PRE ORDER MY NEW SINGLE “Treat Me Like a Princess” here exclusively on @even_biz before it drops anywhere else ✨🥹 if you believe in me, I need yall to show up for me in this moment 🌸 Single drops May 8th
even.biz/releases/treat…
.@Dondria on "Solitude," the first single from her upcoming album:
“In a world that constantly demands your attention, this record is a reminder to quiet the noise and reconnect with who you are at your core."
ratedrnb.com/2026/05/dondri…
Album of the day. Few artists are able to do so much with what sounds like so little. With sparse arrangements complemented by seemingly simple chord progressions and direct songwriting, the all-time best singer-songwriters evoke strong emotions and trigger every sense that allows the listener to feel what they're expressing. The late great Bill Withers was a master at pulling from a nuanced gamut of human emotions with every experience he sang about. His 1971 debut, Just As I Am is simply one of the most riveting debut albums ever recorded in music history. With a deep listen, it's very much in the tradition of great Blues recordings, drawing into the psyche and observations of a southern-born Black man in America. There's the sad nostalgia of a bygone era in the Black experience found in the album's opener, "Harlem" that's only undercut with the sadness of love lost on "Ain't No Sunshine." Then, we find Withers recalling fond memories of a deceased loved one and a romantic love on "Grandma's Hands" and "Sweet Wanomi." But it's the album's flip side that confirms why Withers was a riveting storyteller (just focus in on the vivid feeling and immense emotion conveyed in "Hope She'll Be Happier," "I'm Her Daddy," "In My Heart," "Moanin' and Groanin'," and "Better Off Dead.") I must also give credit to the hidden musical treasures of Withers' backing rhythm section, Booker T. & the M.G.'s and the great Stephen Stills (of Crosby, Stills, Nash & Young), who provided succulent lead guitar work on this classic as well.
The-Dream on if his iconic ad-libs will be included on “Love/Hate 2”:
"Oh, absolutely. I was playing the record and Playboi Carti works in the studio next to mine. And he’s like, 'Yo, bring one of the records over.' He’s doing something with somebody else, I won’t comment on what that is. I played him some records from the album. And he’s like, 'Wait, big bro, where’s the ‘ellas?' He’s like, 'What? Are you crazy?' As soon as he said that I said, alright, cool. Thank you, young fella. I went on to make sure that I was adding them in places where it was tasteful and meant something for it to be there."
variety.com/2026/music/new…