘 #듀엣나이트어비스 #듀나 #카밀라

@wentsickomode Excalibur will forever be one of my Top 5s best movies ever. There's just something to the fantastical elements of it and will never ever be replicated again in today's world.

Excalibur - 1981

@kleeposting Excalibur is SO FUCKING PEAK!

Just imagine how bland and dead the same movie, with the same script and actors, would be in the hands of Christopher Nolan

Queen Marika sketch in JLU style

『西へ向かうと言っていた』

skeb

Tsukihime girls blushing Art by @yakksans

今朝のお目覚めさん

@medievalmlord Knowing the French Revolutionaries freely let Maquis De Sade free after all of his heinous Sex Scandals and would rather go after Chaste and Virgin Catholic Nuns tells me enough about the Revolt and why Napoleon took over.

猫が神であると証明する映像　神の帰還

@ReviewsPossum "Oh, are yoy fucking motherfucking actually fr fr kidding me you dipshit fucker? Don't you know much I paid for this shit you son of a bitch motherfucking cunt ass horse cock dipshit shitbrain motherfucking fuck?!" This also applies to Movies and Cartoons.

Am I missing any? • Postmodern "deconstruction" of a genre that thinks it's more clever than it really is. • Everything is ironic because they're afraid attempts at sincerity will be seen as cheesy. • Bathos (when something serious happens but the drama is immediately undercut by a joke). • Fucked up moral lessons such as portraying selfishness as good. • Aversion to heteronormative romance. • Unlikable "strong female character" who talks down to everyone. • Fetishism masquerading as progressivism. • Villain is a thinly veiled stand-in for the writer's dad. • If it's a sequel, prequel, adaptation, or remake, then it's written less like a story set in that universe, and more like a metacommentary about the franchise where creative decisions are based not on what's natural or logical, but on audience expectations or the subversion thereof. • Protagonist was always perfect the way they are and they just had to learn to unleash themselves instead of improving or overcoming weaknesses. • "This is a good character because they're really powerful." • Conflating high stakes with high drama. • Soapboxing. • "It's sci-fi/fantasy, so it doesn't have to be consistent with its own internal logic or established rules!" ("space wizards" argument.) • "Who cares whether or not it makes sense! What matters is how it makes you feel!" Because these things are mutually exclusive somehow. • Female villain is only evil because of something a man did to her. • "The man-eating, soul-stealing, vampire rapist spider people are just misunderstood. Humans are the real monsters." • "Capitalism bad. Now here's a thing we included just so we could sell toys of it." • Pop cultural references. • "LOL drugs." • "Isn't it funny that we're drawing attention to this trope we're doing? We're so much smarter than those other shows and movies that do the same thing because at least we're self-aware!" • Ugly on purpose for no real purpose. • Snarky and irreverent protagonist who quips and has a witty retort for anything said to them. • Sexualizing women bad, sexualizing men good. • Safe-edginess that's just casual bigotry toward acceptable targets such as straight men, French people, American southerners, etc. • Old IP "reimagined" for the "modern audience". • Protagonist is a shameless self-insert. • "Humor" is "person I don't like dies." • "Muh realistic anxiety attack!" • Someone told them "write what you know" and what they know is coffee shops and porn. • Cute, child-like thing is evil. • "Traditionally heroic virtues are bad, actually." • "I may be a cannibal who burns down orphanages, but at least I'm not a racist!" • "Morality is subjective! Unless you disagree with my politics, in which case you're objectively evil!" • Thinks they can make a scene "emotional" by simply showing a character crying when they haven't done anything to earn that emotional moment. • Dialogue has a lot of "ums" and "yeeeahs". • Memes in the place of jokes. • "Creative" insults that are just swear words combined with other words, like "fuckstick", "shitballs", or "bitchmuffin". • Adult characters talk like teenagers. • Characters use internet slang in real life. • All male characters are stupid, evil, or both. • Baby talk combined with excessive profanity. • Male protagonist gets pushed aside for a female character. • All characters who oppose the protagonist (and therefore the writer's ideals since the protagonist is the writer) are strawmen because the writer cannot model other people's minds. • "Why tell a timeless story that will resonate with future generations when I can make it about my pet political gripe of the week?" • "How can I show that this character is unique and rebellious? I know! I'll give her blue hair and a side-shave!" • Sexual preferences/gender identity is a character's entire personality. • Stupid gotcha argument presented like it's profound wisdom and always goes unchallenged. • "It's a made-up story, so we can do whatever we want with our adaptation! Who cares about the author's intent or the reasons they wrote it how they did?" • Performative support for whatever happens to be the current political issue of the moment that no one will care about in five years.